Justus Eichhorn - The Source (2026) [Hi-Res] [Dolby Atmos]
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BAND/ARTIST: Justus Eichhorn
- Title: The Source
- Year Of Release: 2026
- Label: Deutsche Grammophon (DG)
- Genre: Classical Piano
- Quality: flac lossless (tracks) / flac 24bits - 96.0kHz / Dolby Atmos (E-AC-3 JOC)
- Total Time: 01:15:28
- Total Size: 262 mb / 1.08 gb / 460 mb
- WebSite: Album Preview
Tracklist
01. Czerny: Die Kunst der Fingerfertigkeit, Op. 740: No. 14 in G Minor (Arr. Eichhorn)
02. Vivaldi: Flautino Concerto in C Major, RV 443: II. Largo (Arr. Eichhorn for Piano) (Upright Version)
03. Liszt: Consolations, S. 172: No. 3 in D-Flat Major. Lento placido
04. J.S. Bach: Italian Concerto, BWV 971: I. [Allegro]
05. J.S. Bach: Italian Concerto, BWV 971: II. Andante
06. J.S. Bach: Italian Concerto, BWV 971: III. Presto
07. Eichhorn: Silent Fields (Upright Version)
08. Liszt: Liebesträume, S. 541: No. 3 in A-Flat Major
09. Czerny: Die Kunst der Fingerfertigkeit, Op. 740: No. 14 in G Minor (Arr. Eichhorn) (Upright Version)
10. Mendelssohn: Lieder ohne Worte II, Op. 30: No. 1, Andante espressivo, MWV U103
11. Schubert: Heidenröslein, D. 257 (Arr. Cortot for Piano)
12. Eichhorn: Intermission (Upright Version)
13. Czerny: Die Kunst der Fingerfertigkeit, Op. 740: No. 19 in B-Flat Major
14. Liszt: Schwanengesang, S. 560 (After Schubert, D. 957): VII. Ständchen (Upright Version)
15. J.S. Bach: Keyboard Concerto No. 3 in D Minor, BWV 974 (After A. Marcello S.Z799): II. Adagio (Upright Version)
16. Hindemith: In einer Nacht, Op. 15: No. 1, Müdigkeiten. Langsam und sehr zart
17. Hindemith: In einer Nacht, Op. 15: No. 2, Sehr langsam
18. Hindemith: In einer Nacht, Op. 15: No. 8, Scherzo. Äußerst lebhaft
19. Liszt: Harmonies poétiques et religieuses III, S. 173: V. Pater Noster
20. Eichhorn: Aurelian (Upright Version)
21. Eichhorn: Silent Fields
22. R. Strauss: 4 Lieder, Op. 27: No. 4, Morgen (Arr. Reger for Piano)
23. Liszt: Mephisto Waltz No. 1, S. 514: I. Allegro vivace
24. Liszt: Mephisto Waltz No. 1, S. 514: II. Un poco meno mosso
25. Liszt: Mephisto Waltz No. 1, S. 514: III. Presto
26. Liszt: Mephisto Waltz No. 1, S. 514: IV. Più mosso
At just 16 years of age, pianist and composer Justus Eichhorn delivers a debut album of astonishing and unparalleled maturity with The Source. The social media star, who has captivated nearly half a million followers by sharing his daily musical education, releases his first opus on the prestigious Deutsche Grammophon label. The Source is a cleverly conceived tribute to his hometown of Weimar. On it, Eichhorn performs historical works by composers closely linked to the cultural hub—ranging from J.S. Bach and Franz Liszt to Felix Mendelssohn, and Paul Hindemith, with whom he builds a musical bridge to Weimar's Bauhaus era.
His personal touch shines through most clearly in his unconventional arrangements and original creations. He transforms Vivaldi's Flautino Concerto in C major, as well as Czerny's study, The School of Velocity, Op. 740 No. 14, into arrangements for upright piano, breathing an almost neoclassical, ambient character into both masterpieces. However, it is through the premier recording of three of his own compositions that the young artist offers the most intimate glimpse into his sonic universe. These pieces are most often born from improvisation and the translation of internal imagery into music. In Silent Fields, he paints a sonic portrait of a windswept wheat field, while the track Intermission serves as a musical bridge filled with unexpected jazz harmonies.
