Nancy Hadden, Jacob Herringman, Zephyrus Flutes - Chansons musicales, Paris, 1533 (2024) [Hi-Res]
![Nancy Hadden, Jacob Herringman, Zephyrus Flutes - Chansons musicales, Paris, 1533 (2024) [Hi-Res]](https://www.dibpic.com/uploads/posts/2024-09/1725542977_nancy-hadden-chansons-musicales-paris-1533-2024.jpg)
BAND/ARTIST: Nancy Hadden, Jacob Herringman, Zephyrus Flutes
- Title: Chansons musicales, Paris, 1533
- Year Of Release: 2024
- Label: CRD Records
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 44.1kHz
- Total Time: 00:58:57
- Total Size: 268 / 546 mb
- WebSite: Album Preview
Tracklist
01. Vingt et sept chansons musicales à quatre parties, Paris, 1533: XXVIII. Si bon amour
02. Chansons musicales à quatre parties, Paris, 1533: X. – Des chansons reduictz en tabulature de Luth, Paris, 1545/6: XXIII. En espoir davoir mieulx (Reconstructed by Nancy Hadden)
03. Vingt et sept chansons musicales à quatre parties, Paris, 1533: XX. Elle veult donc
04. Chansons musicales à quatre parties, Paris, 1533: XVIIII. Le printemps faict florir (Reconstructed by Nancy Hadden)
05. Intavolatura di Lauto del Divino Francesco da Milano…, Milan, 1548: XXIV. Fantasia 62
06. Chansons musicales à quatre parties, Paris, 1533: XVII. – Intabolatura di Liuto de Diversi... di M. Francesco da Milano…, Venice, 1536: XXI. La plus gorgiase du monde (Reconstructed by Nancy Hadden)
07. Vingt et sept chansons musicales à quatre parties, Paris, 1533: XXIII. Hayne et amour
08. Chansons musicales à quatre parties, Paris, 1533: VII. Si par fortune (Reconstructed by Nancy Hadden)
09. Intavolature de Lauto di Vincenzo Galileo Fiorentino…, Rome, 1563: XXX. Ricercar 73
10. Intabulatura di Lauto del divino Francesco da Milano…, Venice, 1546: XIX. Hors envieulx
11. Chansons musicales à quatre parties, Paris, 1533: XIII. Hors envieulx (Reconstructed by Nancy Hadden)
12. Vingt et sept chansons musicales à quatre parties, Paris, 1533: XXVI. Je navoys point
13. Vingt et sept chansons musicales à quatre parties, Paris, 1533: XXIV. Pourquoy donc ne fringuerons nous
14. Chansons musicales à quatre parties, Paris, 1533: XXVIIII. Souvent amour (Reconstructed by Nancy Hadden)
15. Chansons musicales à quatre parties, Paris, 1533: XIV. – Des chansons reduictz en tabulature de Luth, Paris, 1545/6 XLIV. Sur tous regretz (Reconstructed by Nancy Hadden)
16. Chansons musicales à quatre parties, Paris, 1533: V. Je lay ayme (Reconstructed by Nancy Hadden)
17. Vingt et sept chansons musicales à quatre parties, Paris, 1533: XIII. Pren de bon cueur
18. Chansons musicales à quatre parties, Paris, 1533: XV. Vostre beaulte (Reconstructed by Nancy Hadden)
19. Ein new künstlich Lauten Buch, 1546: LXV. Vostre beaulte
20. Vingt et sept chansons musicales à quatre parties, Paris, 1533: VII. Amours amours vous me faictes grant tort
21. Vingt et sept chansons musicales à quatre parties, Paris, 1533: III. Parle qui veult
22. Vingt et sept chansons musicales à quatre parties, Paris, 1533: XVI. Jectes moy sur lherbette
![Nancy Hadden, Jacob Herringman, Zephyrus Flutes - Chansons musicales, Paris, 1533 (2024) [Hi-Res]](https://www.dibpic.com/uploads/posts/2024-09/1725543058_nancy-hadden-chansons-musicales-paris-1533-2024-back.jpg)
Through the songs or ‘chansons’, we are given the chance to be transported back to a point when the word, note, instrument and performer collided to document impressions of a world lived long ago and yet with which we share so much. As songs that had a vibrant life beyond the words, we are afforded an entrance into the evergreen world of instrumental music of the Renaissance, into music that filled the taverns and dwellings of Paris and beyond. This is why these works maintain such relevance for us today. For Chansons musicales is not simply an exercise in museum-driven reconstruction, notwithstanding the world-class research that underpins the project. These are living and breathing works. Together, the 1533 publications from which the tracks on this album are drawn (and reconstructed) offer a rare window onto the extant oeuvre of composers of times gone who took their cue from contemporary poetry. This was poetry that captured the natural and human world around them and could be adopted to create chansons of different styles whose themes – love, hope, regret, the seasons, and more – artists of all creeds continue to explore for our benefit as we look to understand our world and our place in it. Hence the timelessness of works disseminated nearly 500 years ago and hence these recordings.
01. Vingt et sept chansons musicales à quatre parties, Paris, 1533: XXVIII. Si bon amour
02. Chansons musicales à quatre parties, Paris, 1533: X. – Des chansons reduictz en tabulature de Luth, Paris, 1545/6: XXIII. En espoir davoir mieulx (Reconstructed by Nancy Hadden)
03. Vingt et sept chansons musicales à quatre parties, Paris, 1533: XX. Elle veult donc
04. Chansons musicales à quatre parties, Paris, 1533: XVIIII. Le printemps faict florir (Reconstructed by Nancy Hadden)
05. Intavolatura di Lauto del Divino Francesco da Milano…, Milan, 1548: XXIV. Fantasia 62
06. Chansons musicales à quatre parties, Paris, 1533: XVII. – Intabolatura di Liuto de Diversi... di M. Francesco da Milano…, Venice, 1536: XXI. La plus gorgiase du monde (Reconstructed by Nancy Hadden)
07. Vingt et sept chansons musicales à quatre parties, Paris, 1533: XXIII. Hayne et amour
08. Chansons musicales à quatre parties, Paris, 1533: VII. Si par fortune (Reconstructed by Nancy Hadden)
09. Intavolature de Lauto di Vincenzo Galileo Fiorentino…, Rome, 1563: XXX. Ricercar 73
10. Intabulatura di Lauto del divino Francesco da Milano…, Venice, 1546: XIX. Hors envieulx
11. Chansons musicales à quatre parties, Paris, 1533: XIII. Hors envieulx (Reconstructed by Nancy Hadden)
12. Vingt et sept chansons musicales à quatre parties, Paris, 1533: XXVI. Je navoys point
13. Vingt et sept chansons musicales à quatre parties, Paris, 1533: XXIV. Pourquoy donc ne fringuerons nous
14. Chansons musicales à quatre parties, Paris, 1533: XXVIIII. Souvent amour (Reconstructed by Nancy Hadden)
15. Chansons musicales à quatre parties, Paris, 1533: XIV. – Des chansons reduictz en tabulature de Luth, Paris, 1545/6 XLIV. Sur tous regretz (Reconstructed by Nancy Hadden)
16. Chansons musicales à quatre parties, Paris, 1533: V. Je lay ayme (Reconstructed by Nancy Hadden)
17. Vingt et sept chansons musicales à quatre parties, Paris, 1533: XIII. Pren de bon cueur
18. Chansons musicales à quatre parties, Paris, 1533: XV. Vostre beaulte (Reconstructed by Nancy Hadden)
19. Ein new künstlich Lauten Buch, 1546: LXV. Vostre beaulte
20. Vingt et sept chansons musicales à quatre parties, Paris, 1533: VII. Amours amours vous me faictes grant tort
21. Vingt et sept chansons musicales à quatre parties, Paris, 1533: III. Parle qui veult
22. Vingt et sept chansons musicales à quatre parties, Paris, 1533: XVI. Jectes moy sur lherbette
Through the songs or ‘chansons’, we are given the chance to be transported back to a point when the word, note, instrument and performer collided to document impressions of a world lived long ago and yet with which we share so much. As songs that had a vibrant life beyond the words, we are afforded an entrance into the evergreen world of instrumental music of the Renaissance, into music that filled the taverns and dwellings of Paris and beyond. This is why these works maintain such relevance for us today. For Chansons musicales is not simply an exercise in museum-driven reconstruction, notwithstanding the world-class research that underpins the project. These are living and breathing works. Together, the 1533 publications from which the tracks on this album are drawn (and reconstructed) offer a rare window onto the extant oeuvre of composers of times gone who took their cue from contemporary poetry. This was poetry that captured the natural and human world around them and could be adopted to create chansons of different styles whose themes – love, hope, regret, the seasons, and more – artists of all creeds continue to explore for our benefit as we look to understand our world and our place in it. Hence the timelessness of works disseminated nearly 500 years ago and hence these recordings.
Year 2024 | Classical | FLAC / APE | HD & Vinyl
As a ISRA.CLOUD's PREMIUM member you will have the following benefits:
- Unlimited high speed downloads
- Download directly without waiting time
- Unlimited parallel downloads
- Support for download accelerators
- No advertising
- Resume broken downloads