Olga Peretyatko - The Secret Fauré: Orchestral Songs & Suites (2018)
BAND/ARTIST: Olga Peretyatko
- Title: The Secret Fauré: Orchestral Songs & Suites
- Year Of Release: 2018
- Label: Sony Classical
- Genre: Classical
- Quality: flac lossless
- Total Time: 01:13:43
- Total Size: 258 mb
- WebSite: Album Preview
Tracklist
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01. Caligula, Op. 52: Caligula, Op. 52: I. Prologue. Fanfares-March et Choeur. Quasi Adagio
02. Caligula, Op. 52: Caligula, Op. 52: II. L'hiver s'enfuit (Choeur)
03. Caligula, Op. 52: III. Air de Danse
04. Caligula, Op. 52: IV. De roses vermeilles (Mélodrame et Choeur)
05. Caligula, Op. 52: Caligula, Op. 52: V. Ceésar a fermeé la paupieère (Mélodrame et Choeur)
06. Pénélope, IGF 69: Prélude
07. Les roses d'Ispahan, Op. 39, No. 4
08. Soir, Op. 83, No. 2
09. Clair de lune, Op. 46, No. 2
10. Après un rêve, Op. 7, No. 1
11. Shylock, Op. 57: Shylock, Op. 57: I. Chanson
12. Shylock, Op. 57: Shylock, Op. 57: II. Entr'acte
13. Shylock, Op. 57: Shylock, Op. 57: III. Madrigal
14. Shylock, Op. 57: Shylock, Op. 57: IV. Epithaleme
15. Shylock, Op. 57: Shylock, Op. 57: V. Nocturne
16. Shylock, Op. 57: Shylock, Op. 57: VI. Final
17. Pelléas et Mélisande, Op. 80: I. Prélude
18. Pelléas et Mélisande, Op. 80: II. Fileuse
19. Pelléas et Mélisande, Op. 80: Pelléas et Mélisande, Op. 80: III. Sicilienne
20. Pelléas et Mélisande, Op. 80: IV. Chant de Mélisande
21. Pelléas et Mélisande, Op. 80: Pelléas et Mélisande, Op. 80: V. La mort de Mélisande
If The Secret is indeed the title of a melody that Gabriel Fauré composed on a poem rather cutesy Armand Silvestre, it does not seem that it inspired the title of the present album entitled "The Secret Fauré", taken rather in a meaning of scarcity and intimacy. Ivor Bolton, at the head of the Basel Symphony Orchestra where he is the artistic director, offers a very subtle choice composed of extracts from stage or stage music: Caligula, Pénélope, Shylock, Pelléas and Mélisande, mixed with some melodies orchestrated by Fauré or more probably by his friends, like Charles Koechlin. Russian soprano Olga Peretyatko, the new international queen of bel canto, lends her voice to Fauré's discreet art. Forgotten his many Traviata Berlin, MET or Vienna, for the benefit of a song of a modest limpidity. At his side, the tenor Benjamin Bruns and the women's choir Balthasar Neumann complete this disc which dedicates a certain French spirit seen elsewhere, made of a mixture of carefree, discreet elegance and a je-ne- know what futility.
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01. Caligula, Op. 52: Caligula, Op. 52: I. Prologue. Fanfares-March et Choeur. Quasi Adagio
02. Caligula, Op. 52: Caligula, Op. 52: II. L'hiver s'enfuit (Choeur)
03. Caligula, Op. 52: III. Air de Danse
04. Caligula, Op. 52: IV. De roses vermeilles (Mélodrame et Choeur)
05. Caligula, Op. 52: Caligula, Op. 52: V. Ceésar a fermeé la paupieère (Mélodrame et Choeur)
06. Pénélope, IGF 69: Prélude
07. Les roses d'Ispahan, Op. 39, No. 4
08. Soir, Op. 83, No. 2
09. Clair de lune, Op. 46, No. 2
10. Après un rêve, Op. 7, No. 1
11. Shylock, Op. 57: Shylock, Op. 57: I. Chanson
12. Shylock, Op. 57: Shylock, Op. 57: II. Entr'acte
13. Shylock, Op. 57: Shylock, Op. 57: III. Madrigal
14. Shylock, Op. 57: Shylock, Op. 57: IV. Epithaleme
15. Shylock, Op. 57: Shylock, Op. 57: V. Nocturne
16. Shylock, Op. 57: Shylock, Op. 57: VI. Final
17. Pelléas et Mélisande, Op. 80: I. Prélude
18. Pelléas et Mélisande, Op. 80: II. Fileuse
19. Pelléas et Mélisande, Op. 80: Pelléas et Mélisande, Op. 80: III. Sicilienne
20. Pelléas et Mélisande, Op. 80: IV. Chant de Mélisande
21. Pelléas et Mélisande, Op. 80: Pelléas et Mélisande, Op. 80: V. La mort de Mélisande
If The Secret is indeed the title of a melody that Gabriel Fauré composed on a poem rather cutesy Armand Silvestre, it does not seem that it inspired the title of the present album entitled "The Secret Fauré", taken rather in a meaning of scarcity and intimacy. Ivor Bolton, at the head of the Basel Symphony Orchestra where he is the artistic director, offers a very subtle choice composed of extracts from stage or stage music: Caligula, Pénélope, Shylock, Pelléas and Mélisande, mixed with some melodies orchestrated by Fauré or more probably by his friends, like Charles Koechlin. Russian soprano Olga Peretyatko, the new international queen of bel canto, lends her voice to Fauré's discreet art. Forgotten his many Traviata Berlin, MET or Vienna, for the benefit of a song of a modest limpidity. At his side, the tenor Benjamin Bruns and the women's choir Balthasar Neumann complete this disc which dedicates a certain French spirit seen elsewhere, made of a mixture of carefree, discreet elegance and a je-ne- know what futility.
Year 2018 | Classical | FLAC / APE
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