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Gabriella Costa & Alberto Nones - Marco Anzoletti: Golden Nothingness (2024)

Gabriella Costa & Alberto Nones - Marco Anzoletti: Golden Nothingness (2024)
  • Title: Marco Anzoletti: Golden Nothingness (Complete Unpublished Art Songs for Soprano and Piano - World Premiere Recording)
  • Year Of Release: 2024
  • Label: Da Vinci Classics
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 51:48
  • Total Size: 214 MB
  • WebSite:
Tracklist:

1. Gabriella Costa & Alberto Nones – Il nulla d'oro in F Major (01:57)
2. Gabriella Costa & Alberto Nones – Tre variazioni sopra il tema d'un madrigale per una sola voce in A-Flat Major: I. Variazione. Andante (02:18)
3. Gabriella Costa & Alberto Nones – Tre variazioni sopra il tema d'un madrigale per una sola voce in A-Flat Major: II. Variazione. Largo (02:03)
4. Tre variazioni sopra il tema d'un madrigale per una sola voce in A-Flat Major: III. Variazione. Vivacissimo (01:09)
5. Gabriella Costa & Alberto Nones – Lento in C Major (03:19)
6. Gabriella Costa & Alberto Nones – Barcarola in G Minor (05:39)
7. Gabriella Costa & Alberto Nones – Preghiera di maggio in B-Flat Major (04:14)
8. Gabriella Costa & Alberto Nones – L'Ora in B-Flat Minor (03:13)
9. Gabriella Costa & Alberto Nones – Bacio Morto in A-Flat Minor (03:09)
10. Gabriella Costa & Alberto Nones – Tutti quei morsi in E-Flat Major (03:08)
11. Gabriella Costa & Alberto Nones – Quando Amor... in E Major (04:20)
12. Gabriella Costa & Alberto Nones – Vere Novo in D Major (01:23)
13. Gabriella Costa & Alberto Nones – La lavandaia di San Giovanni in F-Sharp Major (01:51)
14. Romanza in F Minor (02:14)
15. Gabriella Costa & Alberto Nones – O piccola Maria in E Major (01:41)
16. Gabriella Costa & Alberto Nones – Com'è arzillo stamattina in D Major (03:12)
17. Gabriella Costa & Alberto Nones – L'Allodola in D Major (01:47)
18. Gabriella Costa & Alberto Nones – L'esule slava in E Minor (02:46)
19. Canti d'Amore: No. 1 in E Minor, La Rosa e gli Amanti (02:40)
20. Canti d'Amore: No. 2 in E-Flat Major, Sogno dell’Alba (02:57)
21. Matteo Mencarelli – Canti d'Amore: No. 3 in G-Flat Major, Tutto ritorna (02:10)

Marco Anzoletti was born in Trento on June 4, 1867, into a family deeply entrenched in music and culture. Marco’s father, Luigi, played the cello; his two uncles, Giuseppe (violinist, conductor and composer) and Francesco (pianist, organist and composer), became the first celebrated musicians of the family. Marco’s sister, Luisa, was a poet and public intellectual engaged on various fronts, encompassing nationalist and irredentist causes, as well as advocating for the emancipation of women from a resolutely Christian standpoint (the title of one of her essays would translate as Faith in the Supernatural and its Impact on the Progress of Human Society). Luisa also delved into the study of the piano under the tutelage of Carlo Chiappani, a renowned music teacher in Trento, becoming a pianist capable of accompanying her brother on his tours. But it was Marco who would transform his passion for music into a lifelong profession. He studied violin at the Royal Conservatory of Milan with Gerolamo De Angelis and also honed his skills in composition, learning from figures such as Gaetano Coronaro, Cesare Dominicetti, and the renowned Amilcare Ponchielli. Soon after completing his studies in Milan and specializing in Vienna, Marco achieved a remarkable feat at a remarkably young age: he assumed the position of a Violin professor at the ”Verdi” Conservatory, succeeding his teacher. Under the strict yet nurturing guidance of Professor Anzoletti, a group of exceptionally skilled instrumentalists, both male and female, thrived. Their unwavering affection for their teacher shows in letters written to him even from the frontlines during the First World War. He taught until 1928, and his pedagogical contributions culminated in didactic works for both violin and viola still employed in conservatories today.



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