Atsushi Sakai, Christophe Rousset, Marion Martineau - Marin Marais: Pièces de viole, Livre I (2021) [Hi-Res]
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BAND/ARTIST: Atsushi Sakai, Christophe Rousset, Marion Martineau
- Title: Marin Marais: Pièces de viole, Livre I
- Year Of Release: 2021
- Label: Aparté
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
- Total Time: 02:57:26
- Total Size: 1.06 / 3.76 gb
- WebSite: Album Preview
Tracklist
01. Suite in D Minor for viol and continuo: No. 1, Prélude
02. Suite in D Minor for viol and continuo: No. 8, Allemande
03. Suite in D Minor for viol and continuo: No. 9, Double
04. Suite in D Minor for viol and continuo: No. 10, Courante
05. Suite in D Minor for viol and continuo: No. 11, Double
06. Suite in D Minor for viol and continuo: No. 12, Sarabande
07. Suite in D Minor for viol and continuo: No. 19, Gigue
08. Suite in D Minor for viol and continuo: No. 22, Rondeau
09. Suite in D Minor for viol and continuo: No. 4, Prélude
10. Suite in D Minor for viol and continuo: No. 23, Menuet
11. Suite in D Minor for viol and continuo: No. 24, Rondeau
12. Tombeau de M. Meliton in G Minor
13. Suite in G Minor for viol and continuo: No. 48, Prélude
14. Suite in G Minor for viol and continuo: No. 49, Allemande
15. Suite in G Minor for viol and continuo: No. 50, Courante
16. Suite in G Minor for viol and continuo: No. 51, Sarabande
17. Suite in G Minor for viol and continuo: No. 52, Gigue
18. Suite in G Minor for viol and continuo: No. 53, Gavotte
19. Suite in G Minor for viol and continuo: No. 54, Menuet
20. Suite in G Minor for viol and continuo: No. 55, Prélude
21. Suite in G Major for 2 viols and continuo: No. 73, Prélude
22. Suite in G Major for 2 viols and continuo: No. 74, Allemande
23. Suite in G Major for 2 viols and continuo: No. 75, Courante
24. Suite in G Major for 2 viols and continuo: No. 76, Sarabande
25. Suite in G Major for 2 viols and continuo: No. 77, Gigue
26. Suite in G Major for 2 viols and continuo: No. 78, Gavotte en rondeau
27. Suite in G Major for 2 viols and continuo: No. 79, Menuet
28. Suite in G Major for 2 viols and continuo: No. 80, Gavotte
29. Suite in G Major for 2 viols and continuo: No. 82, Chaconne
30. Suite in D Minor for 2 viols and continuo: No. 66, Prélude
31. Suite in D Minor for 2 viols and continuo: No. 67, Allemande
32. Suite in D Minor for 2 viols and continuo: No. 68, Courante
33. Suite in D Minor for 2 viols and continuo: No. 69, Sarabande
34. Suite in D Minor for 2 viols and continuo: No. 70, Gigue
35. Suite in D Minor for 2 viols and continuo: No. 71, Gavotte
36. Suite in D Minor for 2 viols and continuo: No. 72, Menuet
37. Suite in A Major for viol and continuo: No. 56, Prélude
38. Suite in A Major for viol and continuo: No. 57, Boutade
39. Suite in A Major for viol and continuo: No. 58, Allemande
40. Suite in A Major for viol and continuo: No. 59, Double
41. Suite in A Major for viol and continuo: No. 60, Courante
42. Suite in A Major for viol and continuo: No. 61, Sarabande
43. Suite in A Major for viol and continuo: No. 63, Gigue
44. Suite in A Major for viol and continuo: No. 64, Menuet
45. Suite in A Major for viol and continuo: No. 65, Rondeau
46. Suite in D Major for viol and continuo: No. 30, Prélude
47. Suite in D Major for viol and continuo: No. 32, Allemande
48. Suite in D Major for viol and continuo: No. 33, Double
49. Suite in D Major for viol and continuo: No. 34, Courante
50. Suite in D Major for viol and continuo: No. 38, Sarabande
51. Suite in D Major for viol and continuo: No. 40, Gigue
52. Suite in D Major for viol and continuo: No. 42, Rondeau
53. Suite in D Major for viol and continuo: No. 47, Chaconne
Marin Marais is one of the most important figures of the French baroque. At once a virtuoso on the viola da gamba, a composer and a teacher, Marais left behind a varied body of work that displays strikingly abundant inspiration. Five books of viol music punctuated his life. Published between 1686 and 1723, these collections for solo and accompanied viol not only offer a remarkable synthesis of the practices of the time, but they also bear witness to the development of the instrument. Marais's frequently intimate music, a far cry from courtly splendors, calls up an imaginary world of light and shadow. Atsushi Sakai has launched a series of recordings of this unique collection of pieces. This album, the first, is devoted to Book I, a transitional work that confirms the refinement of the "style françois". Viola da gambist Marion Martineau and harpsichordist Christophe Rousset join Atsushi Sakai on this adventure, recreating the trio that stood out so brilliantly in their Forqueray and Couperin albums.
