Manuel Tomadin - Das Husumer Orgelbuch von 1758 (2016)
BAND/ARTIST: Manuel Tomadin
- Title: Das Husumer Orgelbuch von 1758
- Year Of Release: 2016
- Label: Brilliant Classics
- Genre: Classical Organ
- Quality: flac lossless
- Total Time: 01:53:02
- Total Size: 502 mb
- WebSite: Album Preview
Tracklist
01. Praeludium in D Major
02. Chaconne in D Major
03. Concerto in A Major: I. Allegro
04. Concerto in A Major: II. Siciliana
05. Concerto in A Major: III. Vivace
06. Concerto in F Major: I. Allegro
07. Concerto in F Major: II. Adagio
08. Concerto in F Major: III. Vivace
09. Concerto in D Major: I. Allegro
10. Concerto in D Major: II. Largo
11. Concerto in D Major: III. Vivace
12. Concerto in G Major: I. Allegro
13. Concerto in G Major: II. Adagio
14. Concerto in G Major: III. Allegro
15. Fuge in D Major
16. Concerto in A Major: I. Allegro
17. Concerto in A Major: II. Adagio
18. Concerto in A Major: III. Vivace
19. Concerto in E Major: I. Allegro
20. Concerto in E Major: II. Adagio
21. Concerto in E Major: III. Vivace
22. Concerto in B Major: I. Allegro
23. Concerto in B Major: II. Siciliana
24. Concerto in B Major: III. Allegro
25. Praeludium in D Major
26. Fuge in D Major
27. Adagio in D Major
28. Chaconne in D Major
29. Adagio in D Major
30. Concerto in G Major: I. Allegro
31. Concerto in G Major: II. Adagio
32. Concerto in G Major: III. Allegro
33. Concerto in D Major: I. Allegro
34. Concerto in D Major: II. Adagio
35. Concerto in D Major: III. Largo
36. Concerto in D Major: IV Allegro
37. Concerto in A Minor: I. Preludio
38. Concerto in A Minor: II. Vivace
39. Concerto in A Minor: III. Adagio
40. Concerto in A Minor: IV Allegro
41. Concerto in D Minor: I. Allegro
42. Concerto in D Minor: II. Adagio
43. Concerto in D Minor: III. Vivace
44. Concerto in G Minor: I. Allegro
45. Concerto in G Minor: II. Affettuoso
46. Concerto in G Minor: III. Allegro fuga
47. Praeludium in C Minor
48. Fuge in C Minor
49. Allegro - Adagio in C Minor
The late 17th century was a golden age for the proliferation of organ music in Northern Germany. While J.S. Bach – alongside Buxtehude – may be the first name to come to mind when we consider composers of this period, more provincial towns were also surprisingly rich centres of music-making. The Husumer Orgelbuch of 1758 comprises a collection of works for organ from Husum, a coastal town situated at the tip of Germany. Organist Bendix Friedrich Zinck, whose life spanned the second half of the 18th century, chose 17 compositions for the organ to include in the collection, mostly made up of parts of old compositions. We have one example of an Adagio by Nicolaus Bruhns, also known to be active in Husum, though many years before Bendix. A more substantial body has survived of music by Druckenmüller, an almost exact contemporary of J.S. Bach. His compositions for organ are some of the first examples of the ‘Italian concerto’ style in northern Germany, a concerto with three movements (fast-slow-fast) resembling the Italian concerto grosso. Another remarkable feature of this manuscript is the fact that a vast majority of the works are original compositions rather than transcriptions – a novelty for organ music at this time, which more often involved arrangements of orchestral works, such as Bach’s transcriptions of Vivaldi or Walther’s of Torelli.
Italian organist Manuel Tomadin is an enthusiastic advocate of music of this period, having recently released a CD of the complete organ works of Druckenmüller alongside Daniel Erich and Georg Wilhelm Dietrich Saxer on Brilliant Classics (BC95284). As always, he has carefully selected his performing instruments, choosing a Baroque organ by Arp Schnitger – the most important organ builder of this period, who worked closely with Druckenmüller – and an organ by Albertus Hinsz in Leens, one of the closest to the tradition of Schnitger. For lovers of Baroque organ music looking to explore outside the established canon of Bach, Buxtehude and Walther, this release represents an exciting opportunity to discover some of the wealth of music-making in Northern Germany during this period.
