Roman Válek, Czech Ensemble Baroque - Tůma: Vesperae (2024) [Hi-Res]
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BAND/ARTIST: Roman Válek, Czech Ensemble Baroque
- Title: Tůma: Vesperae
- Year Of Release: 2024
- Label: SUPRAPHON a.s.
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 96.0kHz
- Total Time: 01:02:54
- Total Size: 314 mb / 1.1 gb
- WebSite: Album Preview
Tracklist
01. Ouverture in C: I. Ouverture – Fuga – Adagio – Fuga da capo
02. Ouverture in C: II. Menuet – Trio (Polonese) – Menuet da capo
03. Vesperae de confessore: Dixit Dominus
04. Vesperae de confessore: Confitebor tibi Domine
05. Vesperae de confessore: Beatus vir
06. Vesperae de confessore: Laudate pueri
07. Vesperae de confessore: Laudate Dominum
08. Vesperae de confessore: Magnificat
09. Sinfonia in d: I. Largo
10. Sinfonia in d: II. Allegretto
11. Sinfonia in d: III. Andante
12. Sinfonia in d: IV. Moderato
13. Stabat Mater: Stabat Mater
14. Stabat Mater: O quam tristis
15. Stabat Mater: Quis est homo
16. Stabat Mater: Sancta Mater
17. Stabat Mater: Fac me tecum
18. Stabat Mater: Fac me plagis
19. Partita in g: I. Grave – Allegro – Grave
20. Partita in g: II. Allegro
21. Partita in g: III. Menuet
22. Partita in g: IV. Allegro
23. Litaniae Reginae Martyrum: Kyrie eleison
24. Litaniae Reginae Martyrum: Sancta Maria
25. Litaniae Reginae Martyrum: Speculum iustitiae
26. Litaniae Reginae Martyrum: Salus infirmorum
27. Litaniae Reginae Martyrum: Agnus Dei
Tuma was a renowned mid-18th-century Vienna musical figure. He was primarily lauded for his sacred works, written either in the strict polyphonic stile antico or in the more modern figural style. The current album, a new instalment in Czech Ensemble Baroque's series of Tuma recordings, focuses on specific types of liturgical pieces from the composer's later creative period. The lustre of the vespers and litanies (Vesperae de confessore, Litaniae Reginae martyrum), designated for performance on major feast days, is enhanced by natural trumpets and timpani. The album includes one of Tuma's eight surviving settings of the famous medieval sequence Stabat Mater. Furthermore, the composer wrote a great many instrumental pieces in which he applied elements of the modern galant style, while also embracing techniques characteristic of Italian and French music. The grandiose and lavishly instrumented Ouverture in C contrasts starkly with the more modest Sinfonia in d, based on the Neapolitan opera sinfonia, and the Partita in g, which, just like Stabat Mater, have survived within a music collection in Vienna. The pieces Tuma wrote during his late creative phase provide ample proof of his compositional mastery and ability to blend the old and new stylistic trends, with the result being remarkable sacred and instrumental music. With the exception of Stabat Mater, Czech Ensemble Baroque present all the works featured on this album in modern-day premiere.
01. Ouverture in C: I. Ouverture – Fuga – Adagio – Fuga da capo
02. Ouverture in C: II. Menuet – Trio (Polonese) – Menuet da capo
03. Vesperae de confessore: Dixit Dominus
04. Vesperae de confessore: Confitebor tibi Domine
05. Vesperae de confessore: Beatus vir
06. Vesperae de confessore: Laudate pueri
07. Vesperae de confessore: Laudate Dominum
08. Vesperae de confessore: Magnificat
09. Sinfonia in d: I. Largo
10. Sinfonia in d: II. Allegretto
11. Sinfonia in d: III. Andante
12. Sinfonia in d: IV. Moderato
13. Stabat Mater: Stabat Mater
14. Stabat Mater: O quam tristis
15. Stabat Mater: Quis est homo
16. Stabat Mater: Sancta Mater
17. Stabat Mater: Fac me tecum
18. Stabat Mater: Fac me plagis
19. Partita in g: I. Grave – Allegro – Grave
20. Partita in g: II. Allegro
21. Partita in g: III. Menuet
22. Partita in g: IV. Allegro
23. Litaniae Reginae Martyrum: Kyrie eleison
24. Litaniae Reginae Martyrum: Sancta Maria
25. Litaniae Reginae Martyrum: Speculum iustitiae
26. Litaniae Reginae Martyrum: Salus infirmorum
27. Litaniae Reginae Martyrum: Agnus Dei
Tuma was a renowned mid-18th-century Vienna musical figure. He was primarily lauded for his sacred works, written either in the strict polyphonic stile antico or in the more modern figural style. The current album, a new instalment in Czech Ensemble Baroque's series of Tuma recordings, focuses on specific types of liturgical pieces from the composer's later creative period. The lustre of the vespers and litanies (Vesperae de confessore, Litaniae Reginae martyrum), designated for performance on major feast days, is enhanced by natural trumpets and timpani. The album includes one of Tuma's eight surviving settings of the famous medieval sequence Stabat Mater. Furthermore, the composer wrote a great many instrumental pieces in which he applied elements of the modern galant style, while also embracing techniques characteristic of Italian and French music. The grandiose and lavishly instrumented Ouverture in C contrasts starkly with the more modest Sinfonia in d, based on the Neapolitan opera sinfonia, and the Partita in g, which, just like Stabat Mater, have survived within a music collection in Vienna. The pieces Tuma wrote during his late creative phase provide ample proof of his compositional mastery and ability to blend the old and new stylistic trends, with the result being remarkable sacred and instrumental music. With the exception of Stabat Mater, Czech Ensemble Baroque present all the works featured on this album in modern-day premiere.
Year 2024 | Classical | FLAC / APE | HD & Vinyl
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