Joe Price, Vicki Price - Night Owls (2015)
BAND/ARTIST: Joe Price, Vicki Price
- Title: Night Owls
- Year Of Release: 2015
- Label: Self Released
- Genre: Blues
- Quality: flac lossless (tracks)
- Total Time: 00:35:47
- Total Size: 194 mb
- WebSite: Album Preview
Tracklist
01. Honey
02. High Blood Pressure
03. Airline
04. Dark Bar
05. Bones
06. Fat Cat
07. Love Kills Slowly
08. Whoopee Pie
09. Sad Luck and Trouble
10. A Beer Away
Fun and spunky guitar riffs that make you stomp your feet, bob your head and smile, explode right out of the gate and don’t quit until the album is done. Right from jump-street, the electrifying sound of Joe Price hits you in all the places you live, a one-man blues tornado who can pack, command and wring-out a dance-floor with the authority of an eight-piece show band. His own deep and varied bag of original music is so formidable that noted Grammy-award nominated singer/songwriter Greg Brown has long referred to Joe as “the Buddha.” Vicki’s powerful bluesy voice evokes an image of a woman in a 1920’s speakeasy singing her heart out. She is a more conventional (quite good) guitar player than Joe and a song writer of some talent. She is a women who can be summoned to the stage (seemingly at a moments notice, this is no “act”) to jump onto the freight train that is Joe’s current musical number.
01. Honey
02. High Blood Pressure
03. Airline
04. Dark Bar
05. Bones
06. Fat Cat
07. Love Kills Slowly
08. Whoopee Pie
09. Sad Luck and Trouble
10. A Beer Away
Fun and spunky guitar riffs that make you stomp your feet, bob your head and smile, explode right out of the gate and don’t quit until the album is done. Right from jump-street, the electrifying sound of Joe Price hits you in all the places you live, a one-man blues tornado who can pack, command and wring-out a dance-floor with the authority of an eight-piece show band. His own deep and varied bag of original music is so formidable that noted Grammy-award nominated singer/songwriter Greg Brown has long referred to Joe as “the Buddha.” Vicki’s powerful bluesy voice evokes an image of a woman in a 1920’s speakeasy singing her heart out. She is a more conventional (quite good) guitar player than Joe and a song writer of some talent. She is a women who can be summoned to the stage (seemingly at a moments notice, this is no “act”) to jump onto the freight train that is Joe’s current musical number.
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