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Zemlinsky Quartet & Josef Kluson - Antonín Dvořák Early Works for String Quartet (Remastered) (2022) [Hi-Res]

Zemlinsky Quartet & Josef Kluson - Antonín Dvořák Early Works for String Quartet (Remastered) (2022) [Hi-Res]
  • Title: Antonín Dvořák Early Works for String Quartet (Remastered)
  • Year Of Release: 2022
  • Label: Praga Digitals
  • Genre: Classical
  • Quality: flac lossless (tracks) / flac 24bits - 48.0kHz / flac 24bits - 96.0kHz +booklet
  • Total Time: 04:28:12
  • Total Size: 1.37 mb / 2.79 / 4.58 gb
  • WebSite:
Tracklist

CD1
01. String Quartet No. 5 in F Minor, Op. 9, B. 37: I. Moderato-Allegro con brio
02. String Quartet No. 5 in F Minor, Op. 9, B. 37: II. Andante con moto quasi allegretto
03. String Quartet No. 5 in F Minor, Op. 9, B. 37: III. Tempo di valse
04. String Quartet No. 5 in F Minor, Op. 9, B. 37: IV. Allegro molto
05. String Quartet No. 1 in A Major, Op. 2, B. 8: I. Andante-Allegro
06. String Quartet No. 1 in A Major, Op. 2, B. 8: II. Adagio affetuoso ed appassionato
07. String Quartet No. 1 in A Major, Op. 2, B. 8: III. Allegro scherzando-Trio
08. String Quartet No. 1 in A Major, Op. 2, B. 8: IV. Finale. Allegro animato
09. Two Waltzes, Op. 54, B. 105: No. 1: In A Minor-Moderato
10. Two Waltzes, Op. 54, B. 105: No. 2: In D Major-Allegro vivace

CD2
01. String Quartet No. 7 in A Minor, Op. 16, B. 45: I. Allegro ma non troppo
02. String Quartet No. 7 in A Minor, Op. 16, B. 45: II. Andante cantabile
03. String Quartet No. 7 in A Minor, Op. 16, B. 45: III. Allegro scherzando-Trio
04. String Quartet No. 7 in A Minor, Op. 16, B. 45: IV. Finale. Allegro ma non troppo
05. String Quartet No. 2 in B-Flat Major, B. 17: I. Allegro ma non troppo
06. String Quartet No. 2 in B-Flat Major, B. 17: II. Largo
07. String Quartet No. 2 in B-Flat Major, B. 17: III. Allegro con brio
08. String Quartet No. 2 in B-Flat Major, B. 17: IV. Finale. Andante-Allegro giusto-Allegro con fuoco

CD3
01. String Quintet in A Minor, Op. 1, B. 7: I. Adagio-Allegro ma non troppo
02. String Quintet in A Minor, Op. 1, B. 7: II. Lento
03. String Quintet in A Minor, Op. 1, B. 7: III. Finale. Allegro con brio
04. String Quartet No. 3 in D Major, B. 18: I. Allegro con brio
05. String Quartet No. 3 in D Major, B. 18: II. Andantino
06. String Quartet No. 3 in D Major, B. 18: III. Allegro energico-Trio
07. String Quartet No. 3 in D Major, B. 18: IV. Finale. Allegretto
08. String Quartet in F Major, B. 120 (Fragment): Allegro vivace

CD4
01. String Quartet No. 6 in A Minor, Op. 12, B. 40: I. Allegro ma non troppo
02. String Quartet No. 6 in A Minor, Op. 12, B. 40: II. Poco allegro
03. String Quartet No. 6 in A Minor, Op. 12, B. 40: III. Poco adagio
04. String Quartet No. 6 in A Minor, Op. 12, B. 40: IV. Allegro molto
05. String Quartet in A Minor, B. 40a "Quartettsatz": Andante appassionato-Poco allegro
06. String Quartet No. 4 in E Minor, B. 19: I. Velmi pohyblivě a razně (Assai con moto ed energico)
07. String Quartet No. 4 in E Minor, B. 19: II. Andante religioso
08. String Quartet No. 4 in E Minor, B. 19: III. Allegro con brio

When Antonin Dvorák learned to compose, he did it the old-fashioned way - by composing. Although he had written numerous shorter works earlier, the 20-year-old Bohemian bestowed his Opus 1 on a three-movement String Quintet in A minor for pairs of violins and violas plus cello in 1861. The next year, he turned out his Opus 2, a four-movement String Quartet in A major, and over the next 12 years, he wrote six more string quartets. Through them, the listener can follow Dvorák's progress from a talented amateur with an inexhaustible gift for melody and little feel for form to an almost-ready-for-the-big-time composer who'd learned to tighten his structures and control his gift for melody. With this four-disc set by the Czech Zemlinsky Quartet (augmented by violist Josef Kluson in the quintet), following Dvorák's development has never been easier. With its warm tone, graceful ensemble, and innate sense of rhythm, the Zemlinsky contains Dvorák's sometimes sprawling forms, restrains his sometimes interminable modulations, and always lets the melodies sing. While these quartets are by no means in the same class as the composer's later works in the same form, listeners who want to find out how Dvorák became Dvorák may want to seek them out. Praga's 2006 digital sound is a bit reserved, but clean and detailed.



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