Kurt Masur, Peter Rosel - Tchaikovsky / Prokofiev / Stravinsky (1969-1981) [2022 SACD]
![Kurt Masur, Peter Rosel - Tchaikovsky / Prokofiev / Stravinsky (1969-1981) [2022 SACD]](https://www.dibpic.com/uploads/posts/2023-07/1689842551_folder.png)
BAND/ARTIST: Kurt Masur, Peter Rosel
- Title: Mussorgsky: Pictures at an Exhibition / Stravinsky: The Nightingale
- Year Of Release: 1969-1981 [2022]
- Label: Berlin Classics / Tower Records [0302752BC]
- Genre: Classical
- Quality: DSD64 image (*.iso) / 2.0 > 1-bit/2.8224 MHz
- Total Time: 01:25:04
- Total Size: 2,3 GB (+3%rec.)
- WebSite: Album Preview
Tchaikovsky: Piano Concerto No. 1, a gem recorded with Masur & LGO in 1981, from among the Russian music that can be said to be the roots of Peter Rosel, who studied in Moscow and studied with Russian pianists, and 1969 Prokofiev's No. 2, recorded with Bongarz & Dresden Philharmoniker, is coupled, and in the margins, a total of three albums, including Stravinsky recorded in 1978 with Kegel, have been upgraded to the latest high-quality sound.
Peter Rosel (1945.2.2-) won sixth place at the 3rd International Tchaikovsky Competition in 1966, and later won second place at the Montreal International Piano Competition in 1968. As a single person, he has left many sound sources, mainly in Schalplatten, Germany. Since returning to Japan in 2007 for the first time in about 30 years, he has visited Japan frequently, and as we all know, he has gained a lot of support as a well-known pianist. Born in Dresden, Rosel is a Doyle mainstream pianist who has performed many Beethoven works, especially in Japan, and is highly evaluated mainly for his solo music. Having studied under Lev Oborin and Dmitry Bashkirov at , he is highly regarded as a pianist with a deep knowledge of Russian music. Here, Tchaikovsky's solid molding power and heavy keystrokes emphasize the beauty of the melody line of the tune and the goodness of the flow like a clear stream, without emphasizing only the technically brilliant side. , It may sound plain at first to ears accustomed to virtuoso performances, but as you continue to listen, you will gradually become attracted to its musicality. Isn't this performance not getting a proper evaluation in Japan for a long time? You should be able to notice that it is a highly discerning performance that does not respond to the trend that it must be fast and dynamic. This also applies to Prokofiev and Stravinsky, and it seems that the playing style that makes use of his style cannot be simply described as German. With the high sound quality, the style of Rosel has come into view.
~*As it is a machine translation, the result may not provide an accurate description.
Please use it only as a reference.
Tracks:
1. Pyotr Il'yich Tchaikovsky: Piano Concerto No. 1 in B-Flat Minor, Op. 23
2. Sergey Prokofiev: Piano Concerto No. 2 in G Minor, Op. 16
3. Igor Stravinsky: Capriccio
Personnel:
Peter Rosel, piano
Kurt Masur conducting Gewandhausorchester Leipzig (1)
Heinz Bongartz conducting Leipzig Radio Symphony Orchestra (2)
Herbert Kegel conducting Dresdner Philharmonie (3)
Recorded:
November 3-7, 1969, Versohnungskirche, Leipzig (2)
January 26 & 27, 1978, Lukaskirche, Dresden (3)
August 24-26, 1981, Paul-Gerhardt-Kirche, Leipzig (1)
![Kurt Masur, Peter Rosel - Tchaikovsky / Prokofiev / Stravinsky (1969-1981) [2022 SACD]](https://www.dibpic.com/uploads/posts/2023-07/1689842610_back.png)
Peter Rosel (1945.2.2-) won sixth place at the 3rd International Tchaikovsky Competition in 1966, and later won second place at the Montreal International Piano Competition in 1968. As a single person, he has left many sound sources, mainly in Schalplatten, Germany. Since returning to Japan in 2007 for the first time in about 30 years, he has visited Japan frequently, and as we all know, he has gained a lot of support as a well-known pianist. Born in Dresden, Rosel is a Doyle mainstream pianist who has performed many Beethoven works, especially in Japan, and is highly evaluated mainly for his solo music. Having studied under Lev Oborin and Dmitry Bashkirov at , he is highly regarded as a pianist with a deep knowledge of Russian music. Here, Tchaikovsky's solid molding power and heavy keystrokes emphasize the beauty of the melody line of the tune and the goodness of the flow like a clear stream, without emphasizing only the technically brilliant side. , It may sound plain at first to ears accustomed to virtuoso performances, but as you continue to listen, you will gradually become attracted to its musicality. Isn't this performance not getting a proper evaluation in Japan for a long time? You should be able to notice that it is a highly discerning performance that does not respond to the trend that it must be fast and dynamic. This also applies to Prokofiev and Stravinsky, and it seems that the playing style that makes use of his style cannot be simply described as German. With the high sound quality, the style of Rosel has come into view.
~*As it is a machine translation, the result may not provide an accurate description.
Please use it only as a reference.
Tracks:
1. Pyotr Il'yich Tchaikovsky: Piano Concerto No. 1 in B-Flat Minor, Op. 23
2. Sergey Prokofiev: Piano Concerto No. 2 in G Minor, Op. 16
3. Igor Stravinsky: Capriccio
Personnel:
Peter Rosel, piano
Kurt Masur conducting Gewandhausorchester Leipzig (1)
Heinz Bongartz conducting Leipzig Radio Symphony Orchestra (2)
Herbert Kegel conducting Dresdner Philharmonie (3)
Recorded:
November 3-7, 1969, Versohnungskirche, Leipzig (2)
January 26 & 27, 1978, Lukaskirche, Dresden (3)
August 24-26, 1981, Paul-Gerhardt-Kirche, Leipzig (1)
Year 2022 | Classical | HD & Vinyl
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