Manuel Tomadin - Erbach: Complete Organ Music (2022) [Hi-Res]
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BAND/ARTIST: Manuel Tomadin
- Title: Erbach: Complete Organ Music
- Year Of Release: 2022
- Label: Brilliant Classics
- Genre: Classical Organ
- Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
- Total Time: 01:41:30
- Total Size: 3.16 / 10.9 gb
- WebSite: Album Preview
Tracklist
01. Introitus quinti Toni
02. Fuga secundi Toni
03. Toccata
04. Canzona secundi Toni
05. Toccata primi Toni
06. Canzona quarti Toni
07. Ricercar secundi Toni
08. Toccata quarti Toni
09. Fantasia sub Elevatione
10. Toccata tertii Toni
11. Ricercar primi Toni
12. Toccata septimi Toni
13. Canzona secundi Toni (2)
14. Introitus octavi Toni
15. Toccata quarti Toni (2)
16. Ricercar quinti Toni
17. Toccata Octavi Toni
18. Introitus quinti Toni(2)
19. Canzona quinti Toni
20. Intonatio secundi Toni
21. Toccata (2)
22. Canzona
23. Ricercar primi Toni (2)
24. Fuga
25. Ricercar tertii Toni
26. Canzona tertii Toni
27. Fantasia sexti Toni
28. Magnificat octavi Toni: I. Versus I
29. Magnificat octavi Toni: II. Versus II
30. Magnificat octavi Toni: III. Versus III
31. Magnificat octavi Toni: IV. Versus IV
32. Magnificat octavi Toni: V. Versus V
33. Magnificat octavi Toni: VI. Versus VI
34. Toccata primi Toni (2)
35. Ricercar
36. 19. Toccata
37. 20. Ricercar sexti Toni
38. Toccata quinti Toni
39. Canzona octavi Toni
40. Ricercar primi Toni (3)
41. Fuga duodecimi toni (Altern Vers)
42. Toccata octavi Toni
43. Canzona quinti toni (Altern Vers)
44. Ricercar septimi e octavi Toni
45. Toccata primi Toni (11)
46. Fantasia primi Toni
47. Ricercar quarti Toni
48. Magnificat secundi Toni: I. Versus I
49. Magnificat secundi Toni: II. Versus II
50. Magnificat secundi Toni: III. Versus III
51. Magnificat secundi Toni: IV. Versus IV
52. Magnificat secundi Toni: V. Versus V
53. Magnificat secundi Toni: VI. Versus VI
54. Ricercar noni toni sopra le fughe, Io son ferito, hai lasso è vestiva i Colli
55. Toccata primi Toni (4)
56. Ricercar tertii Toni (2)
57. Canzona secundi Toni (3)
58. Toccata primi Toni (5)
59. Ricercar septimi Toni
60. Toccata primi Toni (6)
61. Canzona (2)
62. Canzona secundi Toni (4)
63. Canzona francese tertii Toni
64. Canzona primi Toni
65. Ricercar (2)
66. Toccata (3)
67. Canzona octavi Toni (2)
68. Canzona secundi Toni (5)
69. Toccata primi Toni (7)
70. Canzona septimi Toni
71. Canzona secundi Toni (6)
72. Toccata secundi Toni
73. Ricercar (3)
74. Canzona secundi Toni (7)
75. Canzona (3)
76. Toccata primi Toni (8)
77. Fuga (2)
78. Canzona octavi Toni (3)
79. Introitus secundi Toni
80. Canzona septimi Toni (2)
81. Toccata primi Toni (9)
82. Fantasia primi Toni (2)
83. Ricercar quarti Toni (2)
84. Introitus quarti Toni
85. Magnificat tertii Toni: I. Versus I
86. Magnificat tertii Toni: II. Versus II
87. Magnificat tertii Toni: III. Versus III
88. Magnificat tertii Toni: IV. Versus IV
89. Magnificat tertii Toni: V. Versus V
90. Magnificat tertii Toni: VI. Versus VI
91. Magnificat tertii Toni: VII. Versus VII
92. Ricercar tertii Toni (3)
93. Toccata secundi Toni (2)
94. Canzona quarti Toni (2)
95. Fuga secondi Toni
96. Toccata quarti Toni (3)
97. Toccata secundi Toni (3)
98. Ricercar septimi Toni (2)
99. Canzona noni Toni
100. Toccata quarti Toni (4)
101. Ricercar septimi Toni (3)
102. Fuga duodecimi Toni
