Red Simpson - The Man Behind The Badge (1966)
BAND/ARTIST: Red Simpson
- Title: The Man Behind The Badge
- Year Of Release: 1966
- Label: Capitol Nashville
- Genre: Country
- Quality: FLAC (tracks)
- Total Time: 30:17
- Total Size: 173 MB
- WebSite: Album Preview
Tracklist:
1. Johnny Law (02:21)
2. Bad Man Highway Patrol (02:37)
3. You're Under Arrest (02:13)
4. Sheriff Sam (02:19)
5. Sidewalk Patrol (02:30)
6. Workin' For The Highway Patrol (02:18)
7. Rules Of The Road (02:47)
8. (Mary, Oh Mary) I'm Turnin' In My Star (03:06)
9. The Highway Patrol (02:16)
10. 25 Years On Patrol (02:49)
11. The City Police (02:31)
12. County Sheriff (02:24)
1. Johnny Law (02:21)
2. Bad Man Highway Patrol (02:37)
3. You're Under Arrest (02:13)
4. Sheriff Sam (02:19)
5. Sidewalk Patrol (02:30)
6. Workin' For The Highway Patrol (02:18)
7. Rules Of The Road (02:47)
8. (Mary, Oh Mary) I'm Turnin' In My Star (03:06)
9. The Highway Patrol (02:16)
10. 25 Years On Patrol (02:49)
11. The City Police (02:31)
12. County Sheriff (02:24)
A good thematic collection comprised of songs about the police and the job they do. It may seem strange, when at least a small but significant portion of the audience for country music professes to have no use for any law but their own; in 1966, to lots of people under the age of 30, this was a totally alien effort. But country audiences ate it up then, lofting the single "The Highway Patrol" high onto the country & western charts. Everything here is a good example of the so-called Bakersfield sound, melding the working-class ethos of Merle Haggard with the polished professionalism of Buck Owens. Simpson is very clever in his use of language and imagery -- "(Mary, Oh Mary) I'm Turning in My Star" is presents the grim side of its subject in what, at first, threatens to be a country equivalent of a teen death song, but becomes, instead, almost a screenplay set to music. Ken Nelson gave him the best production possible, a crisp, lean, lively sound with a lot of energy and tension, especially in the rhythm section and the lead guitar, and the result is an album that has held up exceptionally well. © Bruce Eder
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