Gesualdo Consort Amsterdam, Musica Amphion - Bach in Context: Actus Tragicus (2015)

Actus Tragicus The words 'art of dying' sound strange to modern ears, perhaps. Although there are related philosophical, religious and 'end of life' health care, and much-debated legal concerns today surrounding the subject of dying, we moderns probably rarely, if ever, think of preparing for death as an art form. A central topic in sermons, hymns and contemplative literature, death and dying was a chief pastoral concern of the church of Johann Sebastian Bach's day. Finding consolation and facing fears and anxieties near the time of death, and also as a part of everyday living, are arguably at the heart of the sacred vocal works of Bach, who is regarded by many as a kind of theologian in music. The cantatas are music that aids in contemplation of important matters, especially facing one's own death. Scott C. Milner Bach in Context Bach in Context - a long-term collaboration between Musica Amphion and Gesualdo Consort Amsterdam - sheds new light on Bach's magnificent repertoire: cantatas, motets and organ works that are related in liturgical-musical way are performed together in a quasi-liturgical setting. By employing the main church-organ as continuo instrument, and performing the choruses and chorales in a one-per-part vocal setting - and where needed with ripienists - Bach's sound picture and performance practice is approached as closely as possible. In this way the audience is offered a new viewpoint on this beloved repertoire.