103. Toccata quarti Toni (5)
104. Canzona secundi Toni (12)
105. Toccata septimi Toni (2)
106. Toccata (4)
107. Canzona secundi Toni (8)
108. Ricercar septimi Toni (4)
109. Introitus sexti Toni
110. Kyrie Paschale
111. Introitus primi Toni
112. Ricercar sexti Toni
113. Introitus secundi Toni (2)
114. Jesu Nostra Redemption
115. Toccata primi Toni (10)
116. Canzona sexti Toni
117. Fantasia primi Toni (3)
118. Ricercar quinti Toni (2)
119. Introitus sexti Toni (2)
120. Fuga primi Toni
121. Ricercar noni Toni
122. Kyrie Simplici: I. Versus I
123. Kyrie Simplici: II. Versus II
124. Kyrie Simplici: III. Versus III
125. Kyrie Simplici: IV. Versus IV
126. Kyrie Simplici: V. Versus V
127. Canzona septimi Toni (3)
128. Ricercar quinti Toni (3)
129. Magnificat quinti Toni: I. Versus I
130. Magnificat quinti Toni: II. Versus II
131. Magnificat quinti Toni: III. Versus III
132. Magnificat quinti Toni: IV. Versus IV
133. Magnificat quinti Toni: V. Versus V
134. Ricercar primi Toni (4)
135. Toccata (8)
136. Toccata secundi Toni (4)
137. Ricercar septimi Toni (5)
138. Introitus primi Toni (2)
139. Toccata secundi Toni (5)
140. Kyrie Duplex: I. Versus I
141. Kyrie Duplex: II. Versus II
142. Kyrie Duplex: III. Versus III
143. Kyrie Duplex: IV. Versus IV
144. Kyrie Duplex: V. Versus V
145. Ricercar (4)
146. Canzona duodecimi Toni
147. Ricercar (5)
148. Introitus tertii e quarti Toni
149. Ricercar quinti Toni (4)
150. Toccata sexti toni dopo il Magnificat
151. Toccata quarti Toni (6)
152. Ricercar secundi Toni (2)
153. Toccata (6)
154. Kyrie Solemne: I. Versus I
155. Kyrie Solemne: II. Versus II
156. Kyrie Solemne: III. Versus III
157. Kyrie Solemne: IV. Versus IV
158. Kyrie Solemne: V. Versus V
159. Canzona sexti Toni (2)
160. Ricercar octavi Toni
161. Canzona sexti Toni (3)
162. Magnificat primi Toni: I. Versus I
163. Magnificat primi Toni: II. Versus II
164. Magnificat primi Toni: III. Versus III
165. Magnificat primi Toni: IV. Versus IV
166. Magnificat primi Toni: V. Versus V
167. Magnificat primi Toni: VI. Versus VI
168. Toccata primi e secundi Toni
169. Ricercar (6)
170. Toccata (7)
First recordings galore on the most comprehensive collection ever issued of an overlooked master of the early German Baroque.
Born around 1570, Christian Erbach apparently pursued the career of a musician from his earliest years. By his early 30s he had taken over organist positions in Augsburg previously held by the better known Hans Leo Hassler (the subject of another unrivalled compendium by Manuel Tomadin on Brilliant Classics, 95331).
Like Hassler, Erbach was evidently influenced as a composer by Italian and in particular Venetian flavours of polychoral and effervescent writing even in his instrumental output. The predominant forms in this set are toccatas, canzonas and ricercars, as well as instrumental‘settings’ of the Magnificat and the Ordinary of the Mass for liturgical use.
Erbach himself must have been an organist of tremendous flourish and with an ear for liturgical theatre, to judge from the colourful array of textures he demands in his music. Both his music and his renown as a teacher exercised a formative influence over the next two generations of German organ music – from which eventually emerged its own dominant figure, Johann Sebastian Bach (who also looked over to the other side of the Alps for stylistic inspiration).
