Mishka Rushdie Momen - Hall of Mirrors (2026) [Hi-Res] [Dolby Atmos]
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BAND/ARTIST: Mishka Rushdie Momen
- Title: Hall of Mirrors
- Year Of Release: 2026
- Label: Hyperion
- Genre: Classical Piano
- Quality: flac lossless (tracks) / flac 24bits - 192.0kHz +Booklet / Dolby Atmos (E-AC-3 JOC)
- Total Time: 01:04:09
- Total Size: 234 mb / 2.56 gb / 374 mb
- WebSite: Album Preview
Tracklist
01. F. Couperin: Pièces de clavecin, Livre I Ordre 4: IV. Le réveil-matin
02. F. Couperin: L'art de toucher le clavecin: Prélude No. 1 in C Major
03. F. Couperin: Pièces de clavecin, Livre III Ordre 18: VI. Le tic-toc-choc ou Les maillotins
04. F. Couperin: Pièces de clavecin, Livre IV Ordre 25: V. Les ombres errantes
05. F. Couperin: L'art de toucher le clavecin: Prélude No. 8 in E Minor
06. Rameau: Pièces de clavecin (1724), Suite in E Minor, RCT 2: I. Allemande
07. Rameau: Pièces de clavecin (1724), Suite in E Minor, RCT 2: II. Courante
08. Rameau: Pièces de clavecin (1724), Suite in E Minor, RCT 2: IIIa. Gigue en rondeau I
09. Rameau: Pièces de clavecin (1724), Suite in E Minor, RCT 2: IIIb. Gigue en rondeau II
10. Rameau: Pièces de clavecin (1724), Suite in E Minor, RCT 2: IV. Le rappel des oiseaux
11. Rameau: Pièces de clavecin (1724), Suite in E Minor, RCT 2: V. Rigaudons I, II & Double
12. Rameau: Pièces de clavecin (1724), Suite in E Minor, RCT 2: VI. Musette en rondeau
13. Rameau: Pièces de clavecin (1724), Suite in E Minor, RCT 2: VII. Tambourin
14. Rameau: Pièces de clavecin (1724), Suite in E Minor, RCT 2: VIII. La villageoise. Rondeau
15. Jacquet de La Guerre: Pièces de clavecin I, Suite No. 2 in G Minor: I. Prélude
16. Jacquet de La Guerre: Pièces de clavecin I, Suite No. 2 in G Minor: II. Allemande
17. Jacquet de La Guerre: Pièces de clavecin I, Suite No. 2 in G Minor: III. Courante I
18. Jacquet de La Guerre: Pièces de clavecin I, Suite No. 2 in G Minor: IV. Courante II
19. Jacquet de La Guerre: Pièces de clavecin I, Suite No. 2 in G Minor: V. Sarabande
20. Jacquet de La Guerre: Pièces de clavecin I, Suite No. 2 in G Minor: VI. Gigue I
21. Jacquet de La Guerre: Pièces de clavecin I, Suite No. 2 in G Minor: VII. Gigue II
22. Jacquet de La Guerre: Pièces de clavecin I, Suite No. 2 in G Minor: VIII. Menuet & Double
23. F. Couperin: Pièces de clavecin, Livre IV Ordre 22: VII. Les tour de passe-passe
24. F. Couperin: L'art de toucher le clavecin: Prélude No. 6 in B Minor
25. F. Couperin: Pièces de clavecin, Livre III Ordre 14: VII. Le carillon de Cithére
26. F. Couperin: Les concerts royaux, Concert No. 4: VII. Forlane en rondeau. Gayement
Mishka Rushdie Momen’s debut Hyperion album ‘Reformation’ topped the UK Classical Chart, persuading critics and listeners worldwide to embrace the rich sonorities of a modern grand piano in early works written originally for harpsichord. This culminated in a raft of rave reviews around the globe and the album’s selection as one of The Times’ Albums of the Year.
For this her second album, Mishka turns from England to France and jumps forward two generations to the court of Louis XIV and in particular to the music of Versailles. As a showcase of soft power, Versailles was unparalleled in the world, presenting French leadership manners, in horsemanship and in industries like glass-making, of which windows and mirrors of the famous ‘Galerie des Glaces’ bear eloquent witness even now. The Sun-King’s palace offered an inexhaustible cycle of concerts, dance and spectacle in which the King was no mere spectator but a dancer of the ballet and a capable musician across numerous instruments.
