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Yair Dalal, Tölzer Knabenchor, The Al Ol Ensemble, L’arte Del Mondo, Werner Ehrhardt - Israel in Egypt - From slavery to freedom (2012)

Yair Dalal, Tölzer Knabenchor, The Al Ol Ensemble, L’arte Del Mondo, Werner Ehrhardt - Israel in Egypt - From slavery to freedom (2012)
  • Title: Israel in Egypt - From slavery to freedom
  • Year Of Release: 2012
  • Label: Capriccio
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 01:53:49
  • Total Size: 560 Mb
  • WebSite:
Tracklist:

CD 1
Israel in Egypt, HWV 54 (Georg Friedrich Händel)

01. Part I: Introduction - 00:01:52
02. Part I: Once we were slaves (Chorus) - 00:05:04
03. Part I: And the children of Israel (Chorus) - 00:03:25
04. Part I: And Egypt made the children of Israel (Chorus) - 00:01:34
05. Part II: Recitative: Then sent He Moses (Counter-tenor) - 00:00:22

Dulab husaini (Traditional)
06. Dulab husaini - 00:01:43

Israel in Egypt, HWV 54 (Georg Friedrich Händel)
07. Part I: These are the ten plagues (Chorus) - 00:02:01
08. Part I: They loathed to drink of the river (Chorus) - 00:02:21
09. Part I: Aria: Their land brought forth frogs (Chorus) - 00:02:14
10. Part I: He spake the word (Chorus) - 00:03:20

Amrou rabotenou (Traditional)
11. Amrou rabotenou - 00:01:04

Israel in Egypt, HWV 54 (Georg Friedrich Händel)
12. Part I: He gave them hailstones for rain (Chorus) - 00:02:02
13. Part I: He sent a thick darkness over all the land (Chorus) - 00:02:32

Sufi chanting (Traditional)
14. Sufi chanting - 00:04:06

Israel in Egypt, HWV 54 (Georg Friedrich Händel)
15. Part I: He smote all the first-born - 00:02:37

Al ol - desert wind (arr. I. Kis) (Yaïr Dalal)
16. Al ol - desert wind (arr. I. Kis) - 00:08:07

Israel in Egypt, HWV 54 (Georg Friedrich Händel)
17. Part I: But as for his people (Chorus) - 00:04:50
18. Part I: He rebuked the Red Sea (Chorus) - 00:02:53
19. Part I: And Israel saw that great work (Chorus) - 00:04:01
20. Part I: And believed the Lord (Chorus) - 00:02:44

CD 2
Israel in Egypt, HWV 54 (Georg Friedrich Händel)
01. Part II: Then Moses and the children of Israel (Chorus) - 00:03:26
02. Part II: Moses and the Children of Israel (Chorus) - 00:03:35
03. Part II: The Lord is my strength and my song - 00:02:06
04. Part II: He is my God (Chorus) - 00:03:31
05. Part II: The Lord is a Master of war - 00:01:39
06. Part II: The depths have covered them (Chorus) - 00:01:47

El halidg (arr. I. Kis) (Yaïr Dalal)
07. El halidg (arr. I. Kis) - 00:08:16

Sufi chanting (Traditional)
08. Sufi chanting - 00:01:33

Israel in Egypt, HWV 54 (Georg Friedrich Händel)
09. Part II: Thy right hand, O Lord is become glorious - 00:01:23

E mounim (arr. I. Kis) (Traditional)
10. E mounim (arr. I. Kis) - 00:00:59

Israel in Egypt, HWV 54 (Georg Friedrich Händel)
11. Part II: The enemy said, I will pursue - 00:00:38

Ya chalidi (Various Composers)
12. Ya chalidi - 00:06:30

Israel in Egypt, HWV 54 (Georg Friedrich Händel)
13. Part II: Who is like unto Thee, O Lord (Chorus) - 00:03:22
14. Part II: You in your mercy - The people shall hear (Chorus) - 00:03:09

Improvisation (Traditional)
15. Improvisation - 00:02:51

Israel in Egypt, HWV 54 (Georg Friedrich Händel)
16. Part II: Thou shalt bring them in (Counter-tenor) - 00:03:01
17. Part II: The Lord shall reign (Chorus) - 00:01:44

Halleluja / Lefichach (arr. I. Kis) (Traditional)
18. Halleluja - Lefichach (arr. I. Kis) - 00:02:08
19. Messiah, HWV 56: Hallelujah! - The Lord shall reign - 00:03:01

Performers:
Yair Dalal
Tölzer Knabenchor
The Al Ol Ensemble
L’arte Del Mondo
Werner Ehrhardt

Contains 60 page booklet with articles in German and English and the libretto in English and Hebrew.

This project is based on Israel in Egypt, one of the best-known and most popular oratorios by Georg Friedrich Handel, and has been created on the basis of the common history and roots of three religions; Islam, Christianity and Judaism. Musicians from the (Western) European Baroque tradition (Baroque orchestra and choir), and hence from a Christian background, are joined by musicians from Jewish and Muslim backgrounds. The basic musical form of Handel’s oratorio and its narrative structure remains untouched, for the most parts.




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