01. Suite in D Minor for viol and continuo: No. 1, Prélude
02. Suite in D Minor for viol and continuo: No. 8, Allemande
03. Suite in D Minor for viol and continuo: No. 9, Double
04. Suite in D Minor for viol and continuo: No. 10, Courante
05. Suite in D Minor for viol and continuo: No. 11, Double
06. Suite in D Minor for viol and continuo: No. 12, Sarabande
07. Suite in D Minor for viol and continuo: No. 19, Gigue
08. Suite in D Minor for viol and continuo: No. 22, Rondeau
09. Suite in D Minor for viol and continuo: No. 4, Prélude
10. Suite in D Minor for viol and continuo: No. 23, Menuet
11. Suite in D Minor for viol and continuo: No. 24, Rondeau
12. Tombeau de M. Meliton in G Minor
13. Suite in G Minor for viol and continuo: No. 48, Prélude
14. Suite in G Minor for viol and continuo: No. 49, Allemande
15. Suite in G Minor for viol and continuo: No. 50, Courante
16. Suite in G Minor for viol and continuo: No. 51, Sarabande
17. Suite in G Minor for viol and continuo: No. 52, Gigue
18. Suite in G Minor for viol and continuo: No. 53, Gavotte
19. Suite in G Minor for viol and continuo: No. 54, Menuet
20. Suite in G Minor for viol and continuo: No. 55, Prélude
21. Suite in G Major for 2 viols and continuo: No. 73, Prélude
22. Suite in G Major for 2 viols and continuo: No. 74, Allemande
23. Suite in G Major for 2 viols and continuo: No. 75, Courante
24. Suite in G Major for 2 viols and continuo: No. 76, Sarabande
25. Suite in G Major for 2 viols and continuo: No. 77, Gigue
26. Suite in G Major for 2 viols and continuo: No. 78, Gavotte en rondeau
27. Suite in G Major for 2 viols and continuo: No. 79, Menuet
28. Suite in G Major for 2 viols and continuo: No. 80, Gavotte
29. Suite in G Major for 2 viols and continuo: No. 82, Chaconne
30. Suite in D Minor for 2 viols and continuo: No. 66, Prélude
31. Suite in D Minor for 2 viols and continuo: No. 67, Allemande
32. Suite in D Minor for 2 viols and continuo: No. 68, Courante
33. Suite in D Minor for 2 viols and continuo: No. 69, Sarabande
34. Suite in D Minor for 2 viols and continuo: No. 70, Gigue
35. Suite in D Minor for 2 viols and continuo: No. 71, Gavotte
36. Suite in D Minor for 2 viols and continuo: No. 72, Menuet
37. Suite in A Major for viol and continuo: No. 56, Prélude
38. Suite in A Major for viol and continuo: No. 57, Boutade
39. Suite in A Major for viol and continuo: No. 58, Allemande
40. Suite in A Major for viol and continuo: No. 59, Double
41. Suite in A Major for viol and continuo: No. 60, Courante
42. Suite in A Major for viol and continuo: No. 61, Sarabande
43. Suite in A Major for viol and continuo: No. 63, Gigue
44. Suite in A Major for viol and continuo: No. 64, Menuet
45. Suite in A Major for viol and continuo: No. 65, Rondeau
46. Suite in D Major for viol and continuo: No. 30, Prélude
47. Suite in D Major for viol and continuo: No. 32, Allemande
48. Suite in D Major for viol and continuo: No. 33, Double
49. Suite in D Major for viol and continuo: No. 34, Courante
50. Suite in D Major for viol and continuo: No. 38, Sarabande
51. Suite in D Major for viol and continuo: No. 40, Gigue
52. Suite in D Major for viol and continuo: No. 42, Rondeau
53. Suite in D Major for viol and continuo: No. 47, Chaconne
Marin Marais is one of the most important figures of the French baroque. At once a virtuoso on the viola da gamba, a composer and a teacher, Marais left behind a varied body of work that displays strikingly abundant inspiration. Five books of viol music punctuated his life. Published between 1686 and 1723, these collections for solo and accompanied viol not only offer a remarkable synthesis of the practices of the time, but they also bear witness to the development of the instrument. Marais's frequently intimate music, a far cry from courtly splendors, calls up an imaginary world of light and shadow. Atsushi Sakai has launched a series of recordings of this unique collection of pieces. This album, the first, is devoted to Book I, a transitional work that confirms the refinement of the "style françois". Viola da gambist Marion Martineau and harpsichordist Christophe Rousset join Atsushi Sakai on this adventure, recreating the trio that stood out so brilliantly in their Forqueray and Couperin albums.
Year 2021 | Classical | FLAC / APE | HD & Vinyl
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