Mishka explores keyboard works by two acknowledged giants and one near-unknown. François Couperin was one of Louis XIV’s first new organists of the Royal Chapel, part of a dynasty that forms a kind of French counterpart to that of the Bach family in Germany. The music’s warmth, brilliant resonance and musical language, designed for the grand spaces of Versailles, make it eminently suitable for performance on a modern grand piano.
01. F. Couperin: Pièces de clavecin, Livre I Ordre 4: IV. Le réveil-matin
02. F. Couperin: L'art de toucher le clavecin: Prélude No. 1 in C Major
03. F. Couperin: Pièces de clavecin, Livre III Ordre 18: VI. Le tic-toc-choc ou Les maillotins
04. F. Couperin: Pièces de clavecin, Livre IV Ordre 25: V. Les ombres errantes
05. F. Couperin: L'art de toucher le clavecin: Prélude No. 8 in E Minor
06. Rameau: Pièces de clavecin (1724), Suite in E Minor, RCT 2: I. Allemande
07. Rameau: Pièces de clavecin (1724), Suite in E Minor, RCT 2: II. Courante
08. Rameau: Pièces de clavecin (1724), Suite in E Minor, RCT 2: IIIa. Gigue en rondeau I
09. Rameau: Pièces de clavecin (1724), Suite in E Minor, RCT 2: IIIb. Gigue en rondeau II
10. Rameau: Pièces de clavecin (1724), Suite in E Minor, RCT 2: IV. Le rappel des oiseaux
11. Rameau: Pièces de clavecin (1724), Suite in E Minor, RCT 2: V. Rigaudons I, II & Double
12. Rameau: Pièces de clavecin (1724), Suite in E Minor, RCT 2: VI. Musette en rondeau
13. Rameau: Pièces de clavecin (1724), Suite in E Minor, RCT 2: VII. Tambourin
14. Rameau: Pièces de clavecin (1724), Suite in E Minor, RCT 2: VIII. La villageoise. Rondeau
15. Jacquet de La Guerre: Pièces de clavecin I, Suite No. 2 in G Minor: I. Prélude
16. Jacquet de La Guerre: Pièces de clavecin I, Suite No. 2 in G Minor: II. Allemande
17. Jacquet de La Guerre: Pièces de clavecin I, Suite No. 2 in G Minor: III. Courante I
18. Jacquet de La Guerre: Pièces de clavecin I, Suite No. 2 in G Minor: IV. Courante II
19. Jacquet de La Guerre: Pièces de clavecin I, Suite No. 2 in G Minor: V. Sarabande
20. Jacquet de La Guerre: Pièces de clavecin I, Suite No. 2 in G Minor: VI. Gigue I
21. Jacquet de La Guerre: Pièces de clavecin I, Suite No. 2 in G Minor: VII. Gigue II
22. Jacquet de La Guerre: Pièces de clavecin I, Suite No. 2 in G Minor: VIII. Menuet & Double
23. F. Couperin: Pièces de clavecin, Livre IV Ordre 22: VII. Les tour de passe-passe
24. F. Couperin: L'art de toucher le clavecin: Prélude No. 6 in B Minor
25. F. Couperin: Pièces de clavecin, Livre III Ordre 14: VII. Le carillon de Cithére
26. F. Couperin: Les concerts royaux, Concert No. 4: VII. Forlane en rondeau. Gayement
Mishka Rushdie Momen’s debut Hyperion album ‘Reformation’ topped the UK Classical Chart, persuading critics and listeners worldwide to embrace the rich sonorities of a modern grand piano in early works written originally for harpsichord. This culminated in a raft of rave reviews around the globe and the album’s selection as one of The Times’ Albums of the Year.
For this her second album, Mishka turns from England to France and jumps forward two generations to the court of Louis XIV and in particular to the music of Versailles. As a showcase of soft power, Versailles was unparalleled in the world, presenting French leadership manners, in horsemanship and in industries like glass-making, of which windows and mirrors of the famous ‘Galerie des Glaces’ bear eloquent witness even now. The Sun-King’s palace offered an inexhaustible cycle of concerts, dance and spectacle in which the King was no mere spectator but a dancer of the ballet and a capable musician across numerous instruments.
Mishka explores keyboard works by two acknowledged giants and one near-unknown. François Couperin was one of Louis XIV’s first new organists of the Royal Chapel, part of a dynasty that forms a kind of French counterpart to that of the Bach family in Germany. The music’s warmth, brilliant resonance and musical language, designed for the grand spaces of Versailles, make it eminently suitable for performance on a modern grand piano.
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