Coro Euridice di Bologna, Maurizio Guernieri, Pier Paolo Scattolin - Pizzetti & Ghedini: Opere corali sacre (2025) [Hi-Res]
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BAND/ARTIST: Coro Euridice di Bologna, Maurizio Guernieri, Pier Paolo Scattolin
- Title: Pizzetti & Ghedini: Opere corali sacre
- Year Of Release: 2025
- Label: Tactus
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
- Total Time: 00:55:00
- Total Size: 285 mb / 1.0 gb
- WebSite: Album Preview
Tracklist
01. Messa di Requiem: I. Introit - Kyrie
02. Messa di Requiem: II. Sequence
03. Messa di Requiem: III. Sanctus
04. Messa di Requiem: IV. Agnus Dei
05. Messa di Requiem: V. Libera me
06. Ave verum corpus
07. 2 Canti sacri: No. 1, Maria lavava
08. 2 Canti sacri: No. 2, Dove vai, Madonna mia
09. Fiorito è Cristo nella carne pura
10. 2 Mottetti per un tempo di penitenza: No. 1, Peccantem me quotidie
11. 2 Mottetti per un tempo di penitenza: No. 2, Timor et tremor
12. 3 Responsori per il Sabato Santo: No. 1, Recessit pastor noster
13. 3 Responsori per il Sabato Santo: No. 2, O vos omnes
14. 3 Responsori per il Sabato Santo: No. 3, Ecce quomodo moritur iustus
With the publication of this album, the Euridice Choir from Bologna achieves a major objective with regard to the divulgation of some choral works by two authors, Ildebrando Pizzetti (Parma 1880 – Rome 1968) and Giorgio Federico Ghedini (Cuneo 1892 – Genoa Nervi 1965), who are at the top of the history of 20th century Italian choral music; unfortunately most of these masterpieces seldom find place in concert programs and are, by consequence, little known. These compositions are set on very different stylistic sides) but their musical quality outlines a clear profile of the expressive depth and aesthetic consistency of Italian choral music from the early 1900. The imposing polyphonic structure of Pizzetti’s Requiem and the “neo-Madrigalism” (as defined by Massimo Mila) adopted by Giorgio Federico Ghedini are based respectively on the suggestions of Gregorian chant and on the stylistic modules of the Renaissance compositional heritage, whose recovery constitutes the founding cornerpiece of this music.
01. Messa di Requiem: I. Introit - Kyrie
02. Messa di Requiem: II. Sequence
03. Messa di Requiem: III. Sanctus
04. Messa di Requiem: IV. Agnus Dei
05. Messa di Requiem: V. Libera me
06. Ave verum corpus
07. 2 Canti sacri: No. 1, Maria lavava
08. 2 Canti sacri: No. 2, Dove vai, Madonna mia
09. Fiorito è Cristo nella carne pura
10. 2 Mottetti per un tempo di penitenza: No. 1, Peccantem me quotidie
11. 2 Mottetti per un tempo di penitenza: No. 2, Timor et tremor
12. 3 Responsori per il Sabato Santo: No. 1, Recessit pastor noster
13. 3 Responsori per il Sabato Santo: No. 2, O vos omnes
14. 3 Responsori per il Sabato Santo: No. 3, Ecce quomodo moritur iustus
With the publication of this album, the Euridice Choir from Bologna achieves a major objective with regard to the divulgation of some choral works by two authors, Ildebrando Pizzetti (Parma 1880 – Rome 1968) and Giorgio Federico Ghedini (Cuneo 1892 – Genoa Nervi 1965), who are at the top of the history of 20th century Italian choral music; unfortunately most of these masterpieces seldom find place in concert programs and are, by consequence, little known. These compositions are set on very different stylistic sides) but their musical quality outlines a clear profile of the expressive depth and aesthetic consistency of Italian choral music from the early 1900. The imposing polyphonic structure of Pizzetti’s Requiem and the “neo-Madrigalism” (as defined by Massimo Mila) adopted by Giorgio Federico Ghedini are based respectively on the suggestions of Gregorian chant and on the stylistic modules of the Renaissance compositional heritage, whose recovery constitutes the founding cornerpiece of this music.
| Classical | FLAC / APE | HD & Vinyl
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