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Elisabeth Holmertz - Henrik Hellstenius: Places of Sounds and Words (2022) Hi-Res

Elisabeth Holmertz - Henrik Hellstenius: Places of Sounds and Words (2022) Hi-Res
  • Title: Henrik Hellstenius: Places of Sounds and Words
  • Year Of Release: 2022
  • Label: Lawo Classics
  • Genre: Classical
  • Quality: FLAC 16/24 Bit (96 KHz / tracks+booklet)
  • Total Time: 64:18 min
  • Total Size: 236 MB / 1,1 GB
  • WebSite:
Tracklist:

1. Places of Sounds and Words for Soprano, Ensemble and Electronics (2014): I. Things, Places and People
2. Places of Sounds and Words for Soprano, Ensemble and Electronics (2014): II. Mutated Birds
3. Places of Sounds and Words for Soprano, Ensemble and Electronics (2014): III. A Girl
4. Places of Sounds and Words for Soprano, Ensemble and Electronics (2014): IV. Lost in Life
5. Places of Sounds and Words for Soprano, Ensemble and Electronics (2014): V. Animals in the Forest
6. Places of Sounds and Words for Soprano, Ensemble and Electronics (2014): VI. Places, People and Things
7. Places of Sounds and Words for Soprano, Ensemble and Electronics (2014): VII. I Only See Forms
8. Unfolded for Piano Trio (2020)
9. Instrument of Speech for Ensemble and Electronics (2016–17): I. Bennett Talks
10. Instrument of Speech for Ensemble and Electronics (2016–17): II. Readings
11. Instrument of Speech for Ensemble and Electronics (2016–17): III. Chromsky Lectures
12. Instrument of Speech for Ensemble and Electronics (2016–17): IV. Babel

“Places of Sounds and Words” features works in which language and sounds from the world around us become part of the musical material of composer Henrik Hellstenius. The music on this release probes the nature of the relationship between sounds from the real world and musical sounds, and between language and musical sounds. What happens when the sounds of crowds, traffic, conversations, birds and animals are placed in a musical context with instruments and singing? How does the meaning of the sounds change, and how do they change the meaning of the music? Taken together can they create a new whole, new contexts and meanings? Likewise, with the spoken word, how do we understand language when it is a part of a musical composition in which language is composed into the work as sound and meaning?

The three pieces on this album are the result of a long-standing collaboration between singer Elisabeth Holmertz (“Places of Sounds and Words”) and the ensembles Cikada (“Places of Sounds and Words” and “Unfolded”) and asamisimasa (“Instrument of Speech”). They are also the result of an artistic interest Henrik Hellstenius has had to create a “theatre in music” by incorporating elements from the real world and language into the compositional process. Music is in principle everywhere, in the sounds of the world around us and in the language we speak. Thus it is natural today to create music with a larger palette than just the instrumental and vocal parts. With sounds from the world a musical tension is created using recordings of calls to police, neighbours quarrelling, shouts of joy, and the many sounds from the natural world.

Henrik Hellstenius is one of our most distinguished composers, with a career spanning three decades. He has shown a persistent commitment to exploring and developing his artistic production, which encompasses everything from opera and music for theatre and dance to orchestral works and chamber music. In 2022 he received Spellemannprisen (Norway’s Grammy) as “Composer of the Year” for the release “Past & Presence”


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