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Tonus Peregrinus and Antony Pitts - Antony Pitts: Alpha and Omega (2024) [Hi-Res]

Tonus Peregrinus and Antony Pitts - Antony Pitts: Alpha and Omega (2024) [Hi-Res]
  • Title: Antony Pitts: Alpha and Omega
  • Year Of Release: 2008 / 2024
  • Label: Hyperion
  • Genre: Classical
  • Quality: FLAC (tracks + booklet) [88.2kHz/24bit]
  • Total Time: 1:08:05
  • Total Size: 937 / 249 MB
  • WebSite:
Tracklist:

1. Tonus Peregrinus & Antony Pitts – Jerusalem-Yerushalayim: XIII. The Peace of Jerusalem (08:15)
2. Tonus Peregrinus & Antony Pitts – Sanctus and Benedictus: I. Sanctus (02:07)
3. Tonus Peregrinus & Antony Pitts – Sanctus and Benedictus: II. Benedictus (01:19)
4. A Thousand Years: I. a day is like a thousand years … (03:48)
5. Tonus Peregrinus & Antony Pitts – A Thousand Years: II. … and a thousand years like one day (04:02)
6. Rebecca Hickey & Alexander Hickey – My Dove (07:22)
7. Tonus Peregrinus & Antony Pitts – The I AM Sayings of Jesus: I. Before Abraham Was, I AM (05:45)
8. Tonus Peregrinus & Antony Pitts – The I AM Sayings of Jesus: II. I AM the Bread of Life (04:34)
9. Tonus Peregrinus & Antony Pitts – The I AM Sayings of Jesus: III. I AM the Resurrection and the Life (04:46)
10. Tonus Peregrinus & Antony Pitts – The I AM Sayings of Jesus: IV. I AM the Light of the World (02:11)
11. Tonus Peregrinus & Antony Pitts – The I AM Sayings of Jesus: V. I AM the Way, the Truth, and the Life (03:38)
12. Tonus Peregrinus & Antony Pitts – The I AM Sayings of Jesus: VI. I AM the True Vine (07:43)
13. Francis Brett – The I AM Sayings of Jesus: VII. I AM the Door – I AM the Good Shepherd (04:17)
14. Tonus Peregrinus & Antony Pitts – The I AM Sayings of Jesus: VIII. I AM Alpha and Omega (08:12)

There are few better examples of a composer’s style developing concurrently with the emergence of a vocal group than in the a cappella vocal music of Antony Pitts. The Tonus Peregrinus octet exists to perform ancient and modern works interspersed with music written by its director. The two-way influence between consort and composer is palpable.

The resulting compositions are as much theological statements as stand-alone pieces of music and as such they bear comparison with some of the monuments of, for instance, the music of the English Reformation. Specific musical germs

such as false relations and the use of carefully controlled dissonances to create suspensions provide obvious aural connections with the music of the sixteenth century. But there are other musical devices such as medieval hocket, psalmodic chanting, jazz-infused rhythmic cells, and close-harmony effects which combine to create a simultaneouslyantiquated yet modern musical style.


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  • User offline
  • gibheid
  •  wrote in 16:54
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Thanks denlenz.
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  • platico
  •  wrote in 22:24
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gracias...