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Prague Piano Duo - Antonín Dvořák & Pyotr Ilyich Tchaikovsky: Slavonic Serenades (2005) [Hi-Res]

Prague Piano Duo - Antonín Dvořák & Pyotr Ilyich Tchaikovsky: Slavonic Serenades (2005) [Hi-Res]

BAND/ARTIST: Prague Piano Duo

  • Title: Antonín Dvořák & Pyotr Ilyich Tchaikovsky: Slavonic Serenades
  • Year Of Release: 2005/2022
  • Label: Praga Digitals
  • Genre: Classical
  • Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
  • Total Time: 01:16:08
  • Total Size: 276 mb / 1.2 gb
  • WebSite:
Tracklist

01. Serenade in E Major, Op. 22, B. 52: I. Moderato (Arr. for piano Duet)
02. Serenade in E Major, Op. 22, B. 52: II. Tempo di Valse (Arr. for piano Duet)
03. Serenade in E Major, Op. 22, B. 52: III. Scherzo. Vivace (Arr. for piano Duet)
04. Serenade in E Major, Op. 22, B. 52: IV. Larghetto (Arr. for piano Duet)
05. Serenade in E Major, Op. 22, B. 52: V. Finale. Allegro vivace (Arr. for piano Duet)
06. Serenade in D Minor, Op. 44, B. 77: I. Moderato quasi marcia (Arr. for piano Duet)
07. Serenade in D Minor, Op. 44, B. 77: II. Minuetto (Arr. for piano Duet)
08. Serenade in D Minor, Op. 44, B. 77: III. Andante con moto (Arr. for piano Duet)
09. Serenade in D Minor, Op. 44, B. 77: IV. Finale. Allegro molto (Arr. for piano Duet)
10. Serenade in C Major, Op. 48: I. Pezzo en forma di Sonatina (Andante non troppo) [Arr. for piano Duet]
11. Serenade in C Major, Op. 48: II. Walzer (Moderato) [Arr. for piano Duet]
12. Serenade in C Major, Op. 48: III. Elegie (Larghetto elegiaco) [Arr. for piano Duet]
13. Serenade in C Major, Op. 48: IV. Finale. Tema russo (Andante - Allegro con spirito) [Arr. for piano Duet]

Two of the most popular string serenades: Dvořák’s Serenade for Strings is full of melodic ideas and sensual melodiousness in a Bohemian tone. Tchaikovsky's Serenade for Strings is a sumptuous work, a “symphony without winds“ so to speak, and combines rococo elegance with great romantic gesture.

The scores for piano four hands of Dvorak's two Serenades were great publishing successes, as much as the famous Slavonic Dances. On the contrary, Jurgensen did not reach the same issue with his reduction of the Op. 48 by Tchaikovsky. The composer wrote to Jurgensen "I am madly in love with this serenade...", maybe recognising himself in this piece, a summary of his art, a combination of choreographic grace and of atavistic melancholy linked by an imaginary Russian style, everything being purified by the use of a classical model, borrowed from Mozart according to the composer himself.


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