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Rudolf Buchbinder - Beethoven - Diabelli Variations; Sonatas (2023)

Rudolf Buchbinder - Beethoven - Diabelli Variations; Sonatas (2023)

BAND/ARTIST: Rudolf Buchbinder

  • Title: Beethoven - Diabelli Variations; Sonatas
  • Year Of Release: 2023
  • Label: UMG Recordings, Inc.
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 10:48:11
  • Total Size: 2.15 GB
  • WebSite:
Tracklist:

01. Tema. Vivace
02. Var. 1. Alla marcia maestoso
03. Var. 2. Poco allegro
04. Var. 3. L’istesso tempo
05. Var. 4. Un poco più vivace
06. Var. 5. Allegro vivace
07. Var. 6. Allegro ma non troppo e serioso
08. Var. 7. Un poco più allegro
09. Var. 8. Poco vivace
10. Var. 9. Allegro pesante e risoluto
11. Var. 10. Presto
12. Var. 11. Allegretto
13. Var. 12. Un poco più moto
14. Var. 13. Vivace
15. Var. 14. Grave e maestoso
16. Var. 15. Presto scherzando
17. Var. 16. Allegro
18. Var. 17. Allegro
19. Var. 18. Poco moderato
20. Var. 19. Presto
21. Var. 20. Andante
22. Var. 21. Allegro con brio. Meno allegro
23. Var. 22. Allegro molto, alla ‘Notte e giorno faticar’ di Mozart
24. Var. 23. Allegro assai
25. Var. 24. Fughetta. Andante
26. Var. 25. Allegro
27. Var. 26. Piacevole
28. Var. 27. Vivace
29. Var. 28. Allegro
30. Var. 29. Adagio ma non troppo
31. Var. 30. Andante, sempre cantabile
32. Var. 31. Largo, molto espressivo
33. Var. 32. Fugue. Allegro
34. Var. 33. Tempo di Minuet moderato
35. Thema. Adagio
36. Variation I
37. Variation II. Allegro ma non troppo
38. Variation III. Allegretto
39. Variation IV. Tempo di menuetto
40. Variation V. Marcia. Allegretto
41. Variation VI. Coda. Allegretto
42. I. Allegro
43. II. Adagio
44. III. Menuetto. Allegretto
45. IV. Prestissimo
46. I. Allegro vivace
47. II. Largo appassionato
48. III. Scherzo (Allegretto)
49. IV. Rondo (Grazioso)
50. I. Allegro con brio
51. II. Adagio
52. III. Scherzo (Allegro)
53. IV. Allegro assai
54. I. Allegro molto e con brio
55. II. Largo, con gran espressione
56. III. Allegro - Trio
57. IV. Rondo. Poco allegretto e grazioso
58. I. Allegro molto e con brio
59. II. Adagio molto
60. III. Finale (Prestissimo)
61. I. Allegro
62. II. Allegretto
63. III. Presto
64. I. Presto
65. II. Largo e mesto
66. III. Menuetto. Allegro
67. IV. Rondo. Allegro
68. I. Grave - Allegro di molto e con brio
69. II. Adagio cantabile
70. III. Rondo. Allegro
71. I. Allegro
72. II. Allegretto
73. III. Rondo (Allegro comodo)
74. I. Allegro
75. II. Andante
76. III. Scherzo (Allegro assai)
77. I. Allegro con brio
78. II. Adagio con molto espressione
79. III. Menuetto
80. IV. Rondo (Allegretto)
81. I. Andante con variazioni
82. II. Scherzo (Allegro molto)
83. III. Marcia funebre sulla morte d'un Eroe
84. IV. Allegro
85. I. Andante - Allegro - Tempo I
86. II. Allegro molto e vivace
87. III. Adagio con espressione
88. IV. Allegro vivace - Tempo I - Presto
89. I. Adagio sostenuto
90. II. Allegretto
91. III. Presto agitato
92. I. Allegro
93. II. Andante
94. III. Scherzo. Allegro vivace
95. IV. Rondo. Allegro ma non troppo
96. I. Allegro vivace
97. II. Adagio grazioso
98. III. Rondo (Allegretto)
99. I. Largo - Allegro
100. II. Adagio
101. III. Allegretto
102. I. Allegro
103. II. Scherzo (Allegretto vivace)
104. III. Menuetto (Moderato e grazioso)
105. IV. Presto con fuoco
106. I. Andante
107. II. Rondo. Allegro
108. I. Allegro ma non troppo
109. II. Tempo di Menuetto
110. I. Allegro con brio
111. II. Introduzione. Adagio molto
112. III. Rondo. Allegretto moderato - Prestissimo
113. I. In Tempo d'un Menuetto
114. II. Allegretto
115. I. Allegro assai
116. II. Andante con moto
117. III. Allegro ma non troppo
118. I. Adagio cantabile - Allegro ma non troppo
119. II. Allegro vivace
120. I. Presto alla tedesca
121. II. Andante
122. III. Vivace
123. I. Das Lebewohl. Adagio - Allegro
124. II. Abwesenheit. Andante espressivo
125. III. Das Wiedersehen. Vivacissimamente
126. I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck
127. II. Nicht zu geschwind und sehr singbar vorgetragen
128. I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo
129. II. Lebhaft, marschmäßig. Vivace alla marcia
130. III. Langsam und sehnsuchtsvoll. Adagio ma non troppo, con affetto
131. IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit. Allegro
132. I. Allegro
133. II. Scherzo. Assai vivace
134. III. Adagio sostenuto
135. IV. Largo - Allegro risoluto
136. I. Vivace, ma non troppo - Adagio espressivo - Tempo I
137. II. Prestissimo
138. III. Gesangvoll, mit innigster Empfindung (Andante molto cantabile ed espressivo)
139. I. Moderato cantabile molto espressivo
140. II. Allegro molto
141. III. Adagio ma non troppo - Fuga (Allegro ma non troppo)
142. I. Maestoso - Allegro con brio ed appassionato
143. II. Arietta (Adagio molto semplice e cantabile)

