Jacqueline Ross, Maggie Cole - Schubert: Complete Works for Violin and Fortepiano, Vol. 2 (2012)
BAND/ARTIST: Jacqueline Ross, Maggie Cole
- Title: Schubert: Complete Works for Violin and Fortepiano, Vol. 2
- Year Of Release: 2012
- Label: Naxos
- Genre: Classical
- Quality: flac lossless (tracks) +Booklet
- Total Time: 01:09:15
- Total Size: 292 mb
- WebSite: Album Preview
Tracklist
01. Rondo in B minor, Op. 70, D. 895, "Rondo brillant": Andante
02. Rondo in B minor, Op. 70, D. 895, "Rondo brillant": Allegro
03. Introduction: Andante
04. Introduction and Variations on Trockne Blumen from Die schone Mullerin, Op. 160, D. 802 (arr. for violin and piano): Theme: Andantino
05. Introduction and Variations on Trockne Blumen from Die schone Mullerin, Op. 160, D. 802 (arr. for violin and piano): Variation 1
06. Introduction and Variations on Trockne Blumen from Die schone Mullerin, Op. 160, D. 802 (arr. for violin and piano): Variation 2
07. Introduction and Variations on Trockne Blumen from Die schone Mullerin, Op. 160, D. 802 (arr. for violin and piano): Variation 3
08. Introduction and Variations on Trockne Blumen from Die schone Mullerin, Op. 160, D. 802 (arr. for violin and piano): Variation 4
09. Introduction and Variations on Trockne Blumen from Die schone Mullerin, Op. 160, D. 802 (arr. for violin and piano): Variation 5
10. Introduction and Variations on Trockne Blumen from Die schone Mullerin, Op. 160, D. 802 (arr. for violin and piano): Variation 6
11. Introduction and Variations on Trockne Blumen from Die schone Mullerin, Op. 160, D. 802 (arr. for violin and piano): Variation 7
12. Fantasy in C major, Op. 159, D. 934: Andante molto - Allegretto
13. Fantasy in C major, Op. 159, D. 934: Andantino
14. Fantasy in C major, Op. 159, D. 934: Tempo I - Allegro vivace
Violinist Jacqueline Ross and fortepianist Maggie Cole offer copiously researched, historically informed accounts of three bravura works by Franz Schubert, performed on period instruments and with due reference to autograph and other relevant source materials. One of the works was originally composed for flute and piano; the two echt violin-piano compositions have been described by Alfred Einstein as substitutes for ‘the violin concerto which Schubert never wrote’, such is their virtuosity. All three pieces demonstrate Schubert’s fertile melodic invention, subtle harmonic language and close affinity with the human voice.
01. Rondo in B minor, Op. 70, D. 895, "Rondo brillant": Andante
02. Rondo in B minor, Op. 70, D. 895, "Rondo brillant": Allegro
03. Introduction: Andante
04. Introduction and Variations on Trockne Blumen from Die schone Mullerin, Op. 160, D. 802 (arr. for violin and piano): Theme: Andantino
05. Introduction and Variations on Trockne Blumen from Die schone Mullerin, Op. 160, D. 802 (arr. for violin and piano): Variation 1
06. Introduction and Variations on Trockne Blumen from Die schone Mullerin, Op. 160, D. 802 (arr. for violin and piano): Variation 2
07. Introduction and Variations on Trockne Blumen from Die schone Mullerin, Op. 160, D. 802 (arr. for violin and piano): Variation 3
08. Introduction and Variations on Trockne Blumen from Die schone Mullerin, Op. 160, D. 802 (arr. for violin and piano): Variation 4
09. Introduction and Variations on Trockne Blumen from Die schone Mullerin, Op. 160, D. 802 (arr. for violin and piano): Variation 5
10. Introduction and Variations on Trockne Blumen from Die schone Mullerin, Op. 160, D. 802 (arr. for violin and piano): Variation 6
11. Introduction and Variations on Trockne Blumen from Die schone Mullerin, Op. 160, D. 802 (arr. for violin and piano): Variation 7
12. Fantasy in C major, Op. 159, D. 934: Andante molto - Allegretto
13. Fantasy in C major, Op. 159, D. 934: Andantino
14. Fantasy in C major, Op. 159, D. 934: Tempo I - Allegro vivace
Violinist Jacqueline Ross and fortepianist Maggie Cole offer copiously researched, historically informed accounts of three bravura works by Franz Schubert, performed on period instruments and with due reference to autograph and other relevant source materials. One of the works was originally composed for flute and piano; the two echt violin-piano compositions have been described by Alfred Einstein as substitutes for ‘the violin concerto which Schubert never wrote’, such is their virtuosity. All three pieces demonstrate Schubert’s fertile melodic invention, subtle harmonic language and close affinity with the human voice.
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