Czech Ensemble Baroque, Roman Válek - Richter: Super flumina Babylonis, Miserere mei Deus (2019) [Hi-Res]
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BAND/ARTIST: Czech Ensemble Baroque, Roman Válek
- Title: Richter: Super flumina Babylonis, Miserere mei Deus
- Year Of Release: 2019
- Label: Supraphon a.s.
- Genre: Classical
- Quality: flac lossless / flac 24bits - 96.0kHz
- Total Time: 01:07:56
- Total Size: 333 / 1155 mb
- WebSite: Album Preview
Tracklist
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01. Super flumina Babylonis: No. 1, Sinfonia. Allegro spiritoso
02. Super flumina Babylonis: No. 2, Sinfonia. Andante
03. Super flumina Babylonis: No. 3, Sinfonia. Presto
04. Super flumina Babylonis: No. 4, Super flumina Babylonis
05. Super flumina Babylonis: No. 5, In salicibus in medio ejus
06. Super flumina Babylonis: No. 6, Quia illis interrogaverunt nos
07. Super flumina Babylonis: No. 7, Quomodo cantabimus?
08. Super flumina Babylonis: No. 8, Adhaereat lingua mea
09. Super flumina Babylonis: No. 9, Memor esto, Domine
10. Super flumina Babylonis: No. 10, Filia Babylonis misera
11. Miserere á 10 voci per il Venerdi Santo: No. 1, Miserere mei Deus
12. Miserere á 10 voci per il Venerdi Santo: No. 2, Amplius lava me
13. Miserere á 10 voci per il Venerdi Santo: No. 3, Asperges me
14. Miserere á 10 voci per il Venerdi Santo: No. 4, Auditui meo
15. Miserere á 10 voci per il Venerdi Santo: No. 5, Cor mundum
16. Miserere á 10 voci per il Venerdi Santo: No. 6, Ne projicias me
17. Miserere á 10 voci per il Venerdi Santo: No. 7, Redde mihi
18. Miserere á 10 voci per il Venerdi Santo: No. 8, Domine, labia mea aperies
19. Miserere á 10 voci per il Venerdi Santo: No. 9, Quoniam si voluisses
20. Miserere á 10 voci per il Venerdi Santo: No. 10, Sacrificium Deo
21. Miserere á 10 voci per il Venerdi Santo: No. 11, Benigne fac Domine
22. Miserere á 10 voci per il Venerdi Santo: No. 12, Tunc acceptabis
23. Miserere á 10 voci per il Venerdi Santo: No. 13, Tunc imponent
For the 60-year-old Franz Xaver Richter, a composer of Moravian origin living and working in France, the spring of 1769 was a true watershed in his career. When, two years previously, he joined a competition held by Concert Spirituel, a major French music institution, he evidently had in mind being employed as a musician in Paris. The contestants’ task was to compose a “motet à grand chTmur”, encompassing a sequence of arias, ensembles and choruses, set to the Latin text of Psalm 136, Super flumina Babylonis. Although Richter failed to win the competition, his work arouse great interest and on 28 March 1769 it premiered within the Concert Spirituel series at the Tuileries Palace, at the largest music venue in Paris at the time.
Less than a month later, Richter was appointed the Maitre de Chapelle de Notre Dame de Strasbourg. The motet Super flumina Babylonis undoubtedly played a significant role in his being named to the prestigious post. Over the first years he spent in Strasbourg (1770-73), Richter wrote three settings of Psalm 50, Miserere mei Deus, intended for the night liturgy of Tenebrae, a religious service held during the three days preceding Easter. In addition to Super flumina Babylonis, the present album features the third setting of the Miserere, in F minor, in a premiere recording. In their fourth disc of Richter’s music, Czech Ensemble Baroque discover the yet to be mapped legacy of the distinguished 18th-century composer.
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01. Super flumina Babylonis: No. 1, Sinfonia. Allegro spiritoso
02. Super flumina Babylonis: No. 2, Sinfonia. Andante
03. Super flumina Babylonis: No. 3, Sinfonia. Presto
04. Super flumina Babylonis: No. 4, Super flumina Babylonis
05. Super flumina Babylonis: No. 5, In salicibus in medio ejus
06. Super flumina Babylonis: No. 6, Quia illis interrogaverunt nos
07. Super flumina Babylonis: No. 7, Quomodo cantabimus?
08. Super flumina Babylonis: No. 8, Adhaereat lingua mea
09. Super flumina Babylonis: No. 9, Memor esto, Domine
10. Super flumina Babylonis: No. 10, Filia Babylonis misera
11. Miserere á 10 voci per il Venerdi Santo: No. 1, Miserere mei Deus
12. Miserere á 10 voci per il Venerdi Santo: No. 2, Amplius lava me
13. Miserere á 10 voci per il Venerdi Santo: No. 3, Asperges me
14. Miserere á 10 voci per il Venerdi Santo: No. 4, Auditui meo
15. Miserere á 10 voci per il Venerdi Santo: No. 5, Cor mundum
16. Miserere á 10 voci per il Venerdi Santo: No. 6, Ne projicias me
17. Miserere á 10 voci per il Venerdi Santo: No. 7, Redde mihi
18. Miserere á 10 voci per il Venerdi Santo: No. 8, Domine, labia mea aperies
19. Miserere á 10 voci per il Venerdi Santo: No. 9, Quoniam si voluisses
20. Miserere á 10 voci per il Venerdi Santo: No. 10, Sacrificium Deo
21. Miserere á 10 voci per il Venerdi Santo: No. 11, Benigne fac Domine
22. Miserere á 10 voci per il Venerdi Santo: No. 12, Tunc acceptabis
23. Miserere á 10 voci per il Venerdi Santo: No. 13, Tunc imponent
For the 60-year-old Franz Xaver Richter, a composer of Moravian origin living and working in France, the spring of 1769 was a true watershed in his career. When, two years previously, he joined a competition held by Concert Spirituel, a major French music institution, he evidently had in mind being employed as a musician in Paris. The contestants’ task was to compose a “motet à grand chTmur”, encompassing a sequence of arias, ensembles and choruses, set to the Latin text of Psalm 136, Super flumina Babylonis. Although Richter failed to win the competition, his work arouse great interest and on 28 March 1769 it premiered within the Concert Spirituel series at the Tuileries Palace, at the largest music venue in Paris at the time.
Less than a month later, Richter was appointed the Maitre de Chapelle de Notre Dame de Strasbourg. The motet Super flumina Babylonis undoubtedly played a significant role in his being named to the prestigious post. Over the first years he spent in Strasbourg (1770-73), Richter wrote three settings of Psalm 50, Miserere mei Deus, intended for the night liturgy of Tenebrae, a religious service held during the three days preceding Easter. In addition to Super flumina Babylonis, the present album features the third setting of the Miserere, in F minor, in a premiere recording. In their fourth disc of Richter’s music, Czech Ensemble Baroque discover the yet to be mapped legacy of the distinguished 18th-century composer.
Year 2019 | Classical | FLAC / APE | HD & Vinyl
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