Zoltan Darago, Les Talens Lyriques, Christophe Rousset - Bach: Arias for Alto (2024) [Hi-Res]
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BAND/ARTIST: Zoltan Darago, Les Talens Lyriques, Christophe Rousset
- Title: Bach: Arias for Alto
- Year Of Release: 2024
- Label: Aparté
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
- Total Time: 01:00:23
- Total Size: 317 mb / 1.1 gb
- WebSite: Album Preview
Tracklist
01. O Ewigkeit, du Donnerwort, BWV 20: Aria. O Mensch, errette deine Seele
02. Allein zu dir, Herr Jesu Christ, BWV 33: Aria. Wie furchtsam wankten meine Schritte
03. O ewiges Feuer, o Ursprung der Liebe, BWV 34: Aria. Wohl euch, ihr auserwählten Seelen
04. Geist und Seele wird verwirret, BWV 35: Aria. Geist und Seele wird verwirret
05. Geist und Seele wird verwirret, BWV 35: Aria. Gott hat alles wohl gemacht!
06. Erfreute Zeit im neuen Bunde, BWV 83: Aria. Erfreute Zeit im neuen Bunde
07. Es ist euch gut, daß ich hingehe, BWV 108: Aria. Was mein Herz von dir begehrt
08. Ach, lieben Christen, seid getrost, BWV 114: Aria. Du machst, o Tod, mir nun nicht ferner bange
09. Mache dich, mein Geist, bereit, BWV 115: Aria. Ach, schläfrige Seele, wie?
10. Vergnügte Ruh', beliebte Seelenlust, BWV 170: Aria. Vergnügte Ruh, beliebte Seelenlust
11. Barmherziges Herze der ewigen Liebe, BWV 185: Aria. Sei bemüht in dieser Zeit
It was when he obtained the post of kantor at the Thomaskirche that Johann Sebastian Bach embarked on one of his most ambitious projects: composing an original work for the entire liturgical year. Between 1723 and 1726, he produced a cantata for each Sunday. These cantatas were veritable laboratories for musical creation, with the composer lending them various vocal and instrumental ensembles. Within this repertoire, the alto voice takes on a special connotation, sometimes dolorous, sometimes fervent, and Bach gives it some of his most beautiful arias.
Christophe Rousset and the countertenor Zoltan Darago explore this repertoire in a programme drawn mainly from the abundant early years in Leipzig, which gives a great place to the concertante parts, featuring sublime dialogues between violin, oboe d'amore or organ and voice.
01. O Ewigkeit, du Donnerwort, BWV 20: Aria. O Mensch, errette deine Seele
02. Allein zu dir, Herr Jesu Christ, BWV 33: Aria. Wie furchtsam wankten meine Schritte
03. O ewiges Feuer, o Ursprung der Liebe, BWV 34: Aria. Wohl euch, ihr auserwählten Seelen
04. Geist und Seele wird verwirret, BWV 35: Aria. Geist und Seele wird verwirret
05. Geist und Seele wird verwirret, BWV 35: Aria. Gott hat alles wohl gemacht!
06. Erfreute Zeit im neuen Bunde, BWV 83: Aria. Erfreute Zeit im neuen Bunde
07. Es ist euch gut, daß ich hingehe, BWV 108: Aria. Was mein Herz von dir begehrt
08. Ach, lieben Christen, seid getrost, BWV 114: Aria. Du machst, o Tod, mir nun nicht ferner bange
09. Mache dich, mein Geist, bereit, BWV 115: Aria. Ach, schläfrige Seele, wie?
10. Vergnügte Ruh', beliebte Seelenlust, BWV 170: Aria. Vergnügte Ruh, beliebte Seelenlust
11. Barmherziges Herze der ewigen Liebe, BWV 185: Aria. Sei bemüht in dieser Zeit
It was when he obtained the post of kantor at the Thomaskirche that Johann Sebastian Bach embarked on one of his most ambitious projects: composing an original work for the entire liturgical year. Between 1723 and 1726, he produced a cantata for each Sunday. These cantatas were veritable laboratories for musical creation, with the composer lending them various vocal and instrumental ensembles. Within this repertoire, the alto voice takes on a special connotation, sometimes dolorous, sometimes fervent, and Bach gives it some of his most beautiful arias.
Christophe Rousset and the countertenor Zoltan Darago explore this repertoire in a programme drawn mainly from the abundant early years in Leipzig, which gives a great place to the concertante parts, featuring sublime dialogues between violin, oboe d'amore or organ and voice.
Year 2024 | Classical | FLAC / APE | HD & Vinyl
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