Isabelle van Keulen & Oliver Triendl - Frid: The Complete Works for Violin and Piano (2023)
BAND/ARTIST: Isabelle van Keulen, Oliver Triendl
- Title: Frid: The Complete Works for Violin and Piano
- Year Of Release: 2023
- Label: Challenge Classics
- Genre: Classical
- Quality: flac lossless (tracks) +Booklet
- Total Time: 01:22:28
- Total Size: 331 mb
- WebSite: Album Preview
Tracklist
01. Divertimento Op. 45, No. 1: I. "Prelude" Moderato energico-Cantabile-Tempo I-L’istesso tempo
02. Divertimento Op. 45, No. 1: II. "Stroll and Storm" Allegretto-Poco sostenuto
03. Divertimento Op. 45, No. 1: III. Andante sostenuto
04. Andantino
05. Sonatina Op. 32: I. Allegretto
06. Sonatina Op. 32: II. Andante
07. Sonatina Op. 32: III. "Theme with variations". Allegro
08. The Calendar of Nature Op. 17, No. 2: I. "Spring is Arriving" Andantino
09. The Calendar of Nature Op. 17, No. 2: II. "The Little Bird" Allegretto
10. The Calendar of Nature Op. 17, No. 2: III. "Spouts" Marciale
11. The Calendar of Nature Op. 17, No. 2: IV. "Autumn" Andante doloroso
12. The Calendar of Nature Op. 17, No. 2: V. "The Rivulet" Leggiero. Poco meno mosso
13. The Calendar of Nature Op. 17, No. 2: VI. "Sunset" Moderato
14. The Calendar of Nature Op. 17, No. 2: VII. "A Sparkling Drop" Moderato cantabile
15. The Calendar of Nature Op. 17, No. 2: VIII. "Bunny" Moderato sostenuto
16. The Calendar of Nature Op. 17, No. 2: IX. "The Wasps Feel Cold" Andante cantabile
17. The Calendar of Nature Op. 17, No. 2: X. "Fox Hunting" Allegro molto. Poco meno moso
18. Violin Sonata No. 1 Op. 27: I. Allegro
19. Violin Sonata No. 1 Op. 27: II. Andante sostenuto
20. Violin Sonata No. 1 Op. 27: III. Allegro moderato
21. Violin Sonata No. 2 Op. 51: I. Allegro
22. Violin Sonata No. 2 Op. 51: II. Lento
23. Violin Sonata No. 2 Op. 51: III. Allegro
24. Violin Sonata No. 3 Op. 57: Sostenuto-Poco più mosso-Tempo I-Poco più mosso-Molto risoluto-Con moto-Meno mosso-Poco meno mosso-Tempo I-Sostenuto
Oliver Triendl: My first encounter with the instrumental music of Grigory Samuilovich Frid (1915-2012) occurred around fifteen years ago. It was at this time that Hans-Ulrich Duffek, the former director of the Sikorski music publishing company, showed me the scores of some chamber-music and orchestral works by this almost entirely unknown composer. My enthusiasm for Frid’s music came to the attention of Stefan Lang – the editor at the culture-oriented German radio station Deutschlandfunk Kultur to whom the musical world owes many important discoveries – so that the two of us were able to set up plans also for the recording of certain of the works of this long-neglected composer.
Frid’s works for violin and piano allow us to trace the composer’s stylistic development over a period of some twenty-five years. Thus, whereas his earlier work is to be situated in the tradition of Shostakovich, his later compositions are stylistically much closer to the work of Edison Denisov, Sofia Gubaidulina and Alfred Schnittke. “Dark”, “autumnal”, “ruminative”, “sarcastic” – it is such notions as these that first occur to me as I listen to Frid’s music.
Isabelle van Keulen: In summer 2019, Oliver had managed to get together quite a few scores of Frid’s music for violin and piano and we organised a “read-through” session, in which we both were reduced to tears several times by the sheer strength and diversity of this incredible music…. Both the violin sonatas and pieces but also the viola pieces – that will be released in an upcoming disc - bear witness to a deeply sensitive, profoundly sad composer; music with sometimes unbearably long lines and huge tension, only to then lighten up again.
