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Thomas Albertus Irnberger, Michael Korstick - French Violin Sonatas (2025) [Hi-Res]

Thomas Albertus Irnberger, Michael Korstick - French Violin Sonatas (2025) [Hi-Res]
  • Title: French Violin Sonatas
  • Year Of Release: 2025
  • Label: Gramola Records
  • Genre: Classical
  • Quality: flac lossless (tracks) / flac 24bits - 192.0kHz +Booklet
  • Total Time: 02:34:51
  • Total Size: 706 mb / 5.7 gb
  • WebSite:
Tracklist

CD1
01. Sonata for Violin and Piano No. 1 in A major, Op. 13 - I - Allegro molto
02. Sonata for Violin and Piano No. 1 in A major, Op. 13 - II - Andante
03. Sonata for Violin and Piano No. 1 in A major, Op. 13 - III - Allegro vivo
04. Sonata for Violin and Piano No. 1 in A major, Op. 13 - IV - Allegro quasi presto
05. Sonata for Violin and Piano No. 2 in E minor, Op. 108 - I - Allegro non troppo
06. Sonata for Violin and Piano No. 2 in E minor, Op. 108 - II - Andante
07. Sonata for Violin and Piano No. 2 in E minor, Op. 108 - III - Final. Allegro non troppo
08. Romance pour violon et piano op. 28
09. Andante pour violon et piano op. 75
10. Sicilienne pour violoncelle/violon et piano op. 78
11. Berceuse pour violon et piano op. 16
12. Thème et variations pour violon et piano

CD2
01. Sonata for Piano and Violin: I - Très modéré – vif et passionné
02. Sonata for Piano and Violin: II - Très lent
03. Sonata for Piano and Violin: III - Très animé
04. Sonata for Violin and Piano: I - Allegretto
05. Sonata for Violin and Piano: II - Blues: Moderato
06. Sonata for Violin and Piano: III - Perpetuum mobile: Allegro
07. Sonata for Violin and Piano: I - Allegro con fuoco
08. Sonata for Violin and Piano: II - Intermezzo: Très lent et calme
09. Sonata for Violin and Piano: III - Presto tragico
10. Deux mélodies hébraïques: I. Kaddisch (pour violon et piano)
11. Berceuse sur le nom de Gabriel Fauré. Simplice

On this double CD, “Paths into Impressionism” are taken: starting with the two important Sonatas for Violin and Piano by Fauré, the first of which was already described as a masterpiece by Saint-Saëns, and four other short pieces by Fauré, the great Salzburg violinist Thomas Albertus Irnberger and the German pianist Michael Korstick, who is already very familiar with the French idiom through many of his own recordings, present further works from the French and Belgian repertoire in their usual masterly and spirited interpretations: the Sonata by the early deceased Guillaume Lekeu, which was commissioned and premiered by Eugène Ysaÿe, and Maurice Ravel’s Sonata for Violin and Piano (with a Blues as the middle movement), which is characterized by Ravel’s view that violin and piano were fundamentally incompatible. The resulting manifold parallel developments and bitonal frictions create specific stimuli, though without showing even the slightest hint of the music falling apart.



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