Pianist Rudolf Buchbinder is an important specialist in core Austro-Germanic repertory, bringing precision and taste to music from Haydn to Brahms. He was a pioneering champion of Haydn's keyboard music, recording that composer's complete piano sonatas in the 1970s.

Buchbinder was born in Litomerice, Czechoslovakia, on December 1, 1946, as the region's ethnically German inhabitants were being expelled by order of the Czech government. He grew up in Austria and attended the Vienna Academy of Music, where he studied with Bruno Seidlhofer. Something of a prodigy, Buchbinder took a piano trio prize at the Munich International Festival in 1961 and earned a Dinu Lipatti Medal the following year. Not yet 20, he toured North and South America in 1965. In 1966, he was given a special prize at the Van Cliburn Competition, leading to a tour with the Vienna Philharmonic and a general reputation as a rising young star of the piano. Over the next several decades, he appeared across Europe, the U.S., and Japan, frequently touring with the Vienna Symphony Orchestra and becoming a specialist in core Viennese repertory. In concert, but not on recordings, he has also programmed music of the 20th century. Buchbinder is also a chamber player noted especially for his collaborations with cellist János Starker. In 2007, Buchbinder became the artistic director of Austria's Grafenegg Festival. He was featured in the documentary Pianomania (2009). Buchbinder has remained active in his later years and is the recipient of a host of Austrian regional awards as well as a German ECHO Klassik Award for Instrumentalist of the Year, honoring his 2012 album Beethoven: The Sonata Legacy.

Buchbinder is perhaps best known for his large catalog of recordings, which numbered well over 75 by the late 2010s. His 1970s Haydn recordings have been reissued several times in digital media, even as recordings of this repertory had become much more common. Buchbinder conducted a cycle of Beethoven's piano concertos from the keyboard and recorded a cycle of the Brahms concertos with the Vienna Philharmonic for the Sony Classical label. He made numerous recordings of Mozart, Beethoven, and Schubert for labels that include Teldec, Calig, and Warner Classics, and he has made several recordings of the variations on a waltz by Diabelli that were published at the same time as Beethoven's famous set, Op. 120, as well as those later inspired by the project. Two of these, The Diabelli Project and The New Diabelli, appeared on Deutsche Grammophon in 2020. The septuagenarian Buchbinder also released a recording that year of the Beethoven Piano Concerto No. 1 in C major, Op. 15, with the Berlin Philharmonic and conductor Christian Thielemann. Buchbinder has taught piano at the Basel Academy of Music. © James Manheim


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  • Kolomito
  •  wrote in 13:14
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