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Prague Piano Duo - Wolfgang Amadeus Mozart: Piano Sonatas (2022) [Hi-Res]

Prague Piano Duo - Wolfgang Amadeus Mozart: Piano Sonatas (2022) [Hi-Res]

BAND/ARTIST: Prague Piano Duo

  • Title: Wolfgang Amadeus Mozart: Piano Sonatas
  • Year Of Release: 2022
  • Label: Praga Digitals
  • Genre: Classical
  • Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
  • Total Time: 01:19:10
  • Total Size: 313 mb / 1.07 gb
  • WebSite:
Tracklist

01. Piano Sonata No. 5 in G Major, K. 283/K. 189h, EG 113d (Arr. for 2 Pianos by Edvard Grieg): I. Allegro
02. Piano Sonata No. 5 in G Major, K. 283/K. 189h, EG 113d (Arr. for 2 Pianos by Edvard Grieg): II. Andante
03. Piano Sonata No. 5 in G Major, K. 283/K. 189h, EG 113d (Arr. for 2 Pianos by Edvard Grieg): III. Presto
04. Fantasia in C Minor, K. 475, EG 113b (Arr. for 2 Pianos by Edvard Grieg): Adagio - Allegro - Andantino - Più allegro - Tempo I
05. Piano Sonata No. 14 in C Minor, K. 457, EG 113b (Arr. for 2 Pianos by Edvard Grieg): I. Molto allegro
06. Piano Sonata No. 14 in C Minor, K. 457, EG 113b (Arr. for 2 Pianos by Edvard Grieg): II. Adagio
07. Piano Sonata No. 14 in C Minor, K. 457, EG 113b (Arr. for 2 Pianos by Edvard Grieg): III. Allegro assai
08. Piano Sonata No. 14 in C Minor, K. 457, EG 113b (Arr. for 2 Pianos by Edvard Grieg): I. Allegro in F Major
09. Piano Sonata No. 14 in C Minor, K. 457, EG 113b (Arr. for 2 Pianos by Edvard Grieg): II. Andante in B-Flat Major
10. Piano Sonata No. 14 in C Minor, K. 457, EG 113b (Arr. for 2 Pianos by Edvard Grieg): III. Rondo in F Major, K. 494 (EG 113a)
11. Piano Sonata No. 16 in C Major, K. 545 "For Beginners", EG 113c (Arr. for 2 Pianos by Edvard Grieg): I. Allegro
12. Piano Sonata No. 16 in C Major, K. 545 "For Beginners", EG 113c (Arr. for 2 Pianos by Edvard Grieg): II. Andante
13. Piano Sonata No. 16 in C Major, K. 545 "For Beginners", EG 113c (Arr. for 2 Pianos by Edvard Grieg): III. Rondo (Allegretto)

It was for his friend the poet John Paulsen that Edvard Grieg, himself a virtuoso pianist, wrote a second piano part for four of Mozart’s most famous sonatas, now respecting the purity of their melodic line, now literally ‘orchestrating’ the original text. This curious work was judged at the time as pure vandalism, but Grieg, believing that his ‘recompositions’ had both pedagogical and musical virtues, made a copy which he sent to his publisher in 1877; he would later point out that its modernization “did not change a single one of Mozart’s notes”, but constituted “a way of showing his admiration for an old master”.




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