Daniel Barenboim - Barenboim plays Beethoven: Sonatas & Diabelli Variations (2022)
BAND/ARTIST: Daniel Barenboim
- Title: Barenboim plays Beethoven: Sonatas & Diabelli Variations
- Year Of Release: 2022
- Label: UMG Recordings, Inc.
- Genre: Classical
- Quality: FLAC (tracks)
- Total Time: 7:34:20
- Total Size: 1.31 GB
- WebSite: Album Preview
Tracklist:
01. I. Adagio sostenuto
02. II. Allegretto
03. III. Presto agitato
04. 1. Allegro
05. 2. Adagio
06. 3. Menuetto (Allegretto)
07. 4. Prestissimo
08. 1. Grave - Allegro di molto e con brio
09. 2. Adagio cantabile
10. 3. Rondo (Allegro)
11. 1. Allegro assai
12. 2. Andante con moto
13. 3. Allegro ma non troppo
14. Tema. Vivace (Live at Pierre Boulez Saal, Berlin / 2020)
15. Var. 1. Alla marcia maestoso (Live at Pierre Boulez Saal, Berlin / 2020)
16. Var. 2. Poco allegro (Live at Pierre Boulez Saal, Berlin / 2020)
17. Var. 3. L'istesso tempo (Live at Pierre Boulez Saal, Berlin / 2020)
18. Var. 4. Un poco più vivace (Live at Pierre Boulez Saal, Berlin / 2020)
19. Var. 5. Allegro vivace (Live at Pierre Boulez Saal, Berlin / 2020)
20. Var. 6. Allegro ma non troppo e serioso (Live at Pierre Boulez Saal, Berlin / 2020)
21. Var. 7. Un poco più allegro (Live at Pierre Boulez Saal, Berlin / 2020)
22. Var. 8. Poco vivace (Live at Pierre Boulez Saal, Berlin / 2020)
23. Var. 9. Allegro pesante e risoluto (Live at Pierre Boulez Saal, Berlin / 2020)
24. Var. 10. Presto (Live at Pierre Boulez Saal, Berlin / 2020)
25. Var. 11. Allegretto (Live at Pierre Boulez Saal, Berlin / 2020)
26. Var. 12. Un poco più moto (Live at Pierre Boulez Saal, Berlin / 2020)
27. Var. 13. Vivace (Live at Pierre Boulez Saal, Berlin / 2020)
28. Var. 14. Grave e maestoso (Live at Pierre Boulez Saal, Berlin / 2020)
29. Var. 15. Presto scherzando (Live at Pierre Boulez Saal, Berlin / 2020)
30. Var. 16. Allegro (Live at Pierre Boulez Saal, Berlin / 2020)
31. Var. 17. Allegro (Live at Pierre Boulez Saal, Berlin / 2020)
32. Var. 18. Poco moderato (Live at Pierre Boulez Saal, Berlin / 2020)
33. Var. 19. Presto (Live at Pierre Boulez Saal, Berlin / 2020)
34. Var. 20. Andante (Live at Pierre Boulez Saal, Berlin / 2020)
35. Var. 21. Allegro con brio - Meno allegro (Live at Pierre Boulez Saal, Berlin / 2020)
36. Var. 22. Allegro molto, alla "Notte e giorno faticar" di Mozart (Live at Pierre Boulez Saal, Berlin / 2020)
37. Var. 23. Allegro assai (Live at Pierre Boulez Saal, Berlin / 2020)
38. Var. 24. Fughetta. Andante (Live at Pierre Boulez Saal, Berlin / 2020)
39. Var. 25. Allegro (Live at Pierre Boulez Saal, Berlin / 2020)
40. Var. 26. Piacevole (Live at Pierre Boulez Saal, Berlin / 2020)
41. Var. 27. Vivace (Live at Pierre Boulez Saal, Berlin / 2020)
42. Var. 28. Allegro (Live at Pierre Boulez Saal, Berlin / 2020)
43. Var. 29. Adagio ma non troppo (Live at Pierre Boulez Saal, Berlin / 2020)
44. Var. 30. Andante, sempre cantabile (Live at Pierre Boulez Saal, Berlin / 2020)
45. Var. 31. Largo, molto espressivo (Live at Pierre Boulez Saal, Berlin / 2020)
