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Carolyn Sampson, Alexandra Bellamy, The King'S Consort - Handel: 9 Deutschen Arien "German Arias" (2007)

Carolyn Sampson, Alexandra Bellamy, The King'S Consort - Handel: 9 Deutschen Arien "German Arias" (2007)
  • Title: Handel: 9 Deutschen Arien "German Arias"
  • Year Of Release: 2007
  • Label: Hyperion
  • Genre: Classical
  • Quality: flac lossless (tracks) +Booklet
  • Total Time: 01:10:33
  • Total Size: 349 mb
  • WebSite:
Tracklist

01. Handel: 9 German Arias: No. 7, Die ihr aus dunkeln Grüften, HWV 208
02. Handel: 9 German Arias: No. 8, in den angenehmen Büschen, HWV 209
03. Handel: Oboe Sonata in F Major, HWV 363a: I. Adagio
04. Handel: Oboe Sonata in F Major, HWV 363a: II. Allegro
05. Handel: Oboe Sonata in F Major, HWV 363a: III. Adagio
06. Handel: Oboe Sonata in F Major, HWV 363a: IV. Bourrée anglaise
07. Handel: Oboe Sonata in F Major, HWV 363a: V. Menuet
08. Handel: 9 German Arias: No. 1, Künft'ger Zeiten eitler Kummer, HWV 202
09. Handel: 9 German Arias: No. 4, Süße Stille, sanfte Quelle, HWV 205
10. Handel: Oboe Sonata in B-Flat Major, HWV 357: I. Allegro
11. Handel: Oboe Sonata in B-Flat Major, HWV 357: II. Grave
12. Handel: Oboe Sonata in B-Flat Major, HWV 357: III. Allegro
13. Handel: 9 German Arias: No. 5, Singe, Seele, Gott zum Preise, HWV 206
14. Handel: 9 German Arias: No. 3, Süßer Blumen Ambraflocken, HWV 204
15. Handel: 9 German Arias: No. 2, Das zitternde Glänzen der spielenden Wellen, HWV 203
16. Handel: Oboe Sonata in C Minor, HWV 366: I. Largo
17. Handel: Oboe Sonata in C Minor, HWV 366: II. Allegro
18. Handel: Oboe Sonata in C Minor, HWV 366: III. Adagio
19. Handel: Oboe Sonata in C Minor, HWV 366: IV. Bourrée anglaise
20. Handel: 9 German Arias: No. 9, Flammende Rose, Zierde der Erden, HWV 210
21. Handel: 9 German Arias: Meine Seele hört im Sehen, HWV 207

In this enchanting disc, Carolyn Sampsons ravishing, silvery tones are put to the service of some of Handels most joyous and profound music for the solo voice. Handel wrote little for his native tongue, but what he did demonstrates a particular level of contemplative pietism while still employing the familiar techniques of Italian opera. In these nine German arias he set the poems of his contemporary Barthold Heinrich Brockes, and their theme is that the abundant goodness of God is evident in the joy and beauty of His creation. The musical relationships with Handels opera arias are evident in the endless ingenuity of his characterization and the expressive, articulate melodies with which the soprano and the violin obbligato create their vivid images. These arias are paired with Handels three oboe sonatasdelightful works which demonstrate the composers enthusiasm for the instruments expressive capabilities and colours.

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