Viktoria Mullova, Alasdair Beatson - Beethoven: Violin Sonatas No. 2 and No. 10 (2025) [Hi-Res] [Dolby Atmos]
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BAND/ARTIST: Viktoria Mullova, Alasdair Beatson
- Title: Beethoven: Violin Sonatas No. 2 and No. 10
- Year Of Release: 2025
- Label: Signum Records
- Genre: Classical
- Quality: Dolby Atmos (E-AC-3 JOC) / flac lossless (tracks) / flac 24bits - 96.0kHz
- Total Time: 00:42:27
- Total Size: 233 / 193 / 804 mb
- WebSite: Album Preview
Tracklist
01. Violin Sonata No. 2 in A Major, Op. 12: I. Allegro Vivace
02. Violin Sonata No. 2 in A Major, Op. 12: II. Andante, più tosto Allegretto
03. Violin Sonata No. 2 in A Major, Op. 12: III. Allegro piacevole
04. Violin Sonata No. 10 in G Major, Op. 96: I. Allegro moderato
05. Violin Sonata No. 10 in G Major, Op. 96: II. Adagio espressivo
06. Violin Sonata No. 10 in G Major, Op. 96: III. Scherzo. Allegro
07. Violin Sonata No. 10 in G Major, Op. 96: IV. Poco allegretto
Their third duo album on Signum Classics, Viktoria Mullova and Alasdair Beatson perform Beethoven’s Sonatas 2 and 10. Uniquely for the A Major sonata Op 12 No 2 they use a copy of an 1805 Walter (a Viennese fortepiano), and for Sonata No 10 op. 96 they use a copy of an 1819 graf, both by Paul McNulty. Together with violin strung with gut, these instruments are what Beethoven’s music craves, giving a rich texture and distinct colours between the registers.
01. Violin Sonata No. 2 in A Major, Op. 12: I. Allegro Vivace
02. Violin Sonata No. 2 in A Major, Op. 12: II. Andante, più tosto Allegretto
03. Violin Sonata No. 2 in A Major, Op. 12: III. Allegro piacevole
04. Violin Sonata No. 10 in G Major, Op. 96: I. Allegro moderato
05. Violin Sonata No. 10 in G Major, Op. 96: II. Adagio espressivo
06. Violin Sonata No. 10 in G Major, Op. 96: III. Scherzo. Allegro
07. Violin Sonata No. 10 in G Major, Op. 96: IV. Poco allegretto
Their third duo album on Signum Classics, Viktoria Mullova and Alasdair Beatson perform Beethoven’s Sonatas 2 and 10. Uniquely for the A Major sonata Op 12 No 2 they use a copy of an 1805 Walter (a Viennese fortepiano), and for Sonata No 10 op. 96 they use a copy of an 1819 graf, both by Paul McNulty. Together with violin strung with gut, these instruments are what Beethoven’s music craves, giving a rich texture and distinct colours between the registers.
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