46. Var. 32. Fugue. Allegro (Live at Pierre Boulez Saal, Berlin / 2020)
47. Var. 33. Tempo di Minuet moderato (Live at Pierre Boulez Saal, Berlin / 2020)
48. 2. Rondo (Allegro)
49. 1. Allegro molto e con brio
50. 2. Adagio molto
51. 3. Finale (Prestissimo)
52. 1. Allegro
53. 2. Allegretto
54. 3. Presto
55. 1. Presto
56. 2. Largo e mesto
57. 3. Menuetto (Allegro)
58. 4. Rondo (Allegro)
59. 1. Allegro vivace
60. 2. Largo appassionato
61. 3. Scherzo (Allegretto)
62. 4. Rondo (Grazioso)
63. 1. Allegro con brio
64. 2. Adagio
65. 3. Scherzo (Allegro)
66. 4. Allegro assai
67. 1. Allegro molto e con brio
68. 2. Largo, con gran espressione
69. 3. Allegro
70. 4. Rondo (Poco allegretto e grazioso)
71. 1. Allegro vivace
72. 2. Adagio grazioso
73. 3. Rondo (Allegretto)
74. 1. Largo - Allegro
75. 2. Adagio
76. 3. Allegretto
77. 1. Allegro ma non troppo
78. 2. Tempo di Menuetto
79. 1. Allegro
80. 2. Scherzo (Allegretto vivace)
81. 3. Menuetto (Moderato e grazioso)
82. 4. Presto con fuoco
83. 1. Adagio cantabile - Allegro ma non troppo
84. 2. Allegro vivace
85. 1. Allegro
86. 2. Allegretto
87. 3. Rondo (Allegro comodo)
88. 1. Allegro
89. 2. Andante
90. 3. Scherzo (Allegro assai)
91. 1. Allegro con brio
92. 2. Adagio con molto espressione
93. 3. Menuetto
94. 4. Rondo (Allegretto)
95. 1. Andante con variazioni
96. 2. Scherzo (Allegro molto)
97. 3. Marcia funebre sulla morte d'un Eroe
98. 4. Allegro
99. 1. Andante - Allegro - Tempo I
100. 2. Allegro molto e vivace
101. 3. Adagio con espressione
102. 4. Allegro vivace - Tempo I - Presto
01. I. Adagio sostenuto
02. II. Allegretto
03. III. Presto agitato
04. 1. Allegro
05. 2. Adagio
06. 3. Menuetto (Allegretto)
07. 4. Prestissimo
08. 1. Grave - Allegro di molto e con brio
09. 2. Adagio cantabile
10. 3. Rondo (Allegro)
11. 1. Allegro assai
12. 2. Andante con moto
13. 3. Allegro ma non troppo
14. Tema. Vivace (Live at Pierre Boulez Saal, Berlin / 2020)
15. Var. 1. Alla marcia maestoso (Live at Pierre Boulez Saal, Berlin / 2020)
16. Var. 2. Poco allegro (Live at Pierre Boulez Saal, Berlin / 2020)
17. Var. 3. L'istesso tempo (Live at Pierre Boulez Saal, Berlin / 2020)
18. Var. 4. Un poco più vivace (Live at Pierre Boulez Saal, Berlin / 2020)
19. Var. 5. Allegro vivace (Live at Pierre Boulez Saal, Berlin / 2020)
20. Var. 6. Allegro ma non troppo e serioso (Live at Pierre Boulez Saal, Berlin / 2020)
21. Var. 7. Un poco più allegro (Live at Pierre Boulez Saal, Berlin / 2020)
22. Var. 8. Poco vivace (Live at Pierre Boulez Saal, Berlin / 2020)
23. Var. 9. Allegro pesante e risoluto (Live at Pierre Boulez Saal, Berlin / 2020)
24. Var. 10. Presto (Live at Pierre Boulez Saal, Berlin / 2020)
25. Var. 11. Allegretto (Live at Pierre Boulez Saal, Berlin / 2020)
26. Var. 12. Un poco più moto (Live at Pierre Boulez Saal, Berlin / 2020)
27. Var. 13. Vivace (Live at Pierre Boulez Saal, Berlin / 2020)
28. Var. 14. Grave e maestoso (Live at Pierre Boulez Saal, Berlin / 2020)
29. Var. 15. Presto scherzando (Live at Pierre Boulez Saal, Berlin / 2020)
30. Var. 16. Allegro (Live at Pierre Boulez Saal, Berlin / 2020)
31. Var. 17. Allegro (Live at Pierre Boulez Saal, Berlin / 2020)
32. Var. 18. Poco moderato (Live at Pierre Boulez Saal, Berlin / 2020)
33. Var. 19. Presto (Live at Pierre Boulez Saal, Berlin / 2020)
34. Var. 20. Andante (Live at Pierre Boulez Saal, Berlin / 2020)
35. Var. 21. Allegro con brio - Meno allegro (Live at Pierre Boulez Saal, Berlin / 2020)
36. Var. 22. Allegro molto, alla "Notte e giorno faticar" di Mozart (Live at Pierre Boulez Saal, Berlin / 2020)
37. Var. 23. Allegro assai (Live at Pierre Boulez Saal, Berlin / 2020)
38. Var. 24. Fughetta. Andante (Live at Pierre Boulez Saal, Berlin / 2020)
39. Var. 25. Allegro (Live at Pierre Boulez Saal, Berlin / 2020)
40. Var. 26. Piacevole (Live at Pierre Boulez Saal, Berlin / 2020)
41. Var. 27. Vivace (Live at Pierre Boulez Saal, Berlin / 2020)
42. Var. 28. Allegro (Live at Pierre Boulez Saal, Berlin / 2020)
43. Var. 29. Adagio ma non troppo (Live at Pierre Boulez Saal, Berlin / 2020)
44. Var. 30. Andante, sempre cantabile (Live at Pierre Boulez Saal, Berlin / 2020)
45. Var. 31. Largo, molto espressivo (Live at Pierre Boulez Saal, Berlin / 2020)
46. Var. 32. Fugue. Allegro (Live at Pierre Boulez Saal, Berlin / 2020)
47. Var. 33. Tempo di Minuet moderato (Live at Pierre Boulez Saal, Berlin / 2020)
48. 2. Rondo (Allegro)
49. 1. Allegro molto e con brio
50. 2. Adagio molto
51. 3. Finale (Prestissimo)
52. 1. Allegro
53. 2. Allegretto
54. 3. Presto
55. 1. Presto
56. 2. Largo e mesto
57. 3. Menuetto (Allegro)
58. 4. Rondo (Allegro)
59. 1. Allegro vivace
60. 2. Largo appassionato
61. 3. Scherzo (Allegretto)
62. 4. Rondo (Grazioso)
63. 1. Allegro con brio
64. 2. Adagio
65. 3. Scherzo (Allegro)
66. 4. Allegro assai
67. 1. Allegro molto e con brio
68. 2. Largo, con gran espressione
69. 3. Allegro
70. 4. Rondo (Poco allegretto e grazioso)
71. 1. Allegro vivace
72. 2. Adagio grazioso
73. 3. Rondo (Allegretto)
74. 1. Largo - Allegro
75. 2. Adagio
76. 3. Allegretto
77. 1. Allegro ma non troppo
78. 2. Tempo di Menuetto
79. 1. Allegro
80. 2. Scherzo (Allegretto vivace)
81. 3. Menuetto (Moderato e grazioso)
82. 4. Presto con fuoco
83. 1. Adagio cantabile - Allegro ma non troppo
84. 2. Allegro vivace
85. 1. Allegro
86. 2. Allegretto
87. 3. Rondo (Allegro comodo)
88. 1. Allegro
89. 2. Andante
90. 3. Scherzo (Allegro assai)
91. 1. Allegro con brio
92. 2. Adagio con molto espressione
93. 3. Menuetto
94. 4. Rondo (Allegretto)
95. 1. Andante con variazioni
96. 2. Scherzo (Allegro molto)
97. 3. Marcia funebre sulla morte d'un Eroe
98. 4. Allegro
99. 1. Andante - Allegro - Tempo I
100. 2. Allegro molto e vivace
101. 3. Adagio con espressione
102. 4. Allegro vivace - Tempo I - Presto
Daniel Barenboim is a conductor and pianist of top international stature, known for an extraordinarily large orchestral and operatic repertoire. He is the general music director and chief conductor for life of the Staatsoper Berlin in Germany.
Barenboim was born in Buenos Aires on November 15, 1942, into a family of Ukrainian Jewish descent. Barenboim's mother was his first piano teacher. He later studied with his father, Enrique Barenboim, who was an eminent music professor. After playing for the noted violinist Adolf Busch, who was impressed by his talent, Daniel made his debut recital at the age of seven. In 1951, he played at the Mozarteum in Salzburg and observed Igor Markevitch's conducting class. The family moved to Israel in 1952; two years later, Barenboim went back to Salzburg for a conducting course with Markevitch, piano studies with Edwin Fischer, and chamber music performance with Enrico Mainardi. He studied conducting with Carlo Zecchi at the Accademia Musicale Chigiana in Siena, also attending Nadia Boulanger's music theory and composition class at Fontainebleau. His U.S. debut was at New York's Carnegie Hall on January 20, 1957, in Prokofiev's Piano Concerto No. 1, with Leopold Stokowski conducting the Symphony of the Air.
Debuts with leading orchestras included the London Symphony Orchestra (New York, 1968), Berlin Philharmonic (1969), and New York Philharmonic (1970). In 1967, Barenboim married the brilliant cellist Jacqueline Du Pré, with whom he made several exceptional recital recordings. Unfortunately, this partnership ended when Du Pré contracted multiple sclerosis, which forced her to end her playing career in 1972. She died in 1987. Barenboim began a long association with the Deutsche Grammophon label in 1972, and the following year, issued a recording of Bruckner's Symphony No. 4 in E flat major ("Romantic") with the Chicago Symphony Orchestra. He has maintained long relationships with both that orchestra and with Bruckner's music. In 1982, Barenboim issued an album of music by Ravel with the Orchestre de Paris. He has guest conducted virtually all of the world's leading orchestras.
In 1989, he was named Sir Georg Solti's successor as music director of the Chicago Symphony Orchestra. In 1992, Barenboim became music director of the Staatsoper Berlin, then named chief conductor for life by its orchestra in 2002. In 1999, with Palestinian-American scholar Edward Said, Barenboim co-founded the West-Eastern Divan Orchestra, a summer youth orchestra designed to foster understanding and cooperation, and he established the Barenboim-Said Academy in Berlin. Devoted to the training of young Arab and Israeli musicians, the school opened in 2016. A recording of Beethoven's Symphony No. 9 by the West-Eastern Divan Orchestra appeared in 2013, and the group has spawned several young musicians with international careers, sometimes performing and recording with Barenboim.
Barenboim has a rich recorded repertoire as a conductor, pianist, accompanist, and chamber music player. Interestingly, as a pianist, he tends to focus on Mozart, Beethoven, and the early Romantics, while as a conductor, he favors later Romantic music, particularly Brahms and Bruckner (he has won a medal from the Bruckner Society of America). Barenboim's recorded output continued to be abundant through his ninth decade, including not only standard repertory but such novelties as On My New Piano (2016), an album devoted to the capabilities of an instrument custom-made for Barenboim by builder Chris Maene and based on a piano owned by Liszt. As a conductor, he continued to undertake lengthy, difficult scores by the likes of Bruckner and Mahler. His 2017 recording of Elgar's The Dream of Gerontius with the Staatskapelle Berlin was critically acclaimed. He often issued more than a dozen recordings in the course of a single year, and by 2022, his recorded output included well over 500 releases. Early that year, he already had three albums on the docket for release: an album of Mozart and Strauss oboe concertos with the West-Eastern Divan Orchestra and oboist Cristina Gómez Godoy, an album of piano encores, and the annual Vienna Philharmonic New Year's Concert, which he has conducted multiple times. ~ James Manheim
Barenboim was born in Buenos Aires on November 15, 1942, into a family of Ukrainian Jewish descent. Barenboim's mother was his first piano teacher. He later studied with his father, Enrique Barenboim, who was an eminent music professor. After playing for the noted violinist Adolf Busch, who was impressed by his talent, Daniel made his debut recital at the age of seven. In 1951, he played at the Mozarteum in Salzburg and observed Igor Markevitch's conducting class. The family moved to Israel in 1952; two years later, Barenboim went back to Salzburg for a conducting course with Markevitch, piano studies with Edwin Fischer, and chamber music performance with Enrico Mainardi. He studied conducting with Carlo Zecchi at the Accademia Musicale Chigiana in Siena, also attending Nadia Boulanger's music theory and composition class at Fontainebleau. His U.S. debut was at New York's Carnegie Hall on January 20, 1957, in Prokofiev's Piano Concerto No. 1, with Leopold Stokowski conducting the Symphony of the Air.
Debuts with leading orchestras included the London Symphony Orchestra (New York, 1968), Berlin Philharmonic (1969), and New York Philharmonic (1970). In 1967, Barenboim married the brilliant cellist Jacqueline Du Pré, with whom he made several exceptional recital recordings. Unfortunately, this partnership ended when Du Pré contracted multiple sclerosis, which forced her to end her playing career in 1972. She died in 1987. Barenboim began a long association with the Deutsche Grammophon label in 1972, and the following year, issued a recording of Bruckner's Symphony No. 4 in E flat major ("Romantic") with the Chicago Symphony Orchestra. He has maintained long relationships with both that orchestra and with Bruckner's music. In 1982, Barenboim issued an album of music by Ravel with the Orchestre de Paris. He has guest conducted virtually all of the world's leading orchestras.
In 1989, he was named Sir Georg Solti's successor as music director of the Chicago Symphony Orchestra. In 1992, Barenboim became music director of the Staatsoper Berlin, then named chief conductor for life by its orchestra in 2002. In 1999, with Palestinian-American scholar Edward Said, Barenboim co-founded the West-Eastern Divan Orchestra, a summer youth orchestra designed to foster understanding and cooperation, and he established the Barenboim-Said Academy in Berlin. Devoted to the training of young Arab and Israeli musicians, the school opened in 2016. A recording of Beethoven's Symphony No. 9 by the West-Eastern Divan Orchestra appeared in 2013, and the group has spawned several young musicians with international careers, sometimes performing and recording with Barenboim.
Barenboim has a rich recorded repertoire as a conductor, pianist, accompanist, and chamber music player. Interestingly, as a pianist, he tends to focus on Mozart, Beethoven, and the early Romantics, while as a conductor, he favors later Romantic music, particularly Brahms and Bruckner (he has won a medal from the Bruckner Society of America). Barenboim's recorded output continued to be abundant through his ninth decade, including not only standard repertory but such novelties as On My New Piano (2016), an album devoted to the capabilities of an instrument custom-made for Barenboim by builder Chris Maene and based on a piano owned by Liszt. As a conductor, he continued to undertake lengthy, difficult scores by the likes of Bruckner and Mahler. His 2017 recording of Elgar's The Dream of Gerontius with the Staatskapelle Berlin was critically acclaimed. He often issued more than a dozen recordings in the course of a single year, and by 2022, his recorded output included well over 500 releases. Early that year, he already had three albums on the docket for release: an album of Mozart and Strauss oboe concertos with the West-Eastern Divan Orchestra and oboist Cristina Gómez Godoy, an album of piano encores, and the annual Vienna Philharmonic New Year's Concert, which he has conducted multiple times. ~ James Manheim
Year 2022 | Classical | FLAC / APE
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