In an extensive booklet introduction to Erbach’s life and works, the organist Manuel Tomadin makes available much research otherwise unavailable in English. He has chosen to make this comprehensive set on a selection of organs in northern Italy and Austria, all of them equipped with the registral possibilities to make the composer’s music sing in its own language, and several of them dating from Erlebach’s own time, based in Bologna, Mantova, Pistoia and farther afield. All the instruments are illustrated in the booklet with colour photographs and a detailed registration plan, making the set invaluable for both organ buffs and any listener with a broader interest in the German Baroque.
· Christian Erbach’s exact date of birth is unknown, but he was probably born between 1568 and 1573. For most of his life he worked as assistant and then resident organist in Augsburg (Germany). His assignments included the teaching of music composition and organ playing to selected students from the choral school of the Cathedral. He was a highly regarded teacher and his good credit attracted both Catholic (like him) and Protestant students from many other cities.
· Christian Erbach can be considered the most important music teacher of his time, together with J.P. Sweelinck from Amsterdam. The works he composed for keyboards are usually Fugues, Ricercari, Magnificats and Canzonas, and also Introitos, and Versos for the liturgical use. His Toccatas, above all, strongly influenced the organ composition style of Southern Germany, thanks to their virtuoso style. The composition style is reminiscent of the works of Gabrieli of the Venetian School, in the employment of some of the most majestic and sumptuous Italian instruments of his time, that are, luckily, still working and suitable to be used for these recordings. For example, the twenty-four feet organ placed in San Petronio in Bologna sounds absolutely majestic: this instrument is capable of highlighting both the low and the high frequencies, paying the righteous tribute to the high composition level of Erbach’s works.
· Manuel Tomadin plays a variety of organs for this set, several of which are historical and date from the time of composition. Each organ is described in the extensive liner notes.
· Tomadin is one of the foremost Italian organists of today, a scholar and passionate musician, with an impressive discography to his name: Husumer Organ Book, Alberti Complete Keyboard Works, Van Noordt, Krebs, Lübeck, Hassler, Martini and other North German organ masters.
01. Introitus quinti Toni
02. Fuga secundi Toni
03. Toccata
04. Canzona secundi Toni
05. Toccata primi Toni
06. Canzona quarti Toni
07. Ricercar secundi Toni
08. Toccata quarti Toni
09. Fantasia sub Elevatione
10. Toccata tertii Toni
11. Ricercar primi Toni
12. Toccata septimi Toni
13. Canzona secundi Toni (2)
14. Introitus octavi Toni
15. Toccata quarti Toni (2)
16. Ricercar quinti Toni
17. Toccata Octavi Toni
18. Introitus quinti Toni(2)
19. Canzona quinti Toni
20. Intonatio secundi Toni
21. Toccata (2)
22. Canzona
23. Ricercar primi Toni (2)
24. Fuga
25. Ricercar tertii Toni
26. Canzona tertii Toni
27. Fantasia sexti Toni
28. Magnificat octavi Toni: I. Versus I
29. Magnificat octavi Toni: II. Versus II
30. Magnificat octavi Toni: III. Versus III
31. Magnificat octavi Toni: IV. Versus IV
32. Magnificat octavi Toni: V. Versus V
33. Magnificat octavi Toni: VI. Versus VI
34. Toccata primi Toni (2)
35. Ricercar
36. 19. Toccata
37. 20. Ricercar sexti Toni
38. Toccata quinti Toni
39. Canzona octavi Toni
40. Ricercar primi Toni (3)
41. Fuga duodecimi toni (Altern Vers)
42. Toccata octavi Toni
43. Canzona quinti toni (Altern Vers)
44. Ricercar septimi e octavi Toni
45. Toccata primi Toni (11)
46. Fantasia primi Toni
47. Ricercar quarti Toni
48. Magnificat secundi Toni: I. Versus I
