Helene Schmitt - Nicola Matteis: Ayrs for the Violin (2009) CD-Rip
BAND/ARTIST: Helene Schmitt
- Title: Nicola Matteis: Ayrs for the Violin
- Year Of Release: 2009
- Label: Alpha
- Genre: Classical
- Quality: FLAC (image+.cue,log,scans)
- Total Time: 01:14:28
- Total Size: 440 Mb
- WebSite: Album Preview
Tracklist:
Suite en La:
1. I. Allemanda presto 2:11
2. II. Aria con divisioni, allegro 2:56
3. III. Courante 2:20
4. IV. Fuga, prestissimo 1:01
5. V. Sarabanda amorosa, adagio 2:42
Suite en Do:
6. I. Adagio 1:55
7. II. Gavotte a cembalo solo de John Banister, extraite de Melothesia, London, 1673 0:28
8. III. Jigg, prestissimo 1:24
9. IV. Aria con divisioni 1:27
10. V. Diverse bizzarie sopra la vecchia Sarabanda o pur Ciaccona 5:51
Suite en Mi:
11. I. Preludio semplice, adagio 2:19
12. II. Passagio a solo e adagio 2:46
13. III. Giga allegro 0:40
14. IV. Sarabanda con affetto 2:05
15. V. Fuga à due corde 1:44
16. VI. Prestissimo 0:51
17. VII. Ground 4:39
Suite en La:
18. I. Andamento adagio 2:05
19. II. Passaggio rotto, Andamento veloce e Fantasia a violino solo senza basso 5:33
20. III. Minuetto con sua divisione, Allegro 2:46
21. IV. Gigg a cembalo solo de John Banister, extrait de Melothesia, London, 1673 0:44
22. V. Scaramuccia prestissimo 1:44
Suite en Ré:
23. I. Improvisation en forme de prélude par Jörg-Andreas Bötticher, Grave 3:06
24. II. Aria di sarabanda fatta a chitarra sola 2:14
25. III. Sarabanda, adagio 2:34
26. IV. Andamento presto e con affetto 1:49
27. V. Preludio in delasolre terza maggiore 1:42
28. VI. Giga 1:28
Suite en Sol:
29. I. Gavotta con divisioni fatta a chitarra sola e cembalo, senza violino 2:02
30. II. Ricercata 2:16
31. III. Corrente da piedi 0:47
32. IV. Adagio 1:31
33. V. Burlesca 1:15
34. VI. Corrente da orecchie 1:39
35. VII. Prelude by Mister Henry Purcell, a violino solo 1:54
Performers:
Gaetano Nasillo - Cello
Helene Schmitt - Violin
Eric Bellocq - Guitar, Theorbo
Jorg-Andreas Botticher - Harpsichord, Organ
Suite en La:
1. I. Allemanda presto 2:11
2. II. Aria con divisioni, allegro 2:56
3. III. Courante 2:20
4. IV. Fuga, prestissimo 1:01
5. V. Sarabanda amorosa, adagio 2:42
Suite en Do:
6. I. Adagio 1:55
7. II. Gavotte a cembalo solo de John Banister, extraite de Melothesia, London, 1673 0:28
8. III. Jigg, prestissimo 1:24
9. IV. Aria con divisioni 1:27
10. V. Diverse bizzarie sopra la vecchia Sarabanda o pur Ciaccona 5:51
Suite en Mi:
11. I. Preludio semplice, adagio 2:19
12. II. Passagio a solo e adagio 2:46
13. III. Giga allegro 0:40
14. IV. Sarabanda con affetto 2:05
15. V. Fuga à due corde 1:44
16. VI. Prestissimo 0:51
17. VII. Ground 4:39
Suite en La:
18. I. Andamento adagio 2:05
19. II. Passaggio rotto, Andamento veloce e Fantasia a violino solo senza basso 5:33
20. III. Minuetto con sua divisione, Allegro 2:46
21. IV. Gigg a cembalo solo de John Banister, extrait de Melothesia, London, 1673 0:44
22. V. Scaramuccia prestissimo 1:44
Suite en Ré:
23. I. Improvisation en forme de prélude par Jörg-Andreas Bötticher, Grave 3:06
24. II. Aria di sarabanda fatta a chitarra sola 2:14
25. III. Sarabanda, adagio 2:34
26. IV. Andamento presto e con affetto 1:49
27. V. Preludio in delasolre terza maggiore 1:42
28. VI. Giga 1:28
Suite en Sol:
29. I. Gavotta con divisioni fatta a chitarra sola e cembalo, senza violino 2:02
30. II. Ricercata 2:16
31. III. Corrente da piedi 0:47
32. IV. Adagio 1:31
33. V. Burlesca 1:15
34. VI. Corrente da orecchie 1:39
35. VII. Prelude by Mister Henry Purcell, a violino solo 1:54
Performers:
Gaetano Nasillo - Cello
Helene Schmitt - Violin
Eric Bellocq - Guitar, Theorbo
Jorg-Andreas Botticher - Harpsichord, Organ
At the end of the 17th century, the violin is on the point of achieving artistic supremacy all over Europe. England remains the last stronghold of the viola, the quintessential aristocratic instrument, carrying the values of nobility and emotion which music is supposed to incarnate and taking at the time French style as a model. It was a musician hailing from Naples who was to introduce London to the delights of the violin and the spice of Italian music, for which the British would become passionate. We ignore almost everything about this Nicola Matteis, except that he « polished and refined English ears and made them fit and eager for the sonatas » (Charles Burney).
It is therefore an essential link in the history of English baroque music, which Hélène Schmitt and her partners lead us to discover for the first time, in a recording marked by exuberant joy.
It is therefore an essential link in the history of English baroque music, which Hélène Schmitt and her partners lead us to discover for the first time, in a recording marked by exuberant joy.
Classical | FLAC / APE | CD-Rip
As a ISRA.CLOUD's PREMIUM member you will have the following benefits:
- Unlimited high speed downloads
- Download directly without waiting time
- Unlimited parallel downloads
- Support for download accelerators
- No advertising
- Resume broken downloads