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Andrea Fossa, Renato Criscuolo, Anna Fontana, Francisco Gato - Pietro Gaetano Boni: Sonatas for Cello and Bc, Op. 1 (2009)

Andrea Fossa, Renato Criscuolo, Anna Fontana, Francisco Gato - Pietro Gaetano Boni: Sonatas for Cello and Bc, Op. 1 (2009)
  • Title: Pietro Gaetano Boni: Sonatas for Cello and Bc, Op. 1
  • Year Of Release: 2009
  • Label: Dynamic
  • Genre: Classical
  • Quality: FLAC (image+.cue,log,scans)
  • Total Time: 01:02:20
  • Total Size: 342 Mb
  • WebSite:
Tracklist:

Sonata No.2 in C minor, for cello & b.c., Op. 1
1. I. Grave
2. II. Allegro e alla Francese
3. III. Allegro
Sonata No. 3 in D major, for cello & b.c., Op. 1
4. I. Allegro
5. II. Adagio
6. III. Allegro
Sonata No. 9 in G minor, for cello & b.c., Op. 1
7. I. Largo
8. II. Alla Francese allegro
9. III. Allegro
Sonata No. 1 in A major, for cello & b.c., Op. 1
10. I. Andante
11. II. Allegro
12. III. Adagio
13. IV. Allegro
Sonata No. 11 in E minor, for cello & b.c., Op. 1
14. I. Cantabile
15. II. Allegro
16. III. Cantabile
17. IV. Alla Francese allegro
Sonata No. 10 in C major, for cello & b.c., Op. 1
18. I. Largo
19. II. Allegro
20. III. Largo
21. IV. Allegro
Sonata No. 12 in D minor, for cello & b.c., Op. 1
22. I. Adagio
23. II. Alla Francese allegro
24. III. Allegro
Sonata No. 8 in F major, for cello & b.c., Op. 1
25. I. Largo
26. II. Alla Francese allegro
27. III. Largo
28. IV. Allegro

Performers:
Andrea Fossa
Renato Criscuolo
Anna Fontana
Francisco Gato

An accomplished cellist and a composer in the service the same Cardinal as Arcangelo Corelli, the name of Pietro Gaetano Boni has long been forgotten along with his compositions and technical achievements on his instrument. Fortunately, a delightful set of 12 sonatas for cello and basso continuo has survived to be performed by cellist Andrea Fossà (only 8 of the 12 are heard on this Dynamic album) accompanied by a continuo of a second cello or viola da gamba, archlute, and harpsichord. Boni's familiarity with the cello is apparent from his melodies that play to the cello's strengths while still exploring what, at the time, would have been considered an extended range and technical challenges. Boni's choice of keys for each of the 12 sonatas was also adventurous for only repeating a key once. Fossà's choice of eight sonatas gives listeners a representative sample of Boni's work, but leaves listeners wondering why the remaining four weren't included on a second disc to give a complete recording. Fossà's playing is clear and nuanced; his technical abilities are generally solid, though there are occasional intonation blemishes. Most pleasing is the balance between solo and continuo, and the seamless way the instruments complement each other's sound. The group plays with a nice balance that allows the solo cello to be heard clearly while not subduing the equally interesting continuo.





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