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Alexis Weissenberg - Mussorgsky: Pictures at an Exhibition - Ravel: Le Tombeau de Couperin (2026)

Alexis Weissenberg - Mussorgsky: Pictures at an Exhibition - Ravel: Le Tombeau de Couperin (2026)

BAND/ARTIST: Alexis Weissenberg

  • Title: Mussorgsky: Pictures at an Exhibition - Ravel: Le Tombeau de Couperin
  • Year Of Release: 2026
  • Label: Warner Classics
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 52:26
  • Total Size: 215 MB
  • WebSite:
Tracklist:

1. Pictures at an Exhibition: Promenade I (0:45)
2. Pictures at an Exhibition: I. Gnomus (2:27)
3. Pictures at an Exhibition: Promenade II (0:45)
4. Pictures at an Exhibition: II. The Old Castle (4:04)
5. Pictures at an Exhibition: Promenade III (0:24)
6. Pictures at an Exhibition: III. Tuileries (0:51)
7. Pictures at an Exhibition: IV. Bydło (2:48)
8. Pictures at an Exhibition: Promenade IV (0:35)
9. Pictures at an Exhibition: V. Ballet of the Unhatched Chicks (1:02)
10. Pictures at an Exhibition: VI. Samuel Goldenberg and Schmuÿle (1:51)
11. Pictures at an Exhibition: Promenade V (1:33)
12. Pictures at an Exhibition: VII. Limoges, the Market (1:20)
13. Pictures at an Exhibition: VIII. Catacombs (3:47)
14. Pictures at an Exhibition: X. The Hut on Fowl's Legs "Baba Yaga" (3:08)
15. Pictures at an Exhibition: XI. The Great Gate of Kiev (4:59)
16. Le Tombeau de Couperin, M. 68: I. Prélude (3:00)
17. Le Tombeau de Couperin, M. 68: II. Fugue (2:26)
18. Le Tombeau de Couperin, M. 68: III. Forlane (5:09)
19. Le Tombeau de Couperin, M. 68: IV. Rigaudon (3:11)
20. Le Tombeau de Couperin, M. 68: V. Menuet (4:36)
21. Le Tombeau de Couperin, M. 68: VI. Toccata (3:58)

Alexis Weissenberg’s 1971 EMI France recording pairs two peaks of the piano repertoire with fearless architectural rigor and coloristic flair. His Pictures at an Exhibition rejects easy sentimentality, delivering a muscular, razor-sharp performance where Mussorgsky’s raw sonic canvases emerge with brutal clarity and explosive power. By contrast, his reading of Ravel’s Le Tombeau de Couperin showcases a crisp, neo-classical brilliance, articulated with dazzling digital precision and subtle poetry. A captivating study in contrasts that reveals two sides of Weissenberg’s legendary technique.



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