01. Praeludium in D Major
02. Chaconne in D Major
03. Concerto in A Major: I. Allegro
04. Concerto in A Major: II. Siciliana
05. Concerto in A Major: III. Vivace
06. Concerto in F Major: I. Allegro
07. Concerto in F Major: II. Adagio
08. Concerto in F Major: III. Vivace
09. Concerto in D Major: I. Allegro
10. Concerto in D Major: II. Largo
11. Concerto in D Major: III. Vivace
12. Concerto in G Major: I. Allegro
13. Concerto in G Major: II. Adagio
14. Concerto in G Major: III. Allegro
15. Fuge in D Major
16. Concerto in A Major: I. Allegro
17. Concerto in A Major: II. Adagio
18. Concerto in A Major: III. Vivace
19. Concerto in E Major: I. Allegro
20. Concerto in E Major: II. Adagio
21. Concerto in E Major: III. Vivace
22. Concerto in B Major: I. Allegro
23. Concerto in B Major: II. Siciliana
24. Concerto in B Major: III. Allegro
25. Praeludium in D Major
26. Fuge in D Major
27. Adagio in D Major
28. Chaconne in D Major
29. Adagio in D Major
30. Concerto in G Major: I. Allegro
31. Concerto in G Major: II. Adagio
32. Concerto in G Major: III. Allegro
33. Concerto in D Major: I. Allegro
34. Concerto in D Major: II. Adagio
35. Concerto in D Major: III. Largo
36. Concerto in D Major: IV Allegro
37. Concerto in A Minor: I. Preludio
38. Concerto in A Minor: II. Vivace
39. Concerto in A Minor: III. Adagio
40. Concerto in A Minor: IV Allegro
41. Concerto in D Minor: I. Allegro
42. Concerto in D Minor: II. Adagio
43. Concerto in D Minor: III. Vivace
44. Concerto in G Minor: I. Allegro
45. Concerto in G Minor: II. Affettuoso
46. Concerto in G Minor: III. Allegro fuga
47. Praeludium in C Minor
48. Fuge in C Minor
49. Allegro - Adagio in C Minor
The late 17th century was a golden age for the proliferation of organ music in Northern Germany. While J.S. Bach – alongside Buxtehude – may be the first name to come to mind when we consider composers of this period, more provincial towns were also surprisingly rich centres of music-making. The Husumer Orgelbuch of 1758 comprises a collection of works for organ from Husum, a coastal town situated at the tip of Germany. Organist Bendix Friedrich Zinck, whose life spanned the second half of the 18th century, chose 17 compositions for the organ to include in the collection, mostly made up of parts of old compositions. We have one example of an Adagio by Nicolaus Bruhns, also known to be active in Husum, though many years before Bendix. A more substantial body has survived of music by Druckenmüller, an almost exact contemporary of J.S. Bach. His compositions for organ are some of the first examples of the ‘Italian concerto’ style in northern Germany, a concerto with three movements (fast-slow-fast) resembling the Italian concerto grosso. Another remarkable feature of this manuscript is the fact that a vast majority of the works are original compositions rather than transcriptions – a novelty for organ music at this time, which more often involved arrangements of orchestral works, such as Bach’s transcriptions of Vivaldi or Walther’s of Torelli.
Italian organist Manuel Tomadin is an enthusiastic advocate of music of this period, having recently released a CD of the complete organ works of Druckenmüller alongside Daniel Erich and Georg Wilhelm Dietrich Saxer on Brilliant Classics (BC95284). As always, he has carefully selected his performing instruments, choosing a Baroque organ by Arp Schnitger – the most important organ builder of this period, who worked closely with Druckenmüller – and an organ by Albertus Hinsz in Leens, one of the closest to the tradition of Schnitger. For lovers of Baroque organ music looking to explore outside the established canon of Bach, Buxtehude and Walther, this release represents an exciting opportunity to discover some of the wealth of music-making in Northern Germany during this period.
Year 2016 | Classical | FLAC / APE
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