Peter Dickinson - Peter Dickinson: Piano Music (2011)
BAND/ARTIST: Peter Dickinson
- Title: Peter Dickinson: Piano Music
- Year Of Release: 2011
- Label: Naxos
- Genre: Classical Piano
- Quality: flac lossless (tracks) +Booklet
- Total Time: 01:18:36
- Total Size: 237 mb
- WebSite: Album Preview
Tracklist
01. Wild Rose Rag
02. Blue Rose
03. Paraphrase 2: Theme: quarter note = 80 or less
04. Paraphrase 2: Variation 1: quarter note = 120-132
05. Paraphrase 2: Variation 2: quarter note = 50
06. Paraphrase 2: Variation 3: quarter note = 120
07. Paraphrase 2: Variation 4: quarter note = 104-120
08. Paraphrase 2: Variation 5: quartet note = 54
09. Paraphrase 2: Variation 6: quarter note = 120-132
10. Concerto Rag
11. Quartet Rag
12. Vitalitas Variations: Theme: Con moto
13. Vitalitas Variations: Variation 1: Andante
14. Vitalitas Variations: Variation 2: Allegretto
15. Vitalitas Variations: Variation 3: Lento
16. Vitalitas Variations: Variation 4: Moderato
17. Vitalitas Variations: Variation 5: Andante
18. Vitalitas Variations: Variation 6: Lento
19. Vitalitas Variations: Variation 7: Vivace - Quasi lento - Allegro
20. Satie Transformations: No. 1. —
21. Satie Transformations: No. 2. —
22. Satie Transformations: No. 3. —
23. Bach in Blue
24. Hymn-Tune Rag
25. Patriotic Rag
26. Piano Blues: No. 1. Extremely slow and quiet
27. Piano Blues: No. 2. Very slow and intense
28. Piano Blues: No. 3. Very slow and intimate
29. Piano Blues: No. 4. Slow and sustained
30. 5 Diversions: No. 1. Amiable
31. 5 Diversions: No. 2. Lyrical
32. 5 Diversions: No. 3. Gently jazzy
33. 5 Diversions: No. 4. Quiet and dreamy
34. 5 Diversions: No. 5. Lively and brash
This eccentric and often amusing collection contains Peter Dickinson’s rags, blues and take-offs in first recordings of all but one of the works. It supplements two other Naxos releases by the British composer, writer and pianist: Complete Solo Organ Works (8572169) and Apocalypse- Larkin-Forgeries (8572287). The rags are in the notated tradition of classical ragtime. Christopher Palmer said about Dickinson’s music, ‘Conflicts, juxtapositions, attempted syntheses – his work is full of them, all shook-up, all mixed up, all jazzed-up… yet always keenly imagined and meticulously reasoned and realised’. Dickinson has been hailed by Gramophone as ‘a composer who has escaped the confines of the predictable without ever ceasing to communicate’.
01. Wild Rose Rag
02. Blue Rose
03. Paraphrase 2: Theme: quarter note = 80 or less
04. Paraphrase 2: Variation 1: quarter note = 120-132
05. Paraphrase 2: Variation 2: quarter note = 50
06. Paraphrase 2: Variation 3: quarter note = 120
07. Paraphrase 2: Variation 4: quarter note = 104-120
08. Paraphrase 2: Variation 5: quartet note = 54
09. Paraphrase 2: Variation 6: quarter note = 120-132
10. Concerto Rag
11. Quartet Rag
12. Vitalitas Variations: Theme: Con moto
13. Vitalitas Variations: Variation 1: Andante
14. Vitalitas Variations: Variation 2: Allegretto
15. Vitalitas Variations: Variation 3: Lento
16. Vitalitas Variations: Variation 4: Moderato
17. Vitalitas Variations: Variation 5: Andante
18. Vitalitas Variations: Variation 6: Lento
19. Vitalitas Variations: Variation 7: Vivace - Quasi lento - Allegro
20. Satie Transformations: No. 1. —
21. Satie Transformations: No. 2. —
22. Satie Transformations: No. 3. —
23. Bach in Blue
24. Hymn-Tune Rag
25. Patriotic Rag
26. Piano Blues: No. 1. Extremely slow and quiet
27. Piano Blues: No. 2. Very slow and intense
28. Piano Blues: No. 3. Very slow and intimate
29. Piano Blues: No. 4. Slow and sustained
30. 5 Diversions: No. 1. Amiable
31. 5 Diversions: No. 2. Lyrical
32. 5 Diversions: No. 3. Gently jazzy
33. 5 Diversions: No. 4. Quiet and dreamy
34. 5 Diversions: No. 5. Lively and brash
This eccentric and often amusing collection contains Peter Dickinson’s rags, blues and take-offs in first recordings of all but one of the works. It supplements two other Naxos releases by the British composer, writer and pianist: Complete Solo Organ Works (8572169) and Apocalypse- Larkin-Forgeries (8572287). The rags are in the notated tradition of classical ragtime. Christopher Palmer said about Dickinson’s music, ‘Conflicts, juxtapositions, attempted syntheses – his work is full of them, all shook-up, all mixed up, all jazzed-up… yet always keenly imagined and meticulously reasoned and realised’. Dickinson has been hailed by Gramophone as ‘a composer who has escaped the confines of the predictable without ever ceasing to communicate’.
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