Tatjana Vorobjova - Krieger: Sechs Musicalische Partien (2021)
BAND/ARTIST: Tatjana Vorobjova
- Title: Krieger: Sechs Musicalische Partien
- Year Of Release: 2021
- Label: Musikproduktion Dabringhaus und Grimm (MDG)
- Genre: Classical Harpsichord
- Quality: flac lossless (tracks)
- Total Time: 01:17:04
- Total Size: 510 mb
- WebSite: Album Preview
Tracklist
01. Preludio for Cembalo in D Minor
02. Partita for Cembalo in D Minor: No. 1, Allemande
03. Partita for Cembalo in D Minor: No. 2, Corrente
04. Partita for Cembalo in D Minor: No. 3, Sarabanda-Le Double
05. Partita for Cembalo in D Minor: No. 4, Gique
06. Fantasia e Partita for Cembalo in C Major: No. 1, Fantasia
07. Fantasia e Partita for Cembalo in C Major: No. 2, Allemande
08. Fantasia e Partita for Cembalo in C Major: No. 3, Corrente
09. Fantasia e Partita for Cembalo in C Major: No. 4, Sarabanda
10. Fantasia e Partita for Cembalo in C Major: No. 5, Gique
11. Menuet for Cembalo in G Major
12. Bourée for Cembalo in G Major
13. Gavotte for Cemparo in G Major
14. Fantasia for Cembalo in D Minor
15. Partita for Cembalo in F Major: No. 1, Allemande
16. Partita for Cembalo in F Major: No. 2, Corrente
17. Partita for Cembalo in F Major: No. 3, Sarabanda-Le Double
18. Partita for Cembalo in F Major: No. 4, Gique
19. Partita for Cembalo in F Major No. 5, Menuet
20. Preludio for Cembalo in G Minor
21. Partita for Cembalo in G Major: No. 1, Allemande
22. Partita for Cembalo in G Major: No. 2, Corrente
23. Partita for Cembalo in G Major: No. 3, Sarabanda
24. Partita for Cembalo in G Major: No. 4, Gique
25. Partita for Cembalo in G Major: No. 5, Menuet
26. Preludio for Cembalo in E Minor
27. Partita for Cembalo in A Major: No. 1, Allemande
28. Partita for Cembalo in A Major: No. 2, Corrente
29. Partita for Cembalo in A Major: No. 3, Sarabanda-Le Double
30. Partita for Cembalo in A Major: No. 4, Gique-Presto
31. Menuet for Cembalo in A Minor
32. Bourée for Cembalo in A Minor
33. Partita for Cembalo in B Major: No. 1, Allemande
34. Partita VI for Cembalo in B Major: No. 2, Corrente
35. Partita VI for Cembalo in B Major: No. 3, Sarabanda-Le Double-Le Double
36. Partita VI for Cembalo in B Major: No. 4, Variatio I-III
37. Partita VI for Cembalo in B Major: No. 5, Gique
38. Partita VI for Cembalo in B Major: No. 6, Rondeau
39. Passacaglia for Cembalo in D Minor
The harpsichord sounds light and airy when Tatjana Vorobjova plays the "Sechs Musicalischen Partien" by Johann Krieger. Apart from the stupendous playing technique of the virtuoso with Latvian roots, this is of course due to Krieger's compositional style, which conjures up filigree character pieces of deep content from the standardised dance movements of the suites. In addition to the printed collection of the six suites, the finely balanced Super Audio CD also contains handwritten individual pieces that round off the high baroque music. Krieger's mastery of counterpoint is evident throughout, although often confines himself to the two-to three-voice writing, which gives the works a luminous transparency. At times, a four-part texture is simulated, when in fact only three voices are playing. And when it does become full-bodied, the tonal richness is all the more opulent in contrast. Tatjana Vorobjova presents this little known music in historical Werckmeister tuning on a two-manual harpsichord after Ruckers.
01. Preludio for Cembalo in D Minor
02. Partita for Cembalo in D Minor: No. 1, Allemande
03. Partita for Cembalo in D Minor: No. 2, Corrente
04. Partita for Cembalo in D Minor: No. 3, Sarabanda-Le Double
05. Partita for Cembalo in D Minor: No. 4, Gique
06. Fantasia e Partita for Cembalo in C Major: No. 1, Fantasia
07. Fantasia e Partita for Cembalo in C Major: No. 2, Allemande
08. Fantasia e Partita for Cembalo in C Major: No. 3, Corrente
09. Fantasia e Partita for Cembalo in C Major: No. 4, Sarabanda
10. Fantasia e Partita for Cembalo in C Major: No. 5, Gique
11. Menuet for Cembalo in G Major
12. Bourée for Cembalo in G Major
13. Gavotte for Cemparo in G Major
14. Fantasia for Cembalo in D Minor
15. Partita for Cembalo in F Major: No. 1, Allemande
16. Partita for Cembalo in F Major: No. 2, Corrente
17. Partita for Cembalo in F Major: No. 3, Sarabanda-Le Double
18. Partita for Cembalo in F Major: No. 4, Gique
19. Partita for Cembalo in F Major No. 5, Menuet
20. Preludio for Cembalo in G Minor
21. Partita for Cembalo in G Major: No. 1, Allemande
22. Partita for Cembalo in G Major: No. 2, Corrente
23. Partita for Cembalo in G Major: No. 3, Sarabanda
24. Partita for Cembalo in G Major: No. 4, Gique
25. Partita for Cembalo in G Major: No. 5, Menuet
26. Preludio for Cembalo in E Minor
27. Partita for Cembalo in A Major: No. 1, Allemande
28. Partita for Cembalo in A Major: No. 2, Corrente
29. Partita for Cembalo in A Major: No. 3, Sarabanda-Le Double
30. Partita for Cembalo in A Major: No. 4, Gique-Presto
31. Menuet for Cembalo in A Minor
32. Bourée for Cembalo in A Minor
33. Partita for Cembalo in B Major: No. 1, Allemande
34. Partita VI for Cembalo in B Major: No. 2, Corrente
35. Partita VI for Cembalo in B Major: No. 3, Sarabanda-Le Double-Le Double
36. Partita VI for Cembalo in B Major: No. 4, Variatio I-III
37. Partita VI for Cembalo in B Major: No. 5, Gique
38. Partita VI for Cembalo in B Major: No. 6, Rondeau
39. Passacaglia for Cembalo in D Minor
The harpsichord sounds light and airy when Tatjana Vorobjova plays the "Sechs Musicalischen Partien" by Johann Krieger. Apart from the stupendous playing technique of the virtuoso with Latvian roots, this is of course due to Krieger's compositional style, which conjures up filigree character pieces of deep content from the standardised dance movements of the suites. In addition to the printed collection of the six suites, the finely balanced Super Audio CD also contains handwritten individual pieces that round off the high baroque music. Krieger's mastery of counterpoint is evident throughout, although often confines himself to the two-to three-voice writing, which gives the works a luminous transparency. At times, a four-part texture is simulated, when in fact only three voices are playing. And when it does become full-bodied, the tonal richness is all the more opulent in contrast. Tatjana Vorobjova presents this little known music in historical Werckmeister tuning on a two-manual harpsichord after Ruckers.
Year 2021 | Classical | FLAC / APE
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