Raffaella Milanesi, Romabarocca Ensemble, Renato Criscuolo, Lorenzo Tozzi - Badia: Cantate per soprano e continuo (2024) [Hi-Res]
![Raffaella Milanesi, Romabarocca Ensemble, Renato Criscuolo, Lorenzo Tozzi - Badia: Cantate per soprano e continuo (2024) [Hi-Res]](https://www.dibpic.com/uploads/posts/2024-04/1712237217_lorenzo-tozzi-badia-cantate-per-soprano-e-continuo-2024.jpg)
BAND/ARTIST: Raffaella Milanesi, Romabarocca Ensemble, Renato Criscuolo, Lorenzo Tozzi
- Title: Badia: Cantate per soprano e continuo
- Year Of Release: 2024
- Label: Tactus
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 48.0kHz +Booklet
- Total Time: 01:05:23
- Total Size: 312 / 630 mb
- WebSite: Album Preview
Tracklist
01. Per te sola, Filli mia
02. Clori, non più rigori
03. Farfalletta amorosa
04. Pur al fine tu sei mia
05. Begl'occhi amorosi
06. Rotto è l'antico laccio
07. Lumi, che vi dirò?
Carlo Agostino Badia was one of the many Italian musicians making his fortune at the court of Vienna where he was hired as a composer in 1694. We have no news about his education, but the musical historiography is mentioning about his great compositional period lasting forty-four years at the service of the emperors Leopold i and Joseph i, in which he produced in large quantities cantatas, melodramas and oratorios greatly appreciated at the Austrian court. From his musical writing it is clear how he was a “ferryer” of that late Baroque (followed by Antonio Caldara who succeeded him at the Viennese court) anticipating the forms of the imminent galant style. In this recording the attention is directed to the profane cantatas, from the collection Tributi Armonici – published in Nuremberg in 1699 – which represent precisely the transition from the traditional style (in particular the Venetian one) to the new eighteenth-century style. The great variety of writing that distinguishes the cantatas is well rendered by the ductile voice of the soprano Raffaella Milanesi accompanied by RomaBarocca Ensemble, under the direction of Lorenzo Tozzi.
01. Per te sola, Filli mia
02. Clori, non più rigori
03. Farfalletta amorosa
04. Pur al fine tu sei mia
05. Begl'occhi amorosi
06. Rotto è l'antico laccio
07. Lumi, che vi dirò?
Carlo Agostino Badia was one of the many Italian musicians making his fortune at the court of Vienna where he was hired as a composer in 1694. We have no news about his education, but the musical historiography is mentioning about his great compositional period lasting forty-four years at the service of the emperors Leopold i and Joseph i, in which he produced in large quantities cantatas, melodramas and oratorios greatly appreciated at the Austrian court. From his musical writing it is clear how he was a “ferryer” of that late Baroque (followed by Antonio Caldara who succeeded him at the Viennese court) anticipating the forms of the imminent galant style. In this recording the attention is directed to the profane cantatas, from the collection Tributi Armonici – published in Nuremberg in 1699 – which represent precisely the transition from the traditional style (in particular the Venetian one) to the new eighteenth-century style. The great variety of writing that distinguishes the cantatas is well rendered by the ductile voice of the soprano Raffaella Milanesi accompanied by RomaBarocca Ensemble, under the direction of Lorenzo Tozzi.
Year 2024 | Classical | FLAC / APE | HD & Vinyl
As a ISRA.CLOUD's PREMIUM member you will have the following benefits:
- Unlimited high speed downloads
- Download directly without waiting time
- Unlimited parallel downloads
- Support for download accelerators
- No advertising
- Resume broken downloads