Musica Perduta, Renato Criscuolo - Pergolesi: Cantatas and Concertos (2014)
BAND/ARTIST: Musica Perduta, Renato Criscuolo
- Title: Pergolesi: Cantatas and Concertos
- Year Of Release: 2014
- Label: Brilliant Classics
- Genre: Classical
- Quality: flac lossless (tracks)
- Total Time: 01:07:24
- Total Size: 363 mb
- WebSite: Album Preview
Tracklist
01. Orfeo, Op. Posth.: I. Recitative. Nel chiuso centro
02. Orfeo, Op. Posth.: II. Aria. Euridice dove sei?
03. Orfeo, Op. Posth.: III. Recitative. Si che pietà non v'è
04. Orfeo, Op. Posth.: IV. Aria. O d'Euridice
05. Concerto in B-Flat Major, Op. Posth.: I. Allegro
06. Concerto in B-Flat Major, Op. Posth.: II. Largo
07. Concerto in B-Flat Major, Op. Posth.: III. Allegro
08. Luce degli occhi miei, Op. Posth.: I. Recitative. Luce degli occhi miei
09. Luce degli occhi miei, Op. Posth.: II. Aria. Ove tu ben mio non sei
10. Luce degli occhi miei, Op. Posth.: III. Recitative. Ma seppure il destino
11. Luce degli occhi miei, Op. Posth.: IV. Aria. Contento forse vivere
12. Sinfonia in F Major, Op. Posth.: I. Comodo
13. Sinfonia in F Major, Op. Posth.: II. Allegro
14. Sinfonia in F Major, Op. Posth.: III. Adagio
15. Sinfonia in F Major, Op. Posth.: IV. Presto
16. La Maddalena al sepolcro, Op. Posth.: I. Recitative. Presso lo speco
17. La Maddalena al sepolcro, Op. Posth.: II. Aria. Gesù mio, e dove sei?
18. La Maddalena al sepolcro, Op. Posth.: III. Recitative. Si che pietà non v'è
19. La Maddalena al sepolcro, Op. Posth.: IV. Aria. Or che riveggio
During his short life, Giovanni Battista Pergolesi was a prolific composer. A noted writer of early opera, among his most famous works are Il prigioniero superbo and La serva padrona. But it was his Stabat Mater that would assure his place in music history, commissioned by the Confraternità dei Cavalieri di San Luigi di Palazzo for a Good Friday dedication to the Virgin Mary. The work remains one of the most popular sacred pieces of all time, and is still performed and recorded today.
To celebrate the third centenary of Pergolesi’s birth (2010), MVSICA PERDVTA combed through many original 18th-century manuscripts and scores kept in the library of the Sacro Convento in Assisi, uncovering hitherto unpublished editions featuring three cantatas by the composer: Nel chiuso centro (L’Orfeo), Luce degli occhi miei and La Maddalena al sepolcro. The music of the latter is reminiscent of the Stabat Mater and could even be considered a worthy sequel to the great work. This theory refutes the idea that the final details on the Stabat Mater were completed the day Pergolesi died.
MVSICA PERDVTA is a cultural organisation, founded in 2007 by Renato Criscuolo and Valerio Losito and created with the intention of casting previously unpublished works by celebrated 17th- and 18th-century composers into the limelight. After thorough research in archives and libraries, the group gives concert performances of the discovered works, often using period instruments. Championed composers include Vivaldi, Handel, Pergolesi and Scarlatti.
01. Orfeo, Op. Posth.: I. Recitative. Nel chiuso centro
02. Orfeo, Op. Posth.: II. Aria. Euridice dove sei?
03. Orfeo, Op. Posth.: III. Recitative. Si che pietà non v'è
04. Orfeo, Op. Posth.: IV. Aria. O d'Euridice
05. Concerto in B-Flat Major, Op. Posth.: I. Allegro
06. Concerto in B-Flat Major, Op. Posth.: II. Largo
07. Concerto in B-Flat Major, Op. Posth.: III. Allegro
08. Luce degli occhi miei, Op. Posth.: I. Recitative. Luce degli occhi miei
09. Luce degli occhi miei, Op. Posth.: II. Aria. Ove tu ben mio non sei
10. Luce degli occhi miei, Op. Posth.: III. Recitative. Ma seppure il destino
11. Luce degli occhi miei, Op. Posth.: IV. Aria. Contento forse vivere
12. Sinfonia in F Major, Op. Posth.: I. Comodo
13. Sinfonia in F Major, Op. Posth.: II. Allegro
14. Sinfonia in F Major, Op. Posth.: III. Adagio
15. Sinfonia in F Major, Op. Posth.: IV. Presto
16. La Maddalena al sepolcro, Op. Posth.: I. Recitative. Presso lo speco
17. La Maddalena al sepolcro, Op. Posth.: II. Aria. Gesù mio, e dove sei?
18. La Maddalena al sepolcro, Op. Posth.: III. Recitative. Si che pietà non v'è
19. La Maddalena al sepolcro, Op. Posth.: IV. Aria. Or che riveggio
During his short life, Giovanni Battista Pergolesi was a prolific composer. A noted writer of early opera, among his most famous works are Il prigioniero superbo and La serva padrona. But it was his Stabat Mater that would assure his place in music history, commissioned by the Confraternità dei Cavalieri di San Luigi di Palazzo for a Good Friday dedication to the Virgin Mary. The work remains one of the most popular sacred pieces of all time, and is still performed and recorded today.
To celebrate the third centenary of Pergolesi’s birth (2010), MVSICA PERDVTA combed through many original 18th-century manuscripts and scores kept in the library of the Sacro Convento in Assisi, uncovering hitherto unpublished editions featuring three cantatas by the composer: Nel chiuso centro (L’Orfeo), Luce degli occhi miei and La Maddalena al sepolcro. The music of the latter is reminiscent of the Stabat Mater and could even be considered a worthy sequel to the great work. This theory refutes the idea that the final details on the Stabat Mater were completed the day Pergolesi died.
MVSICA PERDVTA is a cultural organisation, founded in 2007 by Renato Criscuolo and Valerio Losito and created with the intention of casting previously unpublished works by celebrated 17th- and 18th-century composers into the limelight. After thorough research in archives and libraries, the group gives concert performances of the discovered works, often using period instruments. Championed composers include Vivaldi, Handel, Pergolesi and Scarlatti.
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