Emily Beynon, New London Orchestra, Ronald Corp - Rutland Boughton: Aylesbury Games; Concerto for Strings & Other Works (2000)
BAND/ARTIST: Emily Beynon, New London Orchestra, Ronald Corp
- Title: Rutland Boughton: Aylesbury Games; Concerto for Strings & Other Works
- Year Of Release: 2000
- Label: Hyperion
- Genre: Classical
- Quality: flac lossless (tracks) +Booklet
- Total Time: 01:16:20
- Total Size: 303 mb
- WebSite: Album Preview
Tracklist
01. 3 Folk Dances: I. Hornpipe. Rollicking, But Not Too Fast
02. 3 Folk Dances: II. The Weary Wave o' Tyne. Slow and Sad
03. 3 Folk Dances: III. Culloden "A Country Dance". Quick and Merry
04. Aylesbury Games: I. Tempo giusto
05. Aylesbury Games: II. Allegro
06. Aylesbury Games: III. Allegro moderato
07. Flute Concerto in D Major: I. Allegro
08. Flute Concerto in D Major: II. Adagio
09. Flute Concerto in D Major: III. Allegro molto
10. Concerto for String Orchestra: I. Allegro risoluto
11. Concerto for String Orchestra: II. Scherzo. Allegro molto
12. Concerto for String Orchestra: III. Andante espressivo
13. Concerto for String Orchestra: IV. Rondo. Allegro marcato
This world-premiere recording demonstrates the versatility of the English composer who for too long has been associated only with The Immortal Hour. Although there is this association with Boughton, it was as a composer of large-scale choral and orchestral works that he first drew attention to himself in the early years of the twentieth century, and it was to orchestral music that he returned in the 1920's when circumstances forced him to abandon is operatic experiments.
The Flute Concerto is wonderfully performed by the young flautist Emily Beynon—most recently heard on CDA67089, John McCabe's Flute Concerto. The Concerto for String Orchestra was never published and remained untouched from 1937 until its premiere in 1997 (the players for whom it was written found it too demanding and it took until 1997 when the Bournemouth Sinfonietta gave it its first performance). It is a wonderful piece which has been likened to the great works for string orchestra by Elgar and Vaughan Williams. Aylesbury Games had produced a similar reaction from the dedicatees (the orchestra of Aylesbury—Boughton's native town) and although it was composed in 1952 it took until 1978 for the orchestra to tackle a first performance. Sadly, Boughton therefore never heard it played.
01. 3 Folk Dances: I. Hornpipe. Rollicking, But Not Too Fast
02. 3 Folk Dances: II. The Weary Wave o' Tyne. Slow and Sad
03. 3 Folk Dances: III. Culloden "A Country Dance". Quick and Merry
04. Aylesbury Games: I. Tempo giusto
05. Aylesbury Games: II. Allegro
06. Aylesbury Games: III. Allegro moderato
07. Flute Concerto in D Major: I. Allegro
08. Flute Concerto in D Major: II. Adagio
09. Flute Concerto in D Major: III. Allegro molto
10. Concerto for String Orchestra: I. Allegro risoluto
11. Concerto for String Orchestra: II. Scherzo. Allegro molto
12. Concerto for String Orchestra: III. Andante espressivo
13. Concerto for String Orchestra: IV. Rondo. Allegro marcato
This world-premiere recording demonstrates the versatility of the English composer who for too long has been associated only with The Immortal Hour. Although there is this association with Boughton, it was as a composer of large-scale choral and orchestral works that he first drew attention to himself in the early years of the twentieth century, and it was to orchestral music that he returned in the 1920's when circumstances forced him to abandon is operatic experiments.
The Flute Concerto is wonderfully performed by the young flautist Emily Beynon—most recently heard on CDA67089, John McCabe's Flute Concerto. The Concerto for String Orchestra was never published and remained untouched from 1937 until its premiere in 1997 (the players for whom it was written found it too demanding and it took until 1997 when the Bournemouth Sinfonietta gave it its first performance). It is a wonderful piece which has been likened to the great works for string orchestra by Elgar and Vaughan Williams. Aylesbury Games had produced a similar reaction from the dedicatees (the orchestra of Aylesbury—Boughton's native town) and although it was composed in 1952 it took until 1978 for the orchestra to tackle a first performance. Sadly, Boughton therefore never heard it played.
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