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Matteo Mencarelli, Filippo Farinelli - Liriche da camera (2026) [Hi-Res]

Matteo Mencarelli, Filippo Farinelli - Liriche da camera (2026) [Hi-Res]
  • Title: Liriche da camera
  • Year Of Release: 2026
  • Label: Tactus
  • Genre: Classical
  • Quality: flac lossless (tracks) / flac 24bits - 48.0kHz +Booklet
  • Total Time: 00:51:21
  • Total Size: 202 / 454 mb
  • WebSite:
Tracklist

01. Venite a intender li sospiri miei
02. Melodie liriche, Op. 25/32: No. 1, Perché?
03. Melodie liriche, Op. 25/32: No. 2, Le allodole
04. Melodie liriche, Op. 25/32: No. 3, Il tramonto
05. Melodie liriche, Op. 25/32: No. 4, Te solo
06. 3 Pezzi, Op. 84: No. 1, Maggiolata
07. 3 Pezzi, Op. 84: No. 2, Pianto antico
08. 3 Pezzi, Op. 84: No. 3, Nevicata
09. Canzionere, Op. 17: No. 15, Serenata
10. Canzionere, Op. 17: No. 16, Alza le trecce bionde e non dormire
11. Canzionere, Op. 17: No. 17, O tu che dormi e riposata stai
12. Canzionere, Op. 17: No. 18, Il letto ti sia fatto di viole
13. Canzionere, Op. 17: No. 19, Commiato. E giacché vedo qui l'alba apparire
14. 5 Canti all'antica, P. 71: No. 1, L'udir talvolta nominare il loco
15. 5 Canti all'antica, P. 71: No. 2, Ma come potrei io mai soffrire
16. 5 Canti all'antica, P. 71: No. 3, Ballata
17. 5 Canti all'antica, P. 71: No. 4, Bella porta di rubini
18. 5 Canti all'antica, P. 71: No. 5, Canzone
19. La sera fiesolana, Op. 37

The voice of baritone Matteo Mencarelli – accompanied by Filippo Farinelli on the piano – magnificently interprets the chamber music anthology presented in this release: a journey through Italian lieder repertoire spanning the transition from the 19th to the 20th century.

The overview of the featured composers (including a world premiere recording of works by Francesco Morlacchi) traces an intriguing path in which the use of poetic texts by both ancient and contemporary authors defines the thread running through the CD. From the literary sources employed by the composers of the Italian Historical 20th century – ranging from Dante Alighieri to Gabriele D’Annunzio, via 19th century German poetry and unique figures such as the Neapolitan poetess Laura Beatrice Mancini-Oliva – spring musical masterpieces in which the composers seek and find emancipation from the dominance of 19th-century theatrical melodrama, thereby realigning the genre of vocal chamber music with the European lied tradition.

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