01. Divertimento Op. 45, No. 1: I. "Prelude" Moderato energico-Cantabile-Tempo I-L’istesso tempo
02. Divertimento Op. 45, No. 1: II. "Stroll and Storm" Allegretto-Poco sostenuto
03. Divertimento Op. 45, No. 1: III. Andante sostenuto
04. Andantino
05. Sonatina Op. 32: I. Allegretto
06. Sonatina Op. 32: II. Andante
07. Sonatina Op. 32: III. "Theme with variations". Allegro
08. The Calendar of Nature Op. 17, No. 2: I. "Spring is Arriving" Andantino
09. The Calendar of Nature Op. 17, No. 2: II. "The Little Bird" Allegretto
10. The Calendar of Nature Op. 17, No. 2: III. "Spouts" Marciale
11. The Calendar of Nature Op. 17, No. 2: IV. "Autumn" Andante doloroso
12. The Calendar of Nature Op. 17, No. 2: V. "The Rivulet" Leggiero. Poco meno mosso
13. The Calendar of Nature Op. 17, No. 2: VI. "Sunset" Moderato
14. The Calendar of Nature Op. 17, No. 2: VII. "A Sparkling Drop" Moderato cantabile
15. The Calendar of Nature Op. 17, No. 2: VIII. "Bunny" Moderato sostenuto
16. The Calendar of Nature Op. 17, No. 2: IX. "The Wasps Feel Cold" Andante cantabile
17. The Calendar of Nature Op. 17, No. 2: X. "Fox Hunting" Allegro molto. Poco meno moso
18. Violin Sonata No. 1 Op. 27: I. Allegro
19. Violin Sonata No. 1 Op. 27: II. Andante sostenuto
20. Violin Sonata No. 1 Op. 27: III. Allegro moderato
21. Violin Sonata No. 2 Op. 51: I. Allegro
22. Violin Sonata No. 2 Op. 51: II. Lento
23. Violin Sonata No. 2 Op. 51: III. Allegro
24. Violin Sonata No. 3 Op. 57: Sostenuto-Poco più mosso-Tempo I-Poco più mosso-Molto risoluto-Con moto-Meno mosso-Poco meno mosso-Tempo I-Sostenuto
Oliver Triendl: My first encounter with the instrumental music of Grigory Samuilovich Frid (1915-2012) occurred around fifteen years ago. It was at this time that Hans-Ulrich Duffek, the former director of the Sikorski music publishing company, showed me the scores of some chamber-music and orchestral works by this almost entirely unknown composer. My enthusiasm for Frid’s music came to the attention of Stefan Lang – the editor at the culture-oriented German radio station Deutschlandfunk Kultur to whom the musical world owes many important discoveries – so that the two of us were able to set up plans also for the recording of certain of the works of this long-neglected composer.
Frid’s works for violin and piano allow us to trace the composer’s stylistic development over a period of some twenty-five years. Thus, whereas his earlier work is to be situated in the tradition of Shostakovich, his later compositions are stylistically much closer to the work of Edison Denisov, Sofia Gubaidulina and Alfred Schnittke. “Dark”, “autumnal”, “ruminative”, “sarcastic” – it is such notions as these that first occur to me as I listen to Frid’s music.
Isabelle van Keulen: In summer 2019, Oliver had managed to get together quite a few scores of Frid’s music for violin and piano and we organised a “read-through” session, in which we both were reduced to tears several times by the sheer strength and diversity of this incredible music…. Both the violin sonatas and pieces but also the viola pieces – that will be released in an upcoming disc - bear witness to a deeply sensitive, profoundly sad composer; music with sometimes unbearably long lines and huge tension, only to then lighten up again.
Year 2023 | Classical | FLAC / APE
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