Zemlinsky Quartet - Dvorak: String Quartet No.9 Op.34, String Quartet No.13 Op.106 (2012) [SACD]
![Zemlinsky Quartet - Dvorak: String Quartet No.9 Op.34, String Quartet No.13 Op.106 (2012) [SACD]](https://www.dibpic.com/uploads/posts/2024-09/1727434964_0304c9cc474acb57b4f60fbbf038c181.jpg)
BAND/ARTIST: Zemlinsky Quartet
- Title: Dvorak: String Quartet No.9 Op.34, String Quartet No.13 Op.106
- Year Of Release: 2012
- Label: PRAGA Digitals
- Genre: Classical
- Quality: DSD64 image (*.iso) / 2.0, 5.1 (2,8 MHz/1 Bit)
- Total Time: 01:10:08
- Total Size: 4.2 GB
- WebSite: Album Preview
Tracklist:
Antonin Dvorak: String Quartet No.9 Op.34:
01. First movement - Allegro - Piu mosso (11:40)
02. Second movement - Alla polka (Allegretto scherzando - Poco meno mosso - Trio - Da Capo) (6:30)
03. Third movement - Adagio (7:51)
04. Fourth movement - Finale. Poco allegro - piu mosso (6:56)
Antonin Dvorak: String Quartet No.13 Op.106:
05. First movement - Allegro moderato (9:31)
06. Second movement - Adagio ma non troppo (10:22)
07. Third movement - Molto vivace (6:35)
08. Fourth movement - Finale. Poco allegro - Andante sostenuto - Allegro con fuoco (10:23)
![Zemlinsky Quartet - Dvorak: String Quartet No.9 Op.34, String Quartet No.13 Op.106 (2012) [SACD]](https://www.dibpic.com/uploads/posts/2024-09/1727436298_back.jpg)
Antonin Dvorak: String Quartet No.9 Op.34:
01. First movement - Allegro - Piu mosso (11:40)
02. Second movement - Alla polka (Allegretto scherzando - Poco meno mosso - Trio - Da Capo) (6:30)
03. Third movement - Adagio (7:51)
04. Fourth movement - Finale. Poco allegro - piu mosso (6:56)
Antonin Dvorak: String Quartet No.13 Op.106:
05. First movement - Allegro moderato (9:31)
06. Second movement - Adagio ma non troppo (10:22)
07. Third movement - Molto vivace (6:35)
08. Fourth movement - Finale. Poco allegro - Andante sostenuto - Allegro con fuoco (10:23)
Two scores that frame the period when the composer of the famous 'American’ Quartet (No.12) was in his prime.
Combining rhythmic invention, which ennobles the natural vigour of a reinvented folklore, bright colors shaded by the importance of the viola part, and a spontaneous melodic outpouring that contrasts with the absorbing melancholy of the slow movements (sublimation of the dumka), they give voice to an astonishing feeling of love and plenitude despite a number of personal dramas that the composer had undergone. It is as though their irresistible animation formed the image of a people that was going to become a nation once again in 1918.
Combining rhythmic invention, which ennobles the natural vigour of a reinvented folklore, bright colors shaded by the importance of the viola part, and a spontaneous melodic outpouring that contrasts with the absorbing melancholy of the slow movements (sublimation of the dumka), they give voice to an astonishing feeling of love and plenitude despite a number of personal dramas that the composer had undergone. It is as though their irresistible animation formed the image of a people that was going to become a nation once again in 1918.
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