Els Janssens-Vanmunster, Michael Feyfar, Michael Form, Les Flamboyants - Le Maître de "Fricassée" (2011)
BAND/ARTIST: Els Janssens-Vanmunster, Michael Feyfar, Michael Form, Les Flamboyants
- Title: Le Maître de "Fricassée"
- Year Of Release: 2011
- Label: Christophorus
- Genre: Classical
- Quality: flac lossless (tracks) +Booklet
- Total Time: 01:02:14
- Total Size: 304 mb
- WebSite: Album Preview
Tracklist
01. L'homme arme [15th Century]
02. L'homme arme a 4
03. Il est de bonne heure ne L'homme arme a 4
04. Tant que nostre argent dura a 4
05. Amours fait moult tant Il est de bonne heure ne Tant que nostre argent dura a 4
06. Tan bien mi son pensada a 4
07. Pour passer temps Plus ne chasceray sans gans a 4
08. Questa se chiama a 4
09. Jay biens nori a 3
10. Helas quel e a mon gre [Paris, Bibliotheque Nationale]
11. Helas qu'il est a mon gre a 4
12. Fortuna d'un gran tempo (reconstructed by M. Form)
13. Fortuna d'un gran tempo
14. Fortuna d'un gran tempo
15. Fortuna d'un gran tempo a 4
16. Franc coeur, qu'as tu Fortuna a 5
17. De tous biens plaine a 3 and a 4
18. De tous biens plaine a 4
19. Je cuide se ce temps a 3
20. Je cuide De tous biens plaine a 4
21. Tmeskin was jonk a 3 and a 4
22. J'ai pris amours a 3 [Paris, Bibliotheque Nationale]
23. J'ay pris amours a 4
24. J'ay pris amours a 4
25. J'ay pris amours tout au rebours a 4
26. Amours, amours a 4
27. Nenciozza mia a 4
28. Prestes le moy a 4
29. Vray dieu d'amours Sancte Iohanes baptista Ora pro nobis a 5
30. Si congie prens
31. Si congie prens
32. Se congie pris a 4
33. Se congie pris a 4 [16th Century]
34. Se congie prens a 4
Jean Japart remains one of the great unknowns of the Franco-Flemish school of the late 15th century, despite the fact that his music contains unexpected turns, daring harmony and bold movement structures. All that we know about Japart’s life is that he was employed for a certain period (1447-1480?) at the court in Ferrara. He must have been well-known during his lifetime as the great Josquin de Prez honours him in a personal motet lamenting his death. What is more, the famous Venetian printer Ottaviano Petrucci includes the extravagant total of 23 pieces (!) by Japart in his collections of music by the best-known composers in Europe of the time. Japart’s extraordinary contrapuntal skills are displayed in elaborate quodlibets (Fr. fricassées), in which several existing and mostly well-known melodies are skilfully combined, forming a musical Gordian knot. Another of his specialities is the enigma canon, a form which he carries to extremes in his eccentric constructions. In this recording, the ensemble Les Flamboyants directed by the recorder player Michael Form present (almost) the complete works of this master interspersed by a number of comparative works by other contemporary masters such as Josquin, Obrecht and Busnoys.
01. L'homme arme [15th Century]
02. L'homme arme a 4
03. Il est de bonne heure ne L'homme arme a 4
04. Tant que nostre argent dura a 4
05. Amours fait moult tant Il est de bonne heure ne Tant que nostre argent dura a 4
06. Tan bien mi son pensada a 4
07. Pour passer temps Plus ne chasceray sans gans a 4
08. Questa se chiama a 4
09. Jay biens nori a 3
10. Helas quel e a mon gre [Paris, Bibliotheque Nationale]
11. Helas qu'il est a mon gre a 4
12. Fortuna d'un gran tempo (reconstructed by M. Form)
13. Fortuna d'un gran tempo
14. Fortuna d'un gran tempo
15. Fortuna d'un gran tempo a 4
16. Franc coeur, qu'as tu Fortuna a 5
17. De tous biens plaine a 3 and a 4
18. De tous biens plaine a 4
19. Je cuide se ce temps a 3
20. Je cuide De tous biens plaine a 4
21. Tmeskin was jonk a 3 and a 4
22. J'ai pris amours a 3 [Paris, Bibliotheque Nationale]
23. J'ay pris amours a 4
24. J'ay pris amours a 4
25. J'ay pris amours tout au rebours a 4
26. Amours, amours a 4
27. Nenciozza mia a 4
28. Prestes le moy a 4
29. Vray dieu d'amours Sancte Iohanes baptista Ora pro nobis a 5
30. Si congie prens
31. Si congie prens
32. Se congie pris a 4
33. Se congie pris a 4 [16th Century]
34. Se congie prens a 4
Jean Japart remains one of the great unknowns of the Franco-Flemish school of the late 15th century, despite the fact that his music contains unexpected turns, daring harmony and bold movement structures. All that we know about Japart’s life is that he was employed for a certain period (1447-1480?) at the court in Ferrara. He must have been well-known during his lifetime as the great Josquin de Prez honours him in a personal motet lamenting his death. What is more, the famous Venetian printer Ottaviano Petrucci includes the extravagant total of 23 pieces (!) by Japart in his collections of music by the best-known composers in Europe of the time. Japart’s extraordinary contrapuntal skills are displayed in elaborate quodlibets (Fr. fricassées), in which several existing and mostly well-known melodies are skilfully combined, forming a musical Gordian knot. Another of his specialities is the enigma canon, a form which he carries to extremes in his eccentric constructions. In this recording, the ensemble Les Flamboyants directed by the recorder player Michael Form present (almost) the complete works of this master interspersed by a number of comparative works by other contemporary masters such as Josquin, Obrecht and Busnoys.
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