In the streaming era, the classic album format retains a central role for Eichhorn, allowing him to tell coherent musical stories. The Source impressively proves that he is much more than just a rising star. Demonstrating technical brilliance, emotional maturity, and stylistic openness, he transposes Weimar's historical tradition into the present with a youthful lightness, introducing classical music to an entirely new generation.
01. Czerny: Die Kunst der Fingerfertigkeit, Op. 740: No. 14 in G Minor (Arr. Eichhorn)
02. Vivaldi: Flautino Concerto in C Major, RV 443: II. Largo (Arr. Eichhorn for Piano) (Upright Version)
03. Liszt: Consolations, S. 172: No. 3 in D-Flat Major. Lento placido
04. J.S. Bach: Italian Concerto, BWV 971: I. [Allegro]
05. J.S. Bach: Italian Concerto, BWV 971: II. Andante
06. J.S. Bach: Italian Concerto, BWV 971: III. Presto
07. Eichhorn: Silent Fields (Upright Version)
08. Liszt: Liebesträume, S. 541: No. 3 in A-Flat Major
09. Czerny: Die Kunst der Fingerfertigkeit, Op. 740: No. 14 in G Minor (Arr. Eichhorn) (Upright Version)
10. Mendelssohn: Lieder ohne Worte II, Op. 30: No. 1, Andante espressivo, MWV U103
11. Schubert: Heidenröslein, D. 257 (Arr. Cortot for Piano)
12. Eichhorn: Intermission (Upright Version)
13. Czerny: Die Kunst der Fingerfertigkeit, Op. 740: No. 19 in B-Flat Major
14. Liszt: Schwanengesang, S. 560 (After Schubert, D. 957): VII. Ständchen (Upright Version)
15. J.S. Bach: Keyboard Concerto No. 3 in D Minor, BWV 974 (After A. Marcello S.Z799): II. Adagio (Upright Version)
16. Hindemith: In einer Nacht, Op. 15: No. 1, Müdigkeiten. Langsam und sehr zart
17. Hindemith: In einer Nacht, Op. 15: No. 2, Sehr langsam
18. Hindemith: In einer Nacht, Op. 15: No. 8, Scherzo. Äußerst lebhaft
19. Liszt: Harmonies poétiques et religieuses III, S. 173: V. Pater Noster
20. Eichhorn: Aurelian (Upright Version)
21. Eichhorn: Silent Fields
22. R. Strauss: 4 Lieder, Op. 27: No. 4, Morgen (Arr. Reger for Piano)
23. Liszt: Mephisto Waltz No. 1, S. 514: I. Allegro vivace
24. Liszt: Mephisto Waltz No. 1, S. 514: II. Un poco meno mosso
25. Liszt: Mephisto Waltz No. 1, S. 514: III. Presto
26. Liszt: Mephisto Waltz No. 1, S. 514: IV. Più mosso
At just 16 years of age, pianist and composer Justus Eichhorn delivers a debut album of astonishing and unparalleled maturity with The Source. The social media star, who has captivated nearly half a million followers by sharing his daily musical education, releases his first opus on the prestigious Deutsche Grammophon label. The Source is a cleverly conceived tribute to his hometown of Weimar. On it, Eichhorn performs historical works by composers closely linked to the cultural hub—ranging from J.S. Bach and Franz Liszt to Felix Mendelssohn, and Paul Hindemith, with whom he builds a musical bridge to Weimar's Bauhaus era.
His personal touch shines through most clearly in his unconventional arrangements and original creations. He transforms Vivaldi's Flautino Concerto in C major, as well as Czerny's study, The School of Velocity, Op. 740 No. 14, into arrangements for upright piano, breathing an almost neoclassical, ambient character into both masterpieces. However, it is through the premier recording of three of his own compositions that the young artist offers the most intimate glimpse into his sonic universe. These pieces are most often born from improvisation and the translation of internal imagery into music. In Silent Fields, he paints a sonic portrait of a windswept wheat field, while the track Intermission serves as a musical bridge filled with unexpected jazz harmonies.
In the streaming era, the classic album format retains a central role for Eichhorn, allowing him to tell coherent musical stories. The Source impressively proves that he is much more than just a rising star. Demonstrating technical brilliance, emotional maturity, and stylistic openness, he transposes Weimar's historical tradition into the present with a youthful lightness, introducing classical music to an entirely new generation.
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