Mark Anderson - Röntgen: Piano Music Vol. 2 (2016)
BAND/ARTIST: Mark Anderson
- Title: Röntgen: Piano Music Vol. 2
- Year Of Release: 2016
- Label: Nimbus Records
- Genre: Classical Piano
- Quality: flac lossless (tracks)
- Total Time: 01:08:50
- Total Size: 206 mb
- WebSite: Album Preview
Tracklist
01. Ein Cyclus von Phantasiestücken, Op. 5: I. Allegro con brio
02. Ein Cyclus von Phantasiestücken, Op. 5: II. Andante con espressione
03. Ein Cyclus von Phantasiestücken, Op. 5: III. Allegretto moderato
04. Ein Cyclus von Phantasiestücken, Op. 5: IV. Andante con moto
05. Ein Cyclus von Phantasiestücken, Op. 5: V. Presto
06. Ein Cyclus von Phantasiestücken, Op. 5: VI. Allegretto con grazia
07. Ein Cyclus von Phantasiestücken, Op. 5: VII. Grave
08. Neckens Polska Variationen über ein schwedisches Volkslied, Op. 11: Theme Ruhig
09. Neckens Polska Variationen über ein schwedisches Volkslied, Op. 11: I. Tema ben tenuto
10. Neckens Polska Variationen über ein schwedisches Volkslied, Op. 11: II. Langsaam
11. Neckens Polska Variationen über ein schwedisches Volkslied, Op. 11: III. Ruhig
12. Neckens Polska Variationen über ein schwedisches Volkslied, Op. 11: IV. Lebhaft
13. Neckens Polska Variationen über ein schwedisches Volkslied, Op. 11: V. Lebhaft nach und nach leidenschaftlicher
14. Neckens Polska Variationen über ein schwedisches Volkslied, Op. 11: VI. Mit grösster Kraft
15. Neckens Polska Variationen über ein schwedisches Volkslied, Op. 11: VIII. Etwas langsamer als
16. Neckens Polska Variationen über ein schwedisches Volkslied, Op. 11: IX. Sehr markirt
17. Neckens Polska Variationen über ein schwedisches Volkslied, Op. 11: X. Schnell
18. Sonata No. 2 in D-Flat Major, Op. 10: I. Allegretto sempre tranquillo
19. Sonata No. 2 in D-Flat Major, Op. 10: II. Scherzo, Allegro vivace
20. Sonata No. 2 in D-Flat Major, Op. 10: III. Andante cantabile
21. Sonata No. 2 in D-Flat Major, Op. 10: IV. Finale Allegro con fuoco
Julius Röntgen (1855-1932) was both a composer and a gifted pianist and as such he knew how to write well for his instrument. Röntgen was a child prodigy and from an early age composed ambitious works for the piano. He frequently performed his own, and others, piano concertos. Beethoven's Fourth and Brahms's Second were particular favourites. It was through performances of Beethoven's Piano Sonata op.111 and Schumann's Etudes Symphoniques that Röntgen established himself. However, it was not as a soloist but as an accompanist that Röntgen would make a lasting impression. The partnership with his contemporary, the baritone Johannes Messchaert, was legendary and they made several European tours. At one of their recitals, in the Vienna Musikvereinsaal, it was noted that Brahms and Grieg were sat together in the front row. Röntgen composed constantly throughout his performing and teaching career. Opus numbers were only applied to printed works, itself a fraction of his more than 600 compositions. Recent renewed interest in Röntgen has revealed many treasures still waiting to be awakened in the Röntgen Archives (Den Haag). Alongside a huge series of unknown string quartets, string trios, piano trios and symphonies there are some thirty piano sonatas and sonatinas from 1922-1932 alone. Röntgen started and ended his creative life as a piano composer.
01. Ein Cyclus von Phantasiestücken, Op. 5: I. Allegro con brio
02. Ein Cyclus von Phantasiestücken, Op. 5: II. Andante con espressione
03. Ein Cyclus von Phantasiestücken, Op. 5: III. Allegretto moderato
04. Ein Cyclus von Phantasiestücken, Op. 5: IV. Andante con moto
05. Ein Cyclus von Phantasiestücken, Op. 5: V. Presto
06. Ein Cyclus von Phantasiestücken, Op. 5: VI. Allegretto con grazia
07. Ein Cyclus von Phantasiestücken, Op. 5: VII. Grave
08. Neckens Polska Variationen über ein schwedisches Volkslied, Op. 11: Theme Ruhig
09. Neckens Polska Variationen über ein schwedisches Volkslied, Op. 11: I. Tema ben tenuto
10. Neckens Polska Variationen über ein schwedisches Volkslied, Op. 11: II. Langsaam
11. Neckens Polska Variationen über ein schwedisches Volkslied, Op. 11: III. Ruhig
12. Neckens Polska Variationen über ein schwedisches Volkslied, Op. 11: IV. Lebhaft
13. Neckens Polska Variationen über ein schwedisches Volkslied, Op. 11: V. Lebhaft nach und nach leidenschaftlicher
14. Neckens Polska Variationen über ein schwedisches Volkslied, Op. 11: VI. Mit grösster Kraft
15. Neckens Polska Variationen über ein schwedisches Volkslied, Op. 11: VIII. Etwas langsamer als
16. Neckens Polska Variationen über ein schwedisches Volkslied, Op. 11: IX. Sehr markirt
17. Neckens Polska Variationen über ein schwedisches Volkslied, Op. 11: X. Schnell
18. Sonata No. 2 in D-Flat Major, Op. 10: I. Allegretto sempre tranquillo
19. Sonata No. 2 in D-Flat Major, Op. 10: II. Scherzo, Allegro vivace
20. Sonata No. 2 in D-Flat Major, Op. 10: III. Andante cantabile
21. Sonata No. 2 in D-Flat Major, Op. 10: IV. Finale Allegro con fuoco
Julius Röntgen (1855-1932) was both a composer and a gifted pianist and as such he knew how to write well for his instrument. Röntgen was a child prodigy and from an early age composed ambitious works for the piano. He frequently performed his own, and others, piano concertos. Beethoven's Fourth and Brahms's Second were particular favourites. It was through performances of Beethoven's Piano Sonata op.111 and Schumann's Etudes Symphoniques that Röntgen established himself. However, it was not as a soloist but as an accompanist that Röntgen would make a lasting impression. The partnership with his contemporary, the baritone Johannes Messchaert, was legendary and they made several European tours. At one of their recitals, in the Vienna Musikvereinsaal, it was noted that Brahms and Grieg were sat together in the front row. Röntgen composed constantly throughout his performing and teaching career. Opus numbers were only applied to printed works, itself a fraction of his more than 600 compositions. Recent renewed interest in Röntgen has revealed many treasures still waiting to be awakened in the Röntgen Archives (Den Haag). Alongside a huge series of unknown string quartets, string trios, piano trios and symphonies there are some thirty piano sonatas and sonatinas from 1922-1932 alone. Röntgen started and ended his creative life as a piano composer.
Year 2016 | Classical | FLAC / APE
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