
Tatjana Vorobjova - Le Clavecin Poétique (2025) [Hi-Res]
BAND/ARTIST: Tatjana Vorobjova
- Title: Le Clavecin Poétique
- Year Of Release: 2025
- Label: Musikproduktion Dabringhaus und Grimm
- Genre: Classical Harpsichord
- Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
- Total Time: 01:16:46
- Total Size: 475 mb / 1.62 gb
- WebSite: Album Preview
Tracklist
01. Aria del Granduca
02. Suite No. 18 in G Minor: I. Allemande
03. Suite No. 18 in G Minor: II. Gigue nommé la Philotte
04. Suite No. 18 in G Minor: III. Courante
05. Suite No. 18 in G Minor: IV. Sarabande
06. Chaconne de Galatée de Mr. de Lully: Lentement
07. Pièces de Clavecin, Suite No. 2 in G Minor: I. Prélude
08. Pièces de Clavecin, Suite No. 2 in G Minor: II. Allemande
09. Pièces de Clavecin, Suite No. 2 in G Minor: III. Courante
10. Pièces de Clavecin, Suite No. 2 in G Minor: IV. Sarabande
11. Pièces de Clavecin, Suite No. 2 in G Minor: V. Gigue
12. Pièces de Clavecin, Suite No. 2 in G Minor: VI. Gaillarde
13. Pièces de Clavecin, Suite No. 2 in G Minor: VII. Passacaille
14. Les ombres errantes: Languissamment
15. L'art de toucher le Clavecin: Prélude No. 1 in C Major
16. L'art de toucher le Clavecin: Prélude No. 2 in D Minor
17. L'art de toucher le Clavecin: Prélude No. 3 in G Minor
18. L'art de toucher le Clavecin: Prélude No. 4 in F Major
19. L'art de toucher le Clavecin: Prélude No. 5 in A Major
20. L'art de toucher le Clavecin: Prélude No. 6 in B Minor
21. L'art de toucher le Clavecin: Prélude No. 7 in B-Flat Major
22. L'art de toucher le Clavecin: Prélude No. 8 in E Minor
23. Suite in E Minor, Bux WV 235: I. Allemande
24. Suite in E Minor, Bux WV 235: II. Courante
25. Suite in E Minor, Bux WV 235: III. Sarabande
26. Suite in E Minor, Bux WV 235: IV. Gigue
27. Toccata in E Minor, BWV 914: I. Un poco Allegro - Adagio
28. Toccata in E Minor, BWV 914: II. Fuga
Virtuoso extraordinaire Tatjana Vorobjova transports the listener to the sound world of the early 17th century with the celebrated 'Colmar-Ruckers' historic harpsichord built over 400 years ago. This poetic voyage traces the development of this instrument over the centuries with works by Froberger d'Anglebert, Couperin, Buxtehude and Bach, providing a rich and vibrant portrait of this magnificent harpsichord.
The instrument's intoxicating fullness of sound combined with its brilliance and clarity are unrivalled. Already extremely valuable at the time it was built, the Colmar-Ruckers was remodelled over time and adapted to the requirements of each period.
Whether Italian gesture, French style brise or North German tradition, with the 'Colmar-Ruckers' Tatjana Vorojbova showcases the incredibly versatile, broad range of sound and rich expressive possibilities of this unique instrument with exquisite transparency.
After three previous albums with works by Krieger, Scarlatti & Bach on her own copy of this legendary harpsichord, Vorobjova's long-held dream of playing the original comes true with this recording. She explores its unique sound in all its facets and immerses the listener into the melancholic and poetic sound world of the 'Colmar-Ruckers' harpsichord.
01. Aria del Granduca
02. Suite No. 18 in G Minor: I. Allemande
03. Suite No. 18 in G Minor: II. Gigue nommé la Philotte
04. Suite No. 18 in G Minor: III. Courante
05. Suite No. 18 in G Minor: IV. Sarabande
06. Chaconne de Galatée de Mr. de Lully: Lentement
07. Pièces de Clavecin, Suite No. 2 in G Minor: I. Prélude
08. Pièces de Clavecin, Suite No. 2 in G Minor: II. Allemande
09. Pièces de Clavecin, Suite No. 2 in G Minor: III. Courante
10. Pièces de Clavecin, Suite No. 2 in G Minor: IV. Sarabande
11. Pièces de Clavecin, Suite No. 2 in G Minor: V. Gigue
12. Pièces de Clavecin, Suite No. 2 in G Minor: VI. Gaillarde
13. Pièces de Clavecin, Suite No. 2 in G Minor: VII. Passacaille
14. Les ombres errantes: Languissamment
15. L'art de toucher le Clavecin: Prélude No. 1 in C Major
16. L'art de toucher le Clavecin: Prélude No. 2 in D Minor
17. L'art de toucher le Clavecin: Prélude No. 3 in G Minor
18. L'art de toucher le Clavecin: Prélude No. 4 in F Major
19. L'art de toucher le Clavecin: Prélude No. 5 in A Major
20. L'art de toucher le Clavecin: Prélude No. 6 in B Minor
21. L'art de toucher le Clavecin: Prélude No. 7 in B-Flat Major
22. L'art de toucher le Clavecin: Prélude No. 8 in E Minor
23. Suite in E Minor, Bux WV 235: I. Allemande
24. Suite in E Minor, Bux WV 235: II. Courante
25. Suite in E Minor, Bux WV 235: III. Sarabande
26. Suite in E Minor, Bux WV 235: IV. Gigue
27. Toccata in E Minor, BWV 914: I. Un poco Allegro - Adagio
28. Toccata in E Minor, BWV 914: II. Fuga
Virtuoso extraordinaire Tatjana Vorobjova transports the listener to the sound world of the early 17th century with the celebrated 'Colmar-Ruckers' historic harpsichord built over 400 years ago. This poetic voyage traces the development of this instrument over the centuries with works by Froberger d'Anglebert, Couperin, Buxtehude and Bach, providing a rich and vibrant portrait of this magnificent harpsichord.
The instrument's intoxicating fullness of sound combined with its brilliance and clarity are unrivalled. Already extremely valuable at the time it was built, the Colmar-Ruckers was remodelled over time and adapted to the requirements of each period.
Whether Italian gesture, French style brise or North German tradition, with the 'Colmar-Ruckers' Tatjana Vorojbova showcases the incredibly versatile, broad range of sound and rich expressive possibilities of this unique instrument with exquisite transparency.
After three previous albums with works by Krieger, Scarlatti & Bach on her own copy of this legendary harpsichord, Vorobjova's long-held dream of playing the original comes true with this recording. She explores its unique sound in all its facets and immerses the listener into the melancholic and poetic sound world of the 'Colmar-Ruckers' harpsichord.
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