Gesualdo Consort Amsterdam, Cristofori & Arthur Schoonderwoerd - Missa da Requiem (2018)
BAND/ARTIST: Gesualdo Consort Amsterdam, Cristofori, Arthur Schoonderwoerd
- Title: Missa da Requiem
- Year Of Release: 2018
- Label: Accent
- Genre: Classical, Vocal
- Quality: flac lossless +Booklet
- Total Time: 01:03:39
- Total Size: 256 mb
- WebSite: Album Preview
Tracklist
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01. Requiem in D Minor, K. 626: I. Introit. Requiem
02. Requiem in D Minor, K. 626: II. Kyrie eleison
03. Lectio
04. Requiem in D Minor, K. 626: III. Sequence No. 1, Dies irae
05. Requiem in D Minor, K. 626: IV. Sequence No. 2, Tuba mirum
06. Requiem in D Minor, K. 626: V. Sequence No. 3, Rex tremendae
07. Requiem in D Minor, K. 626: VI. Sequence No. 4, Recordare
08. Requiem in D Minor, K. 626: VII. Sequence No. 5, Confutatis
09. Requiem In D Minor, K. 626: VIII. Sequence No. 6, Lacrymosa
10. Amen
11. Evangelium
12. Requiem in D Minor, K. 626: X. Offertory No. 1, Domine Jesu
13. Requiem in D Minor, K. 626: XI. Offertory No. 2, Hostias
14. Praefatio
15. Requiem in D Minor, K. 626: XII. Sanctus
16. Requiem In D Minor, K. 626: XIII. Benedictus
17. Requiem in D Minor, K. 626: XIV. Agnus Dei
18. Requiem in D Minor, K. 626: XV. Communion. Lux aeterna
19. Oratio
20. Libera me
21. Requiescant in pace
Much is known about the special and particular circumstances surrounding the composition of Mozart’s Requiem. 1791 was a tumultuous year, and before Mozart’s life was cut short at the start of December he had composed, among other works, Die Zauberflöte, La Clemenza di Tito, the Clarinet Concerto and evidently this Requiem, although it was left in an unfinished state. Arthur Schoonderwoerd presents this work as a complete “Missa da Requiem” in its liturgical context, with Gregorian chant, and adds a newly composed “Amen” by Schoonderwoerd himself and a “Libera me” by Ritter Ignaz von Seyfried (both world premiere recordings). The starting point of this recording is the performance of a Requiem Mass as it would have sounded in Vienna around 1800 – i.e. in a scoring which Mozart could possibly have visualised. The vocal part is sung by the soloists of the Gesualdo Consort Amsterdam, well-known for their recordings of the complete vocal music of J. P. Sweelinck.
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01. Requiem in D Minor, K. 626: I. Introit. Requiem
02. Requiem in D Minor, K. 626: II. Kyrie eleison
03. Lectio
04. Requiem in D Minor, K. 626: III. Sequence No. 1, Dies irae
05. Requiem in D Minor, K. 626: IV. Sequence No. 2, Tuba mirum
06. Requiem in D Minor, K. 626: V. Sequence No. 3, Rex tremendae
07. Requiem in D Minor, K. 626: VI. Sequence No. 4, Recordare
08. Requiem in D Minor, K. 626: VII. Sequence No. 5, Confutatis
09. Requiem In D Minor, K. 626: VIII. Sequence No. 6, Lacrymosa
10. Amen
11. Evangelium
12. Requiem in D Minor, K. 626: X. Offertory No. 1, Domine Jesu
13. Requiem in D Minor, K. 626: XI. Offertory No. 2, Hostias
14. Praefatio
15. Requiem in D Minor, K. 626: XII. Sanctus
16. Requiem In D Minor, K. 626: XIII. Benedictus
17. Requiem in D Minor, K. 626: XIV. Agnus Dei
18. Requiem in D Minor, K. 626: XV. Communion. Lux aeterna
19. Oratio
20. Libera me
21. Requiescant in pace
Much is known about the special and particular circumstances surrounding the composition of Mozart’s Requiem. 1791 was a tumultuous year, and before Mozart’s life was cut short at the start of December he had composed, among other works, Die Zauberflöte, La Clemenza di Tito, the Clarinet Concerto and evidently this Requiem, although it was left in an unfinished state. Arthur Schoonderwoerd presents this work as a complete “Missa da Requiem” in its liturgical context, with Gregorian chant, and adds a newly composed “Amen” by Schoonderwoerd himself and a “Libera me” by Ritter Ignaz von Seyfried (both world premiere recordings). The starting point of this recording is the performance of a Requiem Mass as it would have sounded in Vienna around 1800 – i.e. in a scoring which Mozart could possibly have visualised. The vocal part is sung by the soloists of the Gesualdo Consort Amsterdam, well-known for their recordings of the complete vocal music of J. P. Sweelinck.
Year 2018 | Classical | FLAC / APE
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