49. Magnificat secundi Toni: II. Versus II
50. Magnificat secundi Toni: III. Versus III
51. Magnificat secundi Toni: IV. Versus IV
52. Magnificat secundi Toni: V. Versus V
53. Magnificat secundi Toni: VI. Versus VI
54. Ricercar noni toni sopra le fughe, Io son ferito, hai lasso è vestiva i Colli
55. Toccata primi Toni (4)
56. Ricercar tertii Toni (2)
57. Canzona secundi Toni (3)
58. Toccata primi Toni (5)
59. Ricercar septimi Toni
60. Toccata primi Toni (6)
61. Canzona (2)
62. Canzona secundi Toni (4)
63. Canzona francese tertii Toni
64. Canzona primi Toni
65. Ricercar (2)
66. Toccata (3)
67. Canzona octavi Toni (2)
68. Canzona secundi Toni (5)
69. Toccata primi Toni (7)
70. Canzona septimi Toni
71. Canzona secundi Toni (6)
72. Toccata secundi Toni
73. Ricercar (3)
74. Canzona secundi Toni (7)
75. Canzona (3)
76. Toccata primi Toni (8)
77. Fuga (2)
78. Canzona octavi Toni (3)
79. Introitus secundi Toni
80. Canzona septimi Toni (2)
81. Toccata primi Toni (9)
82. Fantasia primi Toni (2)
83. Ricercar quarti Toni (2)
84. Introitus quarti Toni
85. Magnificat tertii Toni: I. Versus I
86. Magnificat tertii Toni: II. Versus II
87. Magnificat tertii Toni: III. Versus III
88. Magnificat tertii Toni: IV. Versus IV
89. Magnificat tertii Toni: V. Versus V
90. Magnificat tertii Toni: VI. Versus VI
91. Magnificat tertii Toni: VII. Versus VII
92. Ricercar tertii Toni (3)
93. Toccata secundi Toni (2)
94. Canzona quarti Toni (2)
95. Fuga secondi Toni
96. Toccata quarti Toni (3)
97. Toccata secundi Toni (3)
98. Ricercar septimi Toni (2)
99. Canzona noni Toni
100. Toccata quarti Toni (4)
101. Ricercar septimi Toni (3)
102. Fuga duodecimi Toni
103. Toccata quarti Toni (5)
104. Canzona secundi Toni (12)
105. Toccata septimi Toni (2)
106. Toccata (4)
107. Canzona secundi Toni (8)
108. Ricercar septimi Toni (4)
109. Introitus sexti Toni
110. Kyrie Paschale
111. Introitus primi Toni
112. Ricercar sexti Toni
113. Introitus secundi Toni (2)
114. Jesu Nostra Redemption
115. Toccata primi Toni (10)
116. Canzona sexti Toni
117. Fantasia primi Toni (3)
118. Ricercar quinti Toni (2)
119. Introitus sexti Toni (2)
120. Fuga primi Toni
121. Ricercar noni Toni
122. Kyrie Simplici: I. Versus I
123. Kyrie Simplici: II. Versus II
124. Kyrie Simplici: III. Versus III
125. Kyrie Simplici: IV. Versus IV
126. Kyrie Simplici: V. Versus V
127. Canzona septimi Toni (3)
128. Ricercar quinti Toni (3)
129. Magnificat quinti Toni: I. Versus I
130. Magnificat quinti Toni: II. Versus II
131. Magnificat quinti Toni: III. Versus III
132. Magnificat quinti Toni: IV. Versus IV
133. Magnificat quinti Toni: V. Versus V
134. Ricercar primi Toni (4)
135. Toccata (8)
136. Toccata secundi Toni (4)
137. Ricercar septimi Toni (5)
138. Introitus primi Toni (2)
139. Toccata secundi Toni (5)
140. Kyrie Duplex: I. Versus I
141. Kyrie Duplex: II. Versus II
142. Kyrie Duplex: III. Versus III
143. Kyrie Duplex: IV. Versus IV
144. Kyrie Duplex: V. Versus V
145. Ricercar (4)
146. Canzona duodecimi Toni
147. Ricercar (5)
148. Introitus tertii e quarti Toni
149. Ricercar quinti Toni (4)
150. Toccata sexti toni dopo il Magnificat
151. Toccata quarti Toni (6)
152. Ricercar secundi Toni (2)
153. Toccata (6)
154. Kyrie Solemne: I. Versus I
155. Kyrie Solemne: II. Versus II
156. Kyrie Solemne: III. Versus III
157. Kyrie Solemne: IV. Versus IV
158. Kyrie Solemne: V. Versus V
159. Canzona sexti Toni (2)
160. Ricercar octavi Toni
161. Canzona sexti Toni (3)
162. Magnificat primi Toni: I. Versus I
163. Magnificat primi Toni: II. Versus II
164. Magnificat primi Toni: III. Versus III
165. Magnificat primi Toni: IV. Versus IV
166. Magnificat primi Toni: V. Versus V
167. Magnificat primi Toni: VI. Versus VI
168. Toccata primi e secundi Toni
169. Ricercar (6)
170. Toccata (7)
First recordings galore on the most comprehensive collection ever issued of an overlooked master of the early German Baroque.
Born around 1570, Christian Erbach apparently pursued the career of a musician from his earliest years. By his early 30s he had taken over organist positions in Augsburg previously held by the better known Hans Leo Hassler (the subject of another unrivalled compendium by Manuel Tomadin on Brilliant Classics, 95331).
Like Hassler, Erbach was evidently influenced as a composer by Italian and in particular Venetian flavours of polychoral and effervescent writing even in his instrumental output. The predominant forms in this set are toccatas, canzonas and ricercars, as well as instrumental‘settings’ of the Magnificat and the Ordinary of the Mass for liturgical use.
Erbach himself must have been an organist of tremendous flourish and with an ear for liturgical theatre, to judge from the colourful array of textures he demands in his music. Both his music and his renown as a teacher exercised a formative influence over the next two generations of German organ music – from which eventually emerged its own dominant figure, Johann Sebastian Bach (who also looked over to the other side of the Alps for stylistic inspiration).
In an extensive booklet introduction to Erbach’s life and works, the organist Manuel Tomadin makes available much research otherwise unavailable in English. He has chosen to make this comprehensive set on a selection of organs in northern Italy and Austria, all of them equipped with the registral possibilities to make the composer’s music sing in its own language, and several of them dating from Erlebach’s own time, based in Bologna, Mantova, Pistoia and farther afield. All the instruments are illustrated in the booklet with colour photographs and a detailed registration plan, making the set invaluable for both organ buffs and any listener with a broader interest in the German Baroque.
· Christian Erbach’s exact date of birth is unknown, but he was probably born between 1568 and 1573. For most of his life he worked as assistant and then resident organist in Augsburg (Germany). His assignments included the teaching of music composition and organ playing to selected students from the choral school of the Cathedral. He was a highly regarded teacher and his good credit attracted both Catholic (like him) and Protestant students from many other cities.
· Christian Erbach can be considered the most important music teacher of his time, together with J.P. Sweelinck from Amsterdam. The works he composed for keyboards are usually Fugues, Ricercari, Magnificats and Canzonas, and also Introitos, and Versos for the liturgical use. His Toccatas, above all, strongly influenced the organ composition style of Southern Germany, thanks to their virtuoso style. The composition style is reminiscent of the works of Gabrieli of the Venetian School, in the employment of some of the most majestic and sumptuous Italian instruments of his time, that are, luckily, still working and suitable to be used for these recordings. For example, the twenty-four feet organ placed in San Petronio in Bologna sounds absolutely majestic: this instrument is capable of highlighting both the low and the high frequencies, paying the righteous tribute to the high composition level of Erbach’s works.
· Manuel Tomadin plays a variety of organs for this set, several of which are historical and date from the time of composition. Each organ is described in the extensive liner notes.
· Tomadin is one of the foremost Italian organists of today, a scholar and passionate musician, with an impressive discography to his name: Husumer Organ Book, Alberti Complete Keyboard Works, Van Noordt, Krebs, Lübeck, Hassler, Martini and other North German organ masters.
Year 2022 | Classical | Discography | FLAC / APE | HD & Vinyl
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