Tonus Peregrinus, Antony Pitts - Arvo Pärt: Passio (2003)
BAND/ARTIST: Tonus Peregrinus, Antony Pitts
- Title: Arvo Pärt: Passio
- Year Of Release: 2003
- Label: Naxos
- Genre: Classical
- Quality: FLAC (tracks)
- Total Time: 48:00
- Total Size: 185 Mb
- WebSite: Album Preview
Tracklist:
St. John Passion (Arvo Pärt)
1. Passio Domini Nostri Jesu Christi secundum Joannem 09:37
Et adduxerunt eum ad Annam primum … (Jesus is interrogated by the high priest and denied by Peter) (Arvo Pärt)
2. Et adduxerunt eum ad Annam primum 11:27
Adducunt ergo Jesum a Caipha in praetorium … (Jesus is judged by Pilate and reviled by the people) (Arvo Pärt)
3. Adducunt ergo Jesum a Caipha in praetorium 12:29
Tunc ergo tradidit eis illum ut crucifigeretur … (Jesus is crucified at Golgotha) (Arvo Pärt)
4. Tunc ergo tradidit eis illum ut crucifigeretur 14:27
Performers:
Robert Macdonald (bass)
Mark Anderson (tenor)
Tonus Peregrinus
Antony Pitts
St. John Passion (Arvo Pärt)
1. Passio Domini Nostri Jesu Christi secundum Joannem 09:37
Et adduxerunt eum ad Annam primum … (Jesus is interrogated by the high priest and denied by Peter) (Arvo Pärt)
2. Et adduxerunt eum ad Annam primum 11:27
Adducunt ergo Jesum a Caipha in praetorium … (Jesus is judged by Pilate and reviled by the people) (Arvo Pärt)
3. Adducunt ergo Jesum a Caipha in praetorium 12:29
Tunc ergo tradidit eis illum ut crucifigeretur … (Jesus is crucified at Golgotha) (Arvo Pärt)
4. Tunc ergo tradidit eis illum ut crucifigeretur 14:27
Performers:
Robert Macdonald (bass)
Mark Anderson (tenor)
Tonus Peregrinus
Antony Pitts
Naxos is proud to present a brand new recording of Arvo Part’s Passio Domini Nostri Jesu Christi secundum Joannem, a major milestone in Naxos’ recording legacy and only the third recording of the work to be released on compact disc. Composed in 1982, it is one of the works in which Part uses “tintinnabulist” techniques – the sound or music of bells. “I build with the most primitive materials – with the triad. … The three notes of a triad are like bells. And that is why I call it tintinnabulation”. (Arvo Part). This new recording by Oxford-based ensemble Tonus Peregrinus offers a radically different take on the music from existing recordings. When recording the work, the ensemble followed all Part’s score markings to the letter. After the recording session, the disc was sent to the composer who listened carefully and decided to clarify exactly what he had intended by the score markings; the present recording was then edited according to his new “rules”. This is therefore the very first recording of the Passio to take account of the composer’s recent clarification of precise note and rest durations.
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