Michael Form, Marie Rouquié, Étienne Floutier & Dirk Börner - Speculation on J.S. Bach (2018)
BAND/ARTIST: Michael Form, Marie Rouquié, Étienne Floutier, Dirk Börner
- Title: Speculation on J.S. Bach
- Year Of Release: 2018
- Label: Pan Classics
- Genre: Classical, Chamber Music
- Quality: flac lossless +Booklet
- Total Time: 01:10:55
- Total Size: 409 mb
- WebSite: Album Preview
Tracklist
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01. Flute Sonata in A Major, BWV 1032 (Reconstructed by M. Form): I. Vivace
02. Flute Sonata in A Major, BWV 1032 (Reconstructed by M. Form): II. Affettuoso
03. Flute Sonata in A Major, BWV 1032 (Reconstructed by M. Form): III. Allegro
04. Das Orgelbuchlein: O Mensch, bewein' dein Sünde groß, BWV 622 (Arr. for Chamber Ensemble)
05. 6 Schubler Chorales: Kommst du nun, Jesu, vom Himmel herunter, BWV 650 (Arr. for Chamber Ensemble)
06. Viola da gamba Sonata in D Major, BWV 1028 (Reconstructed by M. Form): I. Adagio
07. Viola da gamba Sonata in D Major, BWV 1028 (Reconstructed by M. Form): II. Allegro
08. Viola da gamba Sonata in D Major, BWV 1028 (Reconstructed by M. Form): III. Andante
09. Viola da gamba Sonata in D Major, BWV 1028 (Reconstructed by M. Form): IV. Allegro
10. Choralbearbeitung über Jesu meine Freude (After J.S. Bach's BWV 794)
11. Das Orgelbuchlein: Wenn wir in höchsten Nöthen sein, BWV 641 (Arr. for Chamber Ensemble)
12. Largo & Allegro, BWV Anh. 111: Largo (Arr. for Chamber Ensemble)
13. 18 Chorales "Leipziger": Herr Jesu Christ, dich zu uns wend, BWV 655 (Arr. for Chamber Ensemble)
14. Trio in G Minor, BWV 584 (Arr. for Chamber Ensemble)
15. Allein Gott in der Höh sei Ehr, BWV 676 (Arr. for Chamber Ensemble)
16. Das Orgelbüchlein: Ich ruf' zu dir, Herr Jesu Christ, BWV 639 (Arr. for Chamber Ensemble)
17. 18 Chorales "Leipziger": An Wasserflüssen Babylon, BWV 653 (Arr. for Chamber Ensemble)
18. Choralbearbeitung über Wer nur den lieben Gott lässt walten (After J.S. Bach's BWV 797)
19. Prelude & Fugue in E Minor, BWV 548 "Wedge": Prelude (Arr. for Chamber Ensemble)
20. The Well-tempered Clavier, Book 2: Prelude in G Minor, BWV 885 (Arr. for Chamber Ensemble)
21. Prelude & Fugue in E Minor, BWV 548 "Wedge": Fugue (Arr. for Chamber Ensemble)
Johann Sebastian Bach’s chamber music was in constant transition. His few surviving trio sonatas, for the traditional combination of two melody instruments and continuo, likely date from his years in Weimar and Köthen. Bach revisited some of these works in Leipzig, reworking them for concerts at Zimmerman’s coffee house into sonatas for a melody instrument with harpsichord obbligato. Unfortunately, few of these manuscripts survive, leaving us with only later arrangements as rough clues to their original form and instrumentation. Prominent Bach scholars agree that Bach, just as Handel and Telemann, must have made a major contribution to the main genre of 18th century chamber music. In view of this evaluation, there is a particularly unfortunate gap in the catalogue of the Thomaskantor’s works. Our program was conceived as an approximation of some of these lost trio sonatas.
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01. Flute Sonata in A Major, BWV 1032 (Reconstructed by M. Form): I. Vivace
02. Flute Sonata in A Major, BWV 1032 (Reconstructed by M. Form): II. Affettuoso
03. Flute Sonata in A Major, BWV 1032 (Reconstructed by M. Form): III. Allegro
04. Das Orgelbuchlein: O Mensch, bewein' dein Sünde groß, BWV 622 (Arr. for Chamber Ensemble)
05. 6 Schubler Chorales: Kommst du nun, Jesu, vom Himmel herunter, BWV 650 (Arr. for Chamber Ensemble)
06. Viola da gamba Sonata in D Major, BWV 1028 (Reconstructed by M. Form): I. Adagio
07. Viola da gamba Sonata in D Major, BWV 1028 (Reconstructed by M. Form): II. Allegro
08. Viola da gamba Sonata in D Major, BWV 1028 (Reconstructed by M. Form): III. Andante
09. Viola da gamba Sonata in D Major, BWV 1028 (Reconstructed by M. Form): IV. Allegro
10. Choralbearbeitung über Jesu meine Freude (After J.S. Bach's BWV 794)
11. Das Orgelbuchlein: Wenn wir in höchsten Nöthen sein, BWV 641 (Arr. for Chamber Ensemble)
12. Largo & Allegro, BWV Anh. 111: Largo (Arr. for Chamber Ensemble)
13. 18 Chorales "Leipziger": Herr Jesu Christ, dich zu uns wend, BWV 655 (Arr. for Chamber Ensemble)
14. Trio in G Minor, BWV 584 (Arr. for Chamber Ensemble)
15. Allein Gott in der Höh sei Ehr, BWV 676 (Arr. for Chamber Ensemble)
16. Das Orgelbüchlein: Ich ruf' zu dir, Herr Jesu Christ, BWV 639 (Arr. for Chamber Ensemble)
17. 18 Chorales "Leipziger": An Wasserflüssen Babylon, BWV 653 (Arr. for Chamber Ensemble)
18. Choralbearbeitung über Wer nur den lieben Gott lässt walten (After J.S. Bach's BWV 797)
19. Prelude & Fugue in E Minor, BWV 548 "Wedge": Prelude (Arr. for Chamber Ensemble)
20. The Well-tempered Clavier, Book 2: Prelude in G Minor, BWV 885 (Arr. for Chamber Ensemble)
21. Prelude & Fugue in E Minor, BWV 548 "Wedge": Fugue (Arr. for Chamber Ensemble)
Johann Sebastian Bach’s chamber music was in constant transition. His few surviving trio sonatas, for the traditional combination of two melody instruments and continuo, likely date from his years in Weimar and Köthen. Bach revisited some of these works in Leipzig, reworking them for concerts at Zimmerman’s coffee house into sonatas for a melody instrument with harpsichord obbligato. Unfortunately, few of these manuscripts survive, leaving us with only later arrangements as rough clues to their original form and instrumentation. Prominent Bach scholars agree that Bach, just as Handel and Telemann, must have made a major contribution to the main genre of 18th century chamber music. In view of this evaluation, there is a particularly unfortunate gap in the catalogue of the Thomaskantor’s works. Our program was conceived as an approximation of some of these lost trio sonatas.
Year 2018 | Classical | FLAC / APE
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