Daniel Behle, Oliver Schnyder - Richard Strauss: Lieder (2012)
BAND/ARTIST: Daniel Behle, Oliver Schnyder
- Title: Richard Strauss: Lieder
- Year Of Release: 2012
- Label: Capriccio
- Genre: Classical
- Quality: FLAC (tracks)
- Total Time: 57:13
- Total Size: 221 Mb
- WebSite: Album Preview
Tracklist:
6 Lieder, Op. 17, TrV 149 (Richard Strauss)
01. No. 2. Standchen - 00:02:20
6 Lieder, Op. 37, TrV 187 (Richard Strauss)
02. No. 5. Herr Lenz - 00:01:11
03. No. 2. Ich liebe dich - 00:01:58
5 Lieder, Op. 48, TrV 202 (Richard Strauss)
04. No. 1. Freundliche Vision - 00:02:47
4 Lieder, Op. 27, TrV 170 (Richard Strauss)
05. No. 1. Ruhe, meine Seele - 00:03:26
06. No. 2. Cacilie - 00:01:59
07. No. 3. Heimliche Aufforderung - 00:03:09
08. No. 4. Morgen - 00:03:20
8 Gedichte aus "Letzte Blätter", Op. 10, TrV 141 (Richard Strauss)
09. No. 1. Zueignung - 00:01:29
10. No. 2. Nichts - 00:01:24
11. No. 3. Die Nacht - 00:02:53
12. No. 4. Die Georgine - 00:03:39
13. No. 5. Geduld - 00:04:19
14. No. 6. Die Verschwiegenen - 00:01:01
15. No. 7. Die Zeitlose - 00:01:32
16. No. 8. Allerseelen - 00:02:47
6 Lieder aus Lotosblätter, Op. 19, TrV 152 (Richard Strauss)
17. No. 1. Wozu noch, Madchen - 00:01:41
18. No. 2. Breit uber mein Haupt - 00:01:27
19. No. 3. Schon sind, doch kalt die Himmelssterne - 00:01:55
20. No. 4. Wie sollten wir geheim sie halten - 00:01:28
21. No. 5. Hoffen und wieder verzagen - 00:03:02
22. No. 6. Mein Herz ist stumm, mein Herz ist kalt - 00:03:15
5 Lieder, Op. 39, TrV 189 (Richard Strauss)
23. No. 4. Befreit - 00:05:11
Performers:
Daniel Behle (tenor)
Oliver Schnyder (piano)
6 Lieder, Op. 17, TrV 149 (Richard Strauss)
01. No. 2. Standchen - 00:02:20
6 Lieder, Op. 37, TrV 187 (Richard Strauss)
02. No. 5. Herr Lenz - 00:01:11
03. No. 2. Ich liebe dich - 00:01:58
5 Lieder, Op. 48, TrV 202 (Richard Strauss)
04. No. 1. Freundliche Vision - 00:02:47
4 Lieder, Op. 27, TrV 170 (Richard Strauss)
05. No. 1. Ruhe, meine Seele - 00:03:26
06. No. 2. Cacilie - 00:01:59
07. No. 3. Heimliche Aufforderung - 00:03:09
08. No. 4. Morgen - 00:03:20
8 Gedichte aus "Letzte Blätter", Op. 10, TrV 141 (Richard Strauss)
09. No. 1. Zueignung - 00:01:29
10. No. 2. Nichts - 00:01:24
11. No. 3. Die Nacht - 00:02:53
12. No. 4. Die Georgine - 00:03:39
13. No. 5. Geduld - 00:04:19
14. No. 6. Die Verschwiegenen - 00:01:01
15. No. 7. Die Zeitlose - 00:01:32
16. No. 8. Allerseelen - 00:02:47
6 Lieder aus Lotosblätter, Op. 19, TrV 152 (Richard Strauss)
17. No. 1. Wozu noch, Madchen - 00:01:41
18. No. 2. Breit uber mein Haupt - 00:01:27
19. No. 3. Schon sind, doch kalt die Himmelssterne - 00:01:55
20. No. 4. Wie sollten wir geheim sie halten - 00:01:28
21. No. 5. Hoffen und wieder verzagen - 00:03:02
22. No. 6. Mein Herz ist stumm, mein Herz ist kalt - 00:03:15
5 Lieder, Op. 39, TrV 189 (Richard Strauss)
23. No. 4. Befreit - 00:05:11
Performers:
Daniel Behle (tenor)
Oliver Schnyder (piano)
With many acclaimed and award-winning recordings under his belt and continuous opera and concert engagements, Daniel Behle’s career is definitely rocketing. His previous recordings have been well received with MusicWeb awarding his Die Schöne Müllerin CD on Capriccio (C5044) Recording of the Month. The critic said “Daniel Behle has presented himself as a significant interpreter of Lieder”, so Capriccio is delighted to present a selection of songs by Richard Strauss.
Daniel Behle said of his latest recording: “I am a lyrical Tenor and as such, one just gets introduced to the Schöne Müllerin, later to the Dichterliebe and eventually to the Winterreise (although I allow myself more time for that one) in the course of one's studies. At the moment I am quite happy to have opened another page besides the lightly lyrical: to dip into the late romantic era and to discover the outgoing, active and hands-on aspects of the period.”
Daniel Behle said of his latest recording: “I am a lyrical Tenor and as such, one just gets introduced to the Schöne Müllerin, later to the Dichterliebe and eventually to the Winterreise (although I allow myself more time for that one) in the course of one's studies. At the moment I am quite happy to have opened another page besides the lightly lyrical: to dip into the late romantic era and to discover the outgoing, active and hands-on aspects of the period.”
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