Jacqueline Ross - Bach: Sonata for Solo Violin No. 3; Partitas Nos. 2 - 3 (2007)
BAND/ARTIST: Jacqueline Ross
- Title: Bach: Sonata for Solo Violin No. 3; Partitas Nos. 2 - 3
- Year Of Release: 2007
- Label: Gaudeamus
- Genre: Classical
- Quality: flac lossless (tracks)
- Total Time: 01:08:38
- Total Size: 346 mb
- WebSite: Album Preview
Tracklist
01. Partita for violin solo No.2 in D minor, BWV 1004: I. Allemanda
02. Partita for violin solo No.2 in D minor, BWV 1004: II. Corrente
03. Partita for violin solo No.2 in D minor, BWV 1004: III. Sarabanda
04. Partita for violin solo No.2 in D minor, BWV 1004: IV. Giga
05. Partita for violin solo No.2 in D minor, BWV 1004: V. Ciaccona
06. Sonata for violin solo No.3 in C, BWV 1005: I. Adagio
07. Sonata for violin solo No.3 in C, BWV 1005: II. Fuga
08. Sonata for violin solo No.3 in C, BWV 1005: III. Largo
09. Sonata for violin solo No.3 in C, BWV 1005: IV. Allegro assai
10. Partita for violin solo No.3 in E, BWV 1006: I. Preludio
11. Partita for violin solo No.3 in E, BWV 1006: II. Loure
12. Partita for violin solo No.3 in E, BWV 1006: III. Gavotte en Rondeau
13. Partita for violin solo No.3 in E, BWV 1006: IV. Menuet I
14. Partita for violin solo No.3 in E, BWV 1006: V. Menuet II
15. Partita for violin solo No.3 in E, BWV 1006: VI. Bourrée
16. Partita for violin solo No.3 in E, BWV 1006: VII. Gigue
The inevitable follow-up to her recording of Bach's first two sonatas and first Partita for solo violin, Jacqueline Ross' recording of Bach's Third Sonata and second two partitas for solo violin is equally impressive. Armed with a fearless technique, a reckless attack, and a tone that cuts right through you, Ross can do anything she wants with the music -- and what she wants to do is make the greatest music she can with it. Her C major Sonata's opening Adagio and Fugue is searing in its intensity. Her E major Partita's opening Preludio is blazing in its liberty. Her D minor Partita's closing Ciaccona is excruciating in its existential audacity. While those who prefer the more refined, not to say sweeter, performances of modern violinists like Mintz or Perlman may find Ross' take-no-prisoners performances too much to bear, those who like to be challenged, not to say confronted, by the musicians they listen to will surely find Ross' bravery bracing. Gaudeamus' 2007 digital sound is clear, deep, warm, and full.
01. Partita for violin solo No.2 in D minor, BWV 1004: I. Allemanda
02. Partita for violin solo No.2 in D minor, BWV 1004: II. Corrente
03. Partita for violin solo No.2 in D minor, BWV 1004: III. Sarabanda
04. Partita for violin solo No.2 in D minor, BWV 1004: IV. Giga
05. Partita for violin solo No.2 in D minor, BWV 1004: V. Ciaccona
06. Sonata for violin solo No.3 in C, BWV 1005: I. Adagio
07. Sonata for violin solo No.3 in C, BWV 1005: II. Fuga
08. Sonata for violin solo No.3 in C, BWV 1005: III. Largo
09. Sonata for violin solo No.3 in C, BWV 1005: IV. Allegro assai
10. Partita for violin solo No.3 in E, BWV 1006: I. Preludio
11. Partita for violin solo No.3 in E, BWV 1006: II. Loure
12. Partita for violin solo No.3 in E, BWV 1006: III. Gavotte en Rondeau
13. Partita for violin solo No.3 in E, BWV 1006: IV. Menuet I
14. Partita for violin solo No.3 in E, BWV 1006: V. Menuet II
15. Partita for violin solo No.3 in E, BWV 1006: VI. Bourrée
16. Partita for violin solo No.3 in E, BWV 1006: VII. Gigue
The inevitable follow-up to her recording of Bach's first two sonatas and first Partita for solo violin, Jacqueline Ross' recording of Bach's Third Sonata and second two partitas for solo violin is equally impressive. Armed with a fearless technique, a reckless attack, and a tone that cuts right through you, Ross can do anything she wants with the music -- and what she wants to do is make the greatest music she can with it. Her C major Sonata's opening Adagio and Fugue is searing in its intensity. Her E major Partita's opening Preludio is blazing in its liberty. Her D minor Partita's closing Ciaccona is excruciating in its existential audacity. While those who prefer the more refined, not to say sweeter, performances of modern violinists like Mintz or Perlman may find Ross' take-no-prisoners performances too much to bear, those who like to be challenged, not to say confronted, by the musicians they listen to will surely find Ross' bravery bracing. Gaudeamus' 2007 digital sound is clear, deep, warm, and full.
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