Joanna Trzeciak - Dreams (2018)
BAND/ARTIST: Joanna Trzeciak
- Title: Dreams
- Year Of Release: 2018
- Label: DUX
- Genre: Classical, Piano
- Quality: flac lossless +Booklet
- Total Time: 01:02:24
- Total Size: 205 mb
- WebSite: Album Preview
Tracklist
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01. Visions Fugitives, Op. 22: I. Lentamente
02. Visions Fugitives, Op. 22: II. Andante
03. Visions Fugitives, Op. 22: III. Allegretto
04. Visions Fugitives, Op. 22: IV. Animato
05. Visions Fugitives, Op. 22: V. Molto giocoso
06. Visions Fugitives, Op. 22: VI. Con eleganza
07. Visions Fugitives, Op. 22: VII. Pittoresco
08. Visions Fugitives, Op. 22: VIII. Commodo
09. Visions Fugitives, Op. 22: IX. Allegretto tranquillo
10. Visions Fugitives, Op. 22: X. Ridicolosamente
11. Visions Fugitives, Op. 22: XI. Con vivacità
12. Visions Fugitives, Op. 22: XII. Assai moderato
13. Visions Fugitives, Op. 22: XIII. Allegretto
14. Visions Fugitives, Op. 22: XIV. Feroce
15. Visions Fugitives, Op. 22: XV. Inquieto
16. Visions Fugitives, Op. 22: XVI. Dolente
17. Visions Fugitives, Op. 22: XVII. Poetico
18. Visions Fugitives, Op. 22: XVIII. Con una dolce lentezza
19. Visions Fugitives, Op. 22: XIX. Presto agitatissimo e molto accentuato
20. Visions Fugitives, Op. 22: XX. Lento irrealmente
21. Traume am Kamin, Op. 143: No. 2. Con moto
22. Traume am Kamin, Op. 143: No. 3. Molto adagio
23. Traume am Kamin, Op. 143: No. 7. Molto sostenuto
24. 3 Masques, Op. 34: No. 1. Szecherezada (Scheherezade)
25. 3 Masques, Op. 34: No. 2. Blazen Tantris (Tantris the Clown)
26. 3 Masques, Op. 34: No. 3. Serenada Don Juana (Don Juan's Serenade)
The songs presented on this album combine the time of their creation- they were composed around 1915- and their common theme- the world of dreams and fantasies- to create a stunning program. The similarities, however, do not end there, although it is a stylistically and formally diverse repertoire. All compositions were created as an expression of prevailing aesthetic tendencies, sometimes representing their more significant trends, sometimes remaining somewhat off the beaten path. They are a testimony to the unusual turmoil present in Europe at the beginning of the First World War and huge changes-cultural and social. The original, often controversially constructed repertoire of recitals, is one of the characteristics of Joanna Trzeciak- a Polish pianist living in Belgium and educated in Krakow, Warsaw, and Moscow. These contrasts, however, are never accidental, and the goal of a somewhat surprising design is not banally shocking to the listener.
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01. Visions Fugitives, Op. 22: I. Lentamente
02. Visions Fugitives, Op. 22: II. Andante
03. Visions Fugitives, Op. 22: III. Allegretto
04. Visions Fugitives, Op. 22: IV. Animato
05. Visions Fugitives, Op. 22: V. Molto giocoso
06. Visions Fugitives, Op. 22: VI. Con eleganza
07. Visions Fugitives, Op. 22: VII. Pittoresco
08. Visions Fugitives, Op. 22: VIII. Commodo
09. Visions Fugitives, Op. 22: IX. Allegretto tranquillo
10. Visions Fugitives, Op. 22: X. Ridicolosamente
11. Visions Fugitives, Op. 22: XI. Con vivacità
12. Visions Fugitives, Op. 22: XII. Assai moderato
13. Visions Fugitives, Op. 22: XIII. Allegretto
14. Visions Fugitives, Op. 22: XIV. Feroce
15. Visions Fugitives, Op. 22: XV. Inquieto
16. Visions Fugitives, Op. 22: XVI. Dolente
17. Visions Fugitives, Op. 22: XVII. Poetico
18. Visions Fugitives, Op. 22: XVIII. Con una dolce lentezza
19. Visions Fugitives, Op. 22: XIX. Presto agitatissimo e molto accentuato
20. Visions Fugitives, Op. 22: XX. Lento irrealmente
21. Traume am Kamin, Op. 143: No. 2. Con moto
22. Traume am Kamin, Op. 143: No. 3. Molto adagio
23. Traume am Kamin, Op. 143: No. 7. Molto sostenuto
24. 3 Masques, Op. 34: No. 1. Szecherezada (Scheherezade)
25. 3 Masques, Op. 34: No. 2. Blazen Tantris (Tantris the Clown)
26. 3 Masques, Op. 34: No. 3. Serenada Don Juana (Don Juan's Serenade)
The songs presented on this album combine the time of their creation- they were composed around 1915- and their common theme- the world of dreams and fantasies- to create a stunning program. The similarities, however, do not end there, although it is a stylistically and formally diverse repertoire. All compositions were created as an expression of prevailing aesthetic tendencies, sometimes representing their more significant trends, sometimes remaining somewhat off the beaten path. They are a testimony to the unusual turmoil present in Europe at the beginning of the First World War and huge changes-cultural and social. The original, often controversially constructed repertoire of recitals, is one of the characteristics of Joanna Trzeciak- a Polish pianist living in Belgium and educated in Krakow, Warsaw, and Moscow. These contrasts, however, are never accidental, and the goal of a somewhat surprising design is not banally shocking to the listener.
Year 2018 | Classical | FLAC / APE
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