Tara Erraught, Ruth Rosique, Julien Dran, Chamber Choir Ireland, National Symphony Orchestra of Ireland and Jean-Luc Tingaud - Fauré: Pelléas et Mélisande Suite, Prométhée (Excerpts), Shylock & Songs (2025) [Hi-Res]
![Tara Erraught, Ruth Rosique, Julien Dran, Chamber Choir Ireland, National Symphony Orchestra of Ireland and Jean-Luc Tingaud - Fauré: Pelléas et Mélisande Suite, Prométhée (Excerpts), Shylock & Songs (2025) [Hi-Res]](https://www.dibpic.com/uploads/posts/2025-01/1736419344_jayx523ic7poc_600.jpg)
BAND/ARTIST: Tara Erraught, Ruth Rosique, Julien Dran, Chamber Choir Ireland, National Symphony Orchestra of Ireland, Jean-Luc Tingaud
- Title: Fauré: Pelléas et Mélisande Suite, Prométhée (Excerpts), Shylock & Songs
- Year Of Release: 2025
- Label: Naxos
- Genre: Classical
- Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks)
- Total Time: 01:05:36
- Total Size: 262 MB / 1.12 GB
- WebSite: Album Preview
Tracklist:
1. Pelléas et Mélisande Suite, Op. 80: I. Prélude. Quasi adagio (6:09)
2. Pelléas et Mélisande Suite, Op. 80: II. La Fileuse. Andantino quasi allegretto (2:37)
3. Pelléas et Mélisande Suite, Op. 80: III. Sicilienne. Allegretto molto moderato (3:33)
4. Pelléas et Mélisande Suite, Op. 80: IV. La Mort de Mélisande. Molto adagio (4:39)
5. Pelléas et Mélisande, Op. 80, Act III Scene 1: Mélisande's Song (Arr. for Voice & Orchestra by Charles Koechlin, Second Version) (2:45)
6. Prométhée, tragédie lyrique, Op. 82, Act I: Prélude. Molto moderato (1917 Revised Version, Orch. Jean Roger-Ducasse) (3:55)
7. Prométhée, tragédie lyrique, Op. 82, Act II: Prélude. Andantino (1917 Revised Version, Orch. Jean Roger-Ducasse) (1:51)
8. Prométhée, tragédie lyrique, Op. 82, Act III: Prélude. Andante moderato (1917 Revised Version, Orch. Jean Roger-Ducasse) (1:54)
9. Prométhée, tragédie lyrique, Op. 82, Act III: Chorus. Des ruisseaux et des sources claires (1917 Revised Version, Orch. Jean Roger-Ducasse) (3:29)
10. Prométhée, tragédie lyrique, Op. 82, Act I: Air de Gaïa. Arrête Prométhée (1917 Revised Version, Orch. Jean Roger-Ducasse) (5:34)
11. En prière (2:58)
12. La Chanson du pêcheur (Lamento), Op. 4 No. 1 (Version for Voice & Orchestra) (3:25)
13. Les Roses d'Ispahan, Op. 39 No. 4 (Version for Voice & Orchestra) (3:18)
14. Tarentelle, Op. 10 No. 2 (Arr. for 2 Voices & Orchestra by André Messager) (2:20)
15. Shylock, Op. 57: I. Chanson. Allegro moderato. Oh! Les filles! Venez, les filles aux voix douces! (2:29)
16. Shylock, Op. 57: II. Entr'acte. Andante moderato (3:41)
17. Shylock, Op. 57: III. Madrigal. Allegretto. Celle que j'aime a de beauté… (1:24)
18. Shylock, Op. 57: IV. Épithalame. Adagio (3:16)
19. Shylock, Op. 57: V. Nocturne. Andante molto moderato (2:43)
20. Shylock, Op. 57: VI. Finale. Allegretto vivo (3:49)
1. Pelléas et Mélisande Suite, Op. 80: I. Prélude. Quasi adagio (6:09)
2. Pelléas et Mélisande Suite, Op. 80: II. La Fileuse. Andantino quasi allegretto (2:37)
3. Pelléas et Mélisande Suite, Op. 80: III. Sicilienne. Allegretto molto moderato (3:33)
4. Pelléas et Mélisande Suite, Op. 80: IV. La Mort de Mélisande. Molto adagio (4:39)
5. Pelléas et Mélisande, Op. 80, Act III Scene 1: Mélisande's Song (Arr. for Voice & Orchestra by Charles Koechlin, Second Version) (2:45)
6. Prométhée, tragédie lyrique, Op. 82, Act I: Prélude. Molto moderato (1917 Revised Version, Orch. Jean Roger-Ducasse) (3:55)
7. Prométhée, tragédie lyrique, Op. 82, Act II: Prélude. Andantino (1917 Revised Version, Orch. Jean Roger-Ducasse) (1:51)
8. Prométhée, tragédie lyrique, Op. 82, Act III: Prélude. Andante moderato (1917 Revised Version, Orch. Jean Roger-Ducasse) (1:54)
9. Prométhée, tragédie lyrique, Op. 82, Act III: Chorus. Des ruisseaux et des sources claires (1917 Revised Version, Orch. Jean Roger-Ducasse) (3:29)
10. Prométhée, tragédie lyrique, Op. 82, Act I: Air de Gaïa. Arrête Prométhée (1917 Revised Version, Orch. Jean Roger-Ducasse) (5:34)
11. En prière (2:58)
12. La Chanson du pêcheur (Lamento), Op. 4 No. 1 (Version for Voice & Orchestra) (3:25)
13. Les Roses d'Ispahan, Op. 39 No. 4 (Version for Voice & Orchestra) (3:18)
14. Tarentelle, Op. 10 No. 2 (Arr. for 2 Voices & Orchestra by André Messager) (2:20)
15. Shylock, Op. 57: I. Chanson. Allegro moderato. Oh! Les filles! Venez, les filles aux voix douces! (2:29)
16. Shylock, Op. 57: II. Entr'acte. Andante moderato (3:41)
17. Shylock, Op. 57: III. Madrigal. Allegretto. Celle que j'aime a de beauté… (1:24)
18. Shylock, Op. 57: IV. Épithalame. Adagio (3:16)
19. Shylock, Op. 57: V. Nocturne. Andante molto moderato (2:43)
20. Shylock, Op. 57: VI. Finale. Allegretto vivo (3:49)
This programme spotlights Gabriel Fauré's orchestrated songs and his music for the stage, of which his suite from the incidental music for Pelléas et Mélisande includes some of his best-loved music. Performances of Fauré's spectacular Wagnerian drama Prométhée are a real rarity, while the eloquent Shylock suite, based on Shakespeare, contains some of his most elaborate symphonic music. Fauré orchestrated only a small number of his more than 100 songs, but these include the transcendentally beautiful love song Les Roses d’Ispahan with its harmonic subtleties and gorgeous coda.
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