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Chamber Orchestra of New York, Laura Marzadori, Salvatore di Vittorio - Respighi: Violin Concerto in A major (2011)

Chamber Orchestra of New York, Laura Marzadori, Salvatore di Vittorio - Respighi: Violin Concerto in A major (2011)
  • Title: Respighi: Violin Concerto in A major
  • Year Of Release: 2011
  • Label: Naxos
  • Genre: Classical
  • Quality: flac lossless (tracks) +Booklet
  • Total Time: 01:17:18
  • Total Size: 335 mb
  • WebSite:
Tracklist

01. Aria in G major, P. 32 (transcribed S. Di Vittorio)
02. Violin Concerto in A major, P. 49 (completed S. Di Vittorio): I. Allegro energetico
03. Violin Concerto in A major, P. 49 (completed S. Di Vittorio): II. Molto lento - Agitato - Tranquillo
04. Violin Concerto in A major, P. 49 (completed S. Di Vittorio): III. Allegro rondo
05. Suite for Strings, P. 41 (revised S. Di Vittorio): I. Ciaccona
06. Suite for Strings, P. 41 (revised S. Di Vittorio): II. Siciliana
07. Suite for Strings, P. 41 (revised S. Di Vittorio): III. Giga
08. Suite for Strings, P. 41 (revised S. Di Vittorio): IV. Sarabanda
09. Suite for Strings, P. 41 (revised S. Di Vittorio): V. Burlesca
10. Suite for Strings, P. 41 (revised S. Di Vittorio): VI. Rigaudon
11. Rossiniana, P. 148: I. Capri e Taormina
12. Rossiniana, P. 148: II. Lamento
13. Rossiniana, P. 148: III. Intermezzo
14. Rossiniana, P. 148: IV. Tarantella, "Puro Sangue"

Although Respighi’s reputation rests on the justly celebrated trilogy of Roman tone poems, he also wrote a number of distinguished works in other forms. His unfinished First Violin Concerto in A major (1903) was recently revised and completed by composer/conductor Salvatore Di Vittorio, who directed its première in 2010.

This is the world premiere recording of the Violin Concerto, performed by the young Italian violinist Laura Marzadori. Harking back to the masterful writing of Vivaldi and Mendelssohn, the Concerto also foreshadows the orchestral technicolour of the great Italian composer’s ‘Roman Trilogy’.

The lyrical Aria and graceful Suite, newly transcribed by Di Vittorio, embody Respighi’s abiding love of Baroque music, while Rossiniana is a delightful reworking of Rossini’s piano music, Les riens (Trifles), much enhanced by Respighi’s contribution of new melodies and